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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe,Piano,Voice - Level 4 - Digital Download

SKU: A0.942162

Composed by Gustav Mahler. Arranged by Armin Terzer. Romantic Period. Score and parts. 112 pages. Armin Terzer #4764455. Published by Armin Terzer (A0.942162).

This is an arrangement forsolo voice, woodwind quintet and piano of Mahler’s complete Kindertotenlieder (Songs on the Death of Children). The quintet covers most of the original wind and brass parts while the piano mostly covers the strings.  This is very effective in chamber music recitals (as a companion piece to the Poulenc Sextuor, for instance) or vocal recitals (adding many more of the original colours as opposed to a simple piano accompaniment). The level of difficulty is aspiring intermediate to advanced. The set contains a full score, quintet parts and a vocal score (small staves for quintet, regular size staves for voice and piano).

Kindertotenlieder (Songs on the Death of Children)

$40.00 37.87 € PDF SheetMusicPlus

Concert Band - Digital Download

SKU: A0.733009

Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009).

A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.

A Promise to Stand By:
Orchestre d'harmonie

$19.99 18.93 € Orchestre d'harmonie PDF SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download

SKU: A0.802701

Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contemporary. Score and parts. 13 pages. Peet du Toit #6859613. Published by Peet du Toit (A0.802701).

Josef Weinberger has been synonymous with popular musical theater for over 125 years. Weinberger was born the son of a goldsmith in Lipto St. Miklo in Hungary but his family moved to Vienna in 1865. In 1885 Josef Weinberger and Carl Hofbauer started an art and music store in Vienna, but the partnership ended when both partners set up on their own, Weinberger in 1890 and Hofbauer in 1892. Weinberger saw the potential, in publishing and licensing, of the craze for operetta, and made a connection with Johann Strauss II. Within a few years all the great operetta composers were his clients: Strauss, Millöcker, Zeller, Kálmán, Oscar Straus, Stolz, and Fall. He even provided licensing services for the last great Viennese operetta composer, Franz Lehár, who from the 1920s published through his own company, Glocken-Verlag.

The firm expanded quickly, opening branches in Paris (1885) and Leipzig (1889) where they worked with Friedrich Hofmeister. One of the most remarkable aspects of the developing Weinberger catalogue was the commitment to Czech music, and from April 1893 to August 1894 the Hofmeister entries were almost all by Smetana (various publications of Dalibor and HubiÄka as well as overtures) and Vilém Blodek (V studni); later additions included Tajemstvi (1895) and  LibuÅ¡e (1897). Otherwise most of the repertoire was of popular music for various combinations, not least military bands, with von Suppé figuring prominently from 1895 onwards.

The mid 1890s also saw significant enlargements of the Weinberger catalogue through the acquisition of other publisher's lists: in 1894 the ancient firm of Artaria, then in 1895 items from the Kratochwill catalogue and over 1,500 works from the Kratz catalogue of theatrical works. This latter acquisition included a number of works with international performing rights, which encouraged Weinberger to open a Parisian branch in 1896, but it also reflected a shift in Weinberger's publishing interests towards theatrical music generally. Another major step in that direction was taken in 1897, when the entire theatrical catalogue of Gustav Lewy â€“ which included the stage works of Johann Strauss the younger and Millöcker – were taken over (with the Strauss performing rights following in 1899).

Weinberger was active in three other fields apart from popular music. Firstly, he was Gustav Mahler's third publisher, issuing the Lieder eines fahrenden Gesellen in 1897, and distributing Symphonies nos 1-3, Das klagende Lied and Lieder aus des Knaben Wunderhorn (1900) on behalf of the owner of the publishing rights, the Erste Wiener Zeitungsgesellschaft. Secondly, he took an active part in setting up a trade association, AKM (Gesellschaft der Autoren, Komponisten und Musikverleger or society of authors, composers and publishers) to collect the performance fees due for non-theatrical musical works, in 1897. Finally, Weinberger was the driving force behind the founding of Universal Edition in Vienna in 1901, and not only served as its managing director until 1906 (when he was replaced by Arthur Fadüm), but also provided the new company with space in his own firm's premises until 1908.

This orchestration is for a brass quintet. The French Horn acts as a substitute or support for Trumpet 2.

Hermine - Josef Weinberger arr. R Woschnjak (Brass Sextet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$14.00 13.26 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Handbell - Level 3 - Digital Download

SKU: A0.938905

Composed by Gustav Malher, Brian Leverett. Arranged by Brian Leverett. 20th Century,Christian,Sacred. Score. 7 pages. Timbila Music Co. #3007897. Published by Timbila Music Co. (A0.938905).

The opening of Christian Lullaby is based on Gustav Mahler’s Symphony No. 3,   Part II, Movement No. 5 which features a boys’ choir, female chorus and an alto solo. The hymn section is an original composition inspired from the alto soloist. In the final section, the piece combines both motifs to move to a dramatic ending. Moreover, this arrangement is designed as an opener for any religious ceremony but, it could be played at any event. The arranger is Brian Leverett. He has a Bachelor’s and Master’s degrees in Music Education from Wayne State University and has now retired from teaching band in the Detroit Public Schools. He also have been an avid handbell choir member for twenty years.

Christian Lullaby
Cloches

$3.00 2.84 € Cloches PDF SheetMusicPlus

Mahler : Traits d'orchestre, Symphonie n° 4 - I. Bedächtig, nicht eilen (mes. 1-51, mes. 90-101) Violoncelle
Téléchargez la partition Violoncelle Traits d'orchestre, Symphonie n&de…
5.99 € Violoncelle PDF Tomplay

Mahler : Traits d'orchestre, Symphonie n° 4 - III. Ruhevoll, poco adagio (mes. 1-26) Violoncelle
Téléchargez la partition Violoncelle Traits d'orchestre, Symphonie n&de…
7.99 € Violoncelle PDF Tomplay


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