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Organ - Level 2 - Digital Download SKU: A0.1207714 Composed by August Freyer. Arranged by Ascalon. Christian,Classical,Religious. Score. 12 pages. Ascalon #805840. Published by Ascalon (A0.1207714). The collection contains 12 easy preludes for organ without a pedal. The preludes lend themselves very well to a church service and are excellent pedagogical material.August Freyer (15 December 1801 – 28 May 1883) was a Polish musician and composer, specializing in both performance and composition on the organ.August was born in Saxony in 1801. He moved to Warsaw and began his musical career there as a double bass player. He became organist at the Warsaw Evangelical Church, had the organ rebuilt, and turned his church into a prominent musical location while becoming the prominent organist and organ teacher in Warsaw. He made a tour of northern Germany as an organist, from which he received wide acclaim.August was a musical pupil of Józef Elsner. He became a close associate of Adolf Friedrich Hesse. He promoted Hesse's music to Mikhail Glinka, successful in his performance to the point of reducing his listener to tears. At an early age Stanisław Moniuszko became his pupil, his parents relocated to Warsaw in order to have Stanisław study with Freyer. He died in 1883.Freyer was largely responsible for the revival of organ music in Poland. He was a master at music balance, both homophonic and polyphonic. His playing was appreciated by Felix Mendelssohn and Louis Spohr. In addition to the aforementioned German concerts, he toured Paris to enthusiastic reception. His most famous composition was a set of Concert Variations of which the final-movement fugue is the most recognized.
12 Preludes for Organ op. 17
Orgue

$6.99 5.98 € Orgue PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1226201 By Andrew Harrison. By Andrew Harrison. 21st Century,Classical,Contemporary,Historic. Score. 31 pages. Phantom Dog Music #822230. Published by Phantom Dog Music (A0.1226201). The Drumfire Was Incessant, and Continued All Night With Unabated Fury is a solo piano piece, inspired by Newton Wanliss’s harrowing account of the Battle of Pozieres in his 1929 war biography The History of the 14th Battalion, A.I.F. The Battle of Pozieres ran between July and August 1916, as part of the First World War’s Somme Offensive. The composition focuses on the days leading up to August 9th, 1916, when my great-great uncle Private Leslie Robins, an infantryman in the 14th Battalion, was shot and wounded.In the early stages of writing the piece, whilst conducting preliminary research into the Battle of Pozieres, I was struck by the disparity between the British High Command’s notion of formulating a ‘plan’ for the battle, and the actuality of what occurred once soldiers ‘went over the top’ into no-man’s land. This dichotomous concept – exerting control over an inherently fluid and dynamic situation – I found to be most intriguing. It segued neatly into my aesthetic explorations of the role of improvisation (a dynamic process) within a larger notated context (a controlled environment). I decided that this dichotomy would play a fundamental role within the piece.Australian pianist Zubin Kanga commissioned The Drumfire… for his 2012 Spectrum concert series. The piece was given its world premiere on August 11th 2012 at the Melbourne Recital Centre, and was also performed at the Independent Theatre in Sydney on August 16th 2012.
The Drumfire Was Incessant, and Continued All Night With Unabated Fury
Piano seul
Andrew Harrison
$59.99 51.35 € Piano seul PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.5748 Composed by Will D. Cobb & Gus. Edwards. Portraits, Courtship, Weddings, Quarreling, Unrequited love, Time, Disgrace. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5748). The Singer and the Song. An Imprint Stamped for Life on Memory's Page. Song & Chorus. by Will D. Cobb and Gus. Edwards. Published 1899 by Howley, Haviland & Co., 1260-1266 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Weddings, Quarreling, Unrequited love, Time, Disgrace. First line reads I was sitting at a table in a concert hall one night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Singer and the Song. An Imprint Stamped for Life on Memory's Page. Song & Chorus
Piano, Voix

$5.99 5.13 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1266550 By Various. By Music by Isham Jones with lyrics by Gus Kahn. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #859225. Published by DAVID LEE GINGRAS (A0.1266550). The One I Love (Belongs to Somebody Else) is a popular song composed by Isham Jones with lyrics by Gus Kahn. The song was recorded by Isham Jones' Orchestra on December 21, 1923, at Brunswick Studios in New York City, and published on January 7, 1924. On January 17 in Chicago, Jones recorded another version, with Al Jolson on lead vocals. This version was developed from the original 1924 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!
The One I Love (Belongs To Somebody Else)
Piano, Voix
Various
$3.99 3.42 € Piano, Voix PDF SheetMusicPlus

Piano - Digital Download SKU: LV.12714 Composed by Gus B. Grigham. Portraits--A.G. Thurman. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12714). The Red Bandana March. By Gus B. Grigham. Published 1888 by National Music in Chicago. Composition of sectional with piano Plate no 772 4 instrumentation. Subject headings for this piece include Portraits--A.G. Thurman. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Red Bandana March
Piano seul
Gus B Grigham
$5.99 5.13 € Piano seul PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.4807 Composed by Gus. Williams. Courtship, Love, Families, Marriage, Kissing. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4807). I'm Just Going Down to the Gate. Song & Chorus (Serio-Comic). Written by Gus. Williams. Published 1882 by W.A. Evans & Bro., Publishers in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Families, Marriage, Kissing. First line reads My sweetheart's a sly little fairy, her age it is just seventeen.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
I'm Just Going Down to the Gate. Song & Chorus (Serio-Comic)
Piano, Voix

$5.99 5.13 € Piano, Voix PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4494 Composed by Gus. Williams. Cemeteries, Tombs & sepulchral monuments, Widows, Wreaths, Grief, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4494). See That My Grave's Kept Green. Song and Chorus. Written and Composed by Gus. Williams. Published 1876 by Frederick Blume, 861 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Cemetaries, Tombs & sepulchral monuments, Widows, Wreaths, Grief, Love. First line reads When I'm dead and gone from you, darling, when I'm laid away in my grave.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
See That My Grave's Kept Green. Song and Chorus
Chorale SATB

$5.99 5.13 € Chorale SATB PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!     Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.    This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!    Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
Toot, Toot, Tootsie!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$6.99 5.98 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794051 Composed by Gus Kahn, Harry Akst, and Richard A. Whiting. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #5739181. Published by DAVID LEE GINGRAS (A0.794051). Guilty is a popular song published in 1931. The music was written by Richard A. Whiting and Harry Akst. The lyrics were written by Gus Kahn. Popular recordings in 1931 were by Ruth Etting, Wayne King and by Russ Columbo. The song was later popularized by Margaret Whiting and by Johnny Desmond in 1946. This is a contemporary version developed from a lead sheet incorporating a root-based chord-blocking technique that John and I have used in a number of our arrangements. It also includes some interesting left-hand rythm patterns not found in other arrangments of this song.John and I hope you like it!
Guilty
Piano, Voix

$4.99 4.27 € Piano, Voix PDF SheetMusicPlus






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