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Guitar - Intermediate - Digital Download

SKU: ZY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522).

Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Élégie
Guitare

$3.95 3.74 € Guitare PDF SheetMusicPlus

Guitar (flat-picking) - Intermediate - Digital Download

SKU: M0.95108MEB

Composed by Steve Kaufman. Country. E-book and online audio/video. Mel Bay Publications - Digital Sheet Music #95108MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95108MEB).

ISBN 9781619116030. 8.75x11.75 inches.

A masterful flatpicking technique book offering bluegrass licks, scales, basic chords, and solos in various positions up the neck in the keys of G-C-D-A-E-,B-flat and F. The companion audio features selections from throughout the book, played both slowly and at normal speed. Steve's solo guitar is recorded on both channels with no rhythm accompaniment. This book of basic technical studies presents only a few flatpicking repertoire pieces illustrating each concept and key.

Features: Fisher's Hornpipe; Lonesome Road Blues; and The Bluegrass Boogie. Novice players will find the recording a great asset in learning this material. All studies and pieces are written in notation and tablature. Includes a 60-minute companion video. Includes access to online audio and video.

Power Flatpicking Guitar
Guitare notes et tablatures

$19.99 18.93 € Guitare notes et tablatures PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1453199

By Olivia Lane. By Olivia Lane. Arranged by Kenneth Martin. 21st Century,Christian,Contemporary,Praise & Worship,Religious. Score. 70 pages. Martin Music Editions #1032426. Published by Martin Music Editions (A0.1453199).

# Discover the New Worship Song Arrangement: Who I Thought You Were by Olivia Lane

Immerse yourself in the transformative power of music with our latest arrangement of Who I Thought You Were by the acclaimed Christian artist, Olivia Lane. Known for her heartfelt lyrics and inspiring journey, Olivia Lane's music is a testament to her faith and personal transformation.

## About Olivia Lane
Olivia Lane's journey to faith is as compelling as her music. Once an atheist, Olivia experienced a profound spiritual awakening that she shared openly with the world. Her conversion story is a powerful narrative of finding hope and belief, making her one of the most inspiring figures in contemporary Christian music. Her journey from skepticism to faith resonates deeply with many, and her music reflects this profound change.

## The Song: Who I Thought You Were
Who I Thought You Were is a beautiful worship song that captures Olivia Lane's embrace of her new faith. The lyrics reflect her spiritual journey and newfound relationship with God, making it a moving and uplifting piece for any worship setting.

## Arrangement Details
Our arrangement of Who I Thought You Were is designed to suit various musical needs and preferences. The song is arranged for voice, piano, guitar, and bass, ensuring a rich and full sound. In addition to the full arrangement, chord charts are included to facilitate easy play and adaptability for different instruments and skill levels.

### Key Features:
- **Voice, Piano, Guitar, and Bass Arrangement:** Perfect for solo performances, church services, and worship bands.
- **Chord Charts Included:** Simplifies playing and allows for flexibility in worship sessions.
- **Available in Three Keys:** Bb Major, C Major, and D Major, to accommodate different vocal ranges and musical preferences.

## Enhance Your Worship Experience
Whether you're looking to perform Who I Thought You Were in a church service or include it in your personal worship sessions, our arrangement offers versatility and ease of use. This song not only highlights Olivia Lane's vocal prowess and songwriting talent but also serves as a powerful tool for worship, reflection, and spiritual growth.

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Experience the uplifting message and beautiful melody of Who I Thought You Were by Olivia Lane. Download the sheet music and chord charts now to bring this inspiring worship song to your congregation or personal practice.

**Keywords:**  
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Who I Thought You Were - Music for Worship (In Bb, C, & D major)
Piano, Voix et Guitare
Olivia Lane
$10.00 9.47 € Piano, Voix et Guitare PDF SheetMusicPlus






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