Composed by Various. Arranged by Eugene Egorov, Oleksii Rohoza. Children, Christmas. Score and parts. 12 pages. Eugene Egorov #6091317. Published by Eugene Egorov

Composed by Various. Arranged by Eugene Egorov, Oleksii Rohoza. Children, Christmas. Score and parts. 12 pages. Eugene Egorov #6091285. Published by Eugene Egorov

Bass Guitar - Level 1 - Digital Download SKU: A0.1320453 Composed by Frederic Chopin. Arranged by Paulo Galvão. Classical,Romantic Period,Wedding. Score. 4 pages. Paulo Galvao Filho #908968. Published by Paulo Galvao Filho (A0.1320453).

Bass Guitar - Digital Download SKU: A0.1069949 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 187. Boothe Publishing #4632027. Published by Boothe Publishing (A0.1069949). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.

String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.955364 Composed by Neal Fitzpatrick. Instructional. Score and parts. 2 pages. Neal Fitzpatrick Editions #5287531. Published by Neal Fitzpatrick Editions (A0.955364). This work for string quartet in A flat Major is No.9 of a set Major scale exercises in all 12 major keys. The focus of the study is varied divisions of the beat using whole notes, half notes, quarter notes and eighth notes. The exercise will also help understand articulation, tone and dynamics. A steady cycle through all 12 keys will help further an understanding of keys, key signatures and harmonic relationships.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag

Guitar - Level 4 - Digital Download SKU: A0.1369757 Composed by Fernando Carulli. Arranged by Erik Otte. 19th Century,Chamber,Classical. 20 pages. Erik Otte #954122. Published by Erik Otte (A0.1369757). Ferdinando Carulli (9 February 1770 – 17 February 1841) was an Italian composer for classical guitar and the author of the influential Méthode complète pour guitare ou lyre, op. 27 (1810), which contains music still used by student guitarists today. He wrote a variety of works for classical guitar, including numerous solo and chamber works and several concertos. He was an extremely prolific writer, composing over 400 works for the instrument. This energetic Allegro moderato is arranged for four guitars by Erik Otte. Score and parts are included.

Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.955253 Composed by Neal Fitzpatrick. Instructional,Standards. Score and parts. 2 pages. Neal Fitzpatrick Editions #4808821. Published by Neal Fitzpatrick Editions (A0.955253). This exercise for guitar ensemble is designed to enhance and improve ensemble playing for guitarists. It is especially beneficial to guitarists new to ensemble playing. This exercise can be played on nylon and steel string guitars. Each player can take turns playing each part.

Composed by Gabriel Faure (1845-1924). Arranged by Roberto García. Impressionistic, Repertoire. Score, Set of Parts. 9 pages. Published by apt4guitar (S0.333527). - Score,Set of Parts - Impressionistic,Repertoire - apt4guitar

Composed by Gabriel Faure (1845-1924). Arranged by Roberto García. Impressionistic, Post-Romantic, Repertoire, Classroom. Score, Set of Parts. 9 pages. Published by apt4guitar (S0.118013). - Score,Set of Parts - Impressionistic,Post-Romantic,Repertoire,Classroom - apt4guitar

Composed by Edward Elgar (1857-1934). Arranged by Roberto García. 20th Century, Repertoire. Score, Set of Parts. 9 pages. Published by apt4guitar (S0.110897). - Score,Set of Parts - 20th Century,Repertoire - apt4guitar

Composed by Franz Joseph Haydn (1732-1809). Arranged by Roberto García. Classical Period, Repertoire. Solo Part. 9 pages. Published by apt4guitar (S0.110641). - Solo Part - Classical Period,Repertoire - apt4guitar

Composed by Domenico Scarlatti (1685-1757). Arranged by Robin Hill. Baroque, Concert. Score and parts. 3 pages. Robin Hill #3454431. Published by Robin Hill

Concert Band - Level 4 - Digital Download SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. Benjamin Pritchard #5465. Published by Benjamin Pritchard (A0.986863). This piece was originally written for jazz ensemble and then arranged for concert band. This was done, in part, to make available concert band literature that utilizes jazz/rock instruments (guitar, bass, piano) and improvisation. There are many arrangements of rock and pop tunes available to band directors. While those arrangements sometimes include bass parts they rarely, if ever, have guitar or piano/keyboard parts. Why not? Why not include these parts, even if they are optional? In addition, I’ve noticed that there is very little concert band literature that involves improvisation. Again, why not? I believe that this is the concert band literature of the future – the integrated utilization of electric guitar, keyboards, and improvisation. This piece is my first attempt at such a venture. Having just finished the premier performance of the original jazz ensemble version of 7 to 9 I thought it would be a good platform. Most of 7 to 9 transitions between 7/4 and 9/4. It is a fun, quirky piece with a Latin feel. There is a short 5-bar swing section in the middle for open solos. There is also a one chord solo section later in the piece for less experienced improvisers. The students will really enjoy putting this together, especially with the electric guitar, piano, and bass. It adds a completely new dimension to the concert band as well as an overall excitement. The piece ends with a long building Latin groove with a jam feel to it. The guitarist ends this build with an improvised solo which soars above the rest of the band. It is a fun piece to play but requires a great deal of focus due to the changing meter and odd phrase lengths and entrances. There is only a midi recording available at this time. A live recording will be available soon.

Composed by Tomaso Giovanni Albinoni (1671-1751). Arranged by John Milne. Baroque Period. Score, Set of Parts. 9 pages. Published by Odd Shoe Music (S0.259745). - Score,Set of Parts - Baroque Period - Odd Shoe Music