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A Clarinet,Bassoon,Double Bass,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1347202 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century. 16 pages. RayThompsonMusic #932001. Published by RayThompsonMusic (A0.1347202). Gustav Holst: Japanese Suite Op.33Mvt.I Ceremonial DanceArranged wind dectet/bass (double wind quintet)2nd oboe plays cor anglaisClarinet parts are in AThe Japanese Suite was written at the request of the dancer Michio Ito, who was working in London in 1915.Most of the principal themes are traditional Japanese tunes, which Ito provided to Holst by whistling them.The lone exception is the “Dance of the Marionette,†which is original to Holst.Despite its origins, there is little that is “Japanese-sounding†about the resulting suite. Rather, Holst set these tunes in the same kinds of harmonies and textures that he was using in his other works, also taking the opportunity to experiment with other influences that were in the air at this time, an openness few of his British contemporaries shared. It is not known if the suite was ever used for Ito’s dance performances, but in September 1919 it did become the first of Holst’s works to be performed at a Promenade Concert, after which it received a handful of performances in the British provinces.The suite consists of six parts including a prelude and an interlude:Prelude: Song of the fishermanCeremonial dance (This arrangement)Dance of the marionettesInterlude: Song of the fishermanDance under the cherry treeFinale: Dance of the wolvesIt is unknown whether Ito did indeed use the music. The first concert performance  was during the Proms of September 1, 1919 under the direction of Holst himself.
Holst: Japanese Suite Op.33 I.Ceremonial Dance - wind dectet

$7.99 7 € PDF SheetMusicPlus

A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1348703 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century. 62 pages. RayThompsonMusic #933485. Published by RayThompsonMusic (A0.1348703). Arranged wind dectet/bassFlute 1 has some optional piccolo2nd oboe plays cor anglaisClarinets are in A/BbThe Japanese Suite was written by Gustav HOLST at the request of the dancer Michio Ito, who was working in London in 1915.Most of the principal themes are traditional Japanese tunes, which Ito provided to Holst by whistling them.The lone exception is the “Dance of the Marionette,†which is original to Holst.Despite its origins, there is little that is “Japanese-sounding†about the resulting suite. Rather, Holst set these tunes in the same kinds of harmonies and textures that he was using in his other works, also taking the opportunity to experiment with other influences that were in the air at this time, an openness few of his British contemporaries shared. It is not known if the suite was ever used for Ito’s dance performances, but in September 1919 it did become the first of Holst’s works to be performed at a Promenade Concert, after which it received a handful of performances in the British provinces.The suite consists of six parts including a prelude and an interlude:My arrangement is of the complete suitePrelude: Song of the fisherman Ceremonial dance Dance of the marionettesInterlude: Song of the fishermanDance under the cherry treeFinale: Dance of the wolves
Holst: Japanese Suite Op.33 - wind dectet

$19.95 17.48 € PDF SheetMusicPlus

A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1319293 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Chamber,Folk. 50 pages. RayThompsonMusic #907927. Published by RayThompsonMusic (A0.1319293). A Somerset Rhapsody Op.21Arranged symphonic wind dectet/bass(Double wind quintet)NB Clarinets in A as in original orchestra (Parts in Bb also provided)Holst: A Somerset Rhapsody, Op. 21, was composed by Gustav HOLST in 1906, and was dedicated to Cecil Sharp, the renowned collector of English folksong music. It began as a work for orchestra called Folk Songs of Somerset, making use of 10 songs from the collections of Sharp. That work (on manuscript)was rediscovered in 2017 in New Zealand Holst reworked four of the tunes from that piece into the Rhapsody:The Sheep-Shearing Song (also known as It’s a Rosebud in June), invokes idyllic pastoral settings and is played at the beginning by the oboe d’amore (English Horn in the wind band version). High Germany, is a song about marching off to war, and is also used by Holst’s colleague, Ralph Vaughan Williams, in his own Folk Song Suite.True Love’s Farewell, is a song about lovers saying goodbye, and is sometimes also known as Ten Thousand Miles. The final tune used is The Cuckoo.Curiously, The Cuckoo does not seem to be recognised as one of the folk tunes used in this piece...the program note in the transcription refers only to the three other folk melodies, and many program notes omit any reference to The Cuckoo whatsoever.Though not a programmatic work, the composer once divulged to a colleague that the work told a story:Into a quiet country scene comes the sound of approaching soldiers. A youth who is courting a girl is persuaded to enlist and go to war. The soldiers march into the distance and the pastoral quietness returns. The girl is left alone.â€It works well for wind dectet.
Holst: A Somerset Rhapsody Op.21 - symphonic wind dectet

$24.95 21.86 € PDF SheetMusicPlus






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