Wind band - easy - Digital Download SKU: S9.Q43089 Composed by Franz R. Miller. This edition: condensed score with parts. Schott Harmony Series. Downloadable, Conductor reduction with parts. Duration 5 minutes. Schott Music - Digital #Q43089. Published by Schott Music - Digital (S9.Q43089). This is a ceremonious, sonorous work for wind band with four solo fanfares (valve fanfares) or solo trumpets. The accompanying part can also be reduced and played by a brass ensemble. It is easy to play and so particular suitable for mass music-making at large events. Franz R Miller who was a pupil of Carl Orff's among others, used to be an editor for Bayerische Rundfunk [Bavarian Radio]. He is in particular highly regarded as an expert in choral music.(4 (Ventil-)Fanfaren in Es (Solo-Trompeten in B), 1 Flöte, 1 Oboe ad lib., 1 Fagott ad lib., 1 Klarinette in Es ad lib., 3 Klarinetten in B, 2 Alt-Saxophone in Es, 1 Tenor-Saxophon in B, 3 Hörner in F oder in Es, 3 Trompeten in B, 3 Posaunen, 2 Flügelhörner in B, 3 Tenorhörner in B, 1 Bariton, 2 Tuben, Pauken, Schlagzeug: kleine Trommel, große Trommel, Becken).

Piano (4 hands) - intermediate - Digital Download SKU: S9.Q41796 For piano four hands. Composed by Thierry Pecou. This edition: performance score. Downloadable, Performance score. Duration 2 minutes. Schott Music - Digital #Q41796. Published by Schott Music - Digital (S9.Q41796). Dieses kurze Stück für Klavier zu vier Händen wurde durch ein kleines Gemälde von Alfred Sisley aus der Sammlung des Musée de Rouen inspiriert, welches eine Meereswelle in einer walisischen Küstenlandschaft zeigt. Ich habe dieses Werk für meinen Sohn und seinen Großvater komponiert, denn beide sind angehende Pianisten.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1514256 Composed by R. Wagner/F. Mendelssohn-Bartholdy. Arranged by Thomas Graf. Classical,Jazz,Wedding. 37 pages. Thomas Graf - the-hit-factory.com #1088732. Published by Thomas Graf - the-hit-factory.com (A0.1514256). This fresh, jazzy arrangement (including Wagner’s Bridal Chorus and Wedding March from A Midsummer Night's Dream (Hochzeitsmarsch aus Ein Sommernachtstraum) transforms the classic wedding march into a lively swing tune. Perfect for couples looking to bring a fun, modern vibe to their special day!About this arrangement: Composed by: R. Wagner/F. Mendelssohn-BartholdyArranged by: Thomas H. Graf for Saxophone QuintetInstrumentation: Full Score and Parts as listed below:Part I Soprano SaxophonePart I Alto SaxophonePart II Alto SaxophonePart III Alto SaxophonePart III Tenor SaxophonePart IV Tenor SaxophonePart V Baritone SaxophonePart V Bass SaxophonePiano (opt.)Drum SetBassAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic

String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1242658 By Thomas Graf. By R. Wagner (1813-1883). Arranged by Thomas Graf. Christmas,Classical,Opera,Pop,Wedding. 12 pages. Thomas Graf - the-hit-factory.com #837789. Published by Thomas Graf - the-hit-factory.com (A0.1242658). Out of the box, easy to play - arrangement for your next wedding service. Piano/Organ is optional. Missing players voices are not critical, will work fine with small instrumentation. Piano/Organ part can be played solo or with the first part only. About this arrangement: Composed by: R. Wagner (1813-1883)Arranged by: Thomas H. GrafInstrumentation: Full ScoreViolin 1Violin 2ViolaCelloContra BassAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic

Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.546057 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Stefan Lamml. Pop,Rock,Standards,Wedding. Individual part. 3 pages. Stefan Lamml #156165. Published by Stefan Lamml (A0.546057). Party Time for Alto Saxes. Suitable to the Backingtrack/Playalong by Stefan Lamml. See the video. Listen to the mp3 ! Party Time für Alt Saxophon. Passend zum Backingtrack vom Sax Coach Stefan Lamml Schau das Video und hör den mp3 ! Party Time pour saxophone alto. Adapté au backingtrack du sax coach Stefan Lamml Regarde la vidéo et écoute le mp3 ! Party Time para saxofón alto. Con la pista de acompañamiento del entrenador de saxofón Stefan Lamml ¡Vea el vídeo y escuche el mp3! Tempo di festa per sassofono contralto. Abbinando la traccia di accompagnamento del sax coach Stefan Lamml Guarda il video e ascolta l'mp3!

Piano,Viola - Level 4 - Digital Download SKU: A0.1297515 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Classical,Romantic Period. Score and part. 298 pages. Santino Cara #887557. Published by Santino Cara (A0.1297515). Complete scores and part of 15 Concertos and Sonata - BOOK 1  for Viola and Piano. Composed by: Bach C.P.E - H. Casadesus - J.W. Kallivoda - A. Rolla - R. Schumann. Transcribed in Rome over the years by Santino Cara.Transcriber's contact details: cara.santinocara.santino@gmail.com 1.    Viola Sonata in G minor H542.5 2.    Viola Sonata in G major H550 3.    Viola Sonata in E minor H551 4.    Viola Sonata in G major H564 5.    Handel-Casadesus - Viola Concerto in B minor 6.    JCBach-Casadesus - Viola Concerto in C minor 7.    Nocturne No.1 in A flat major Op.186 8.    Nocturne No.2 in C major Op.186 9.    Nocturne No.3 in F major Op.18610.    Nocturne No.4 in G major Op.18611.    Nocturne No.5 in E flat major Op.18612.    Nocturne No.6 in D minor Op.18613.    Divertimento in F major BI 33014.    Variazioni Brillanti in F major Op.1315.    Märchenbilder Op.113 - Four Pieces11 Concertos and Sonatas 'Book 2' for Viola and Piano - Scores and Part

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.806382 Composed by R. H. Barker. Arranged by Nigel Hall. Contemporary. Brass Band. 40 pages. Elgin Media #6864847. Published by Elgin Media (A0.806382). American march arranged for British style Brass Band by Nigel Hall. Parts are set in A4 Landscape so can easily be reduced to A5 to make a March Card.

Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes     James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com

Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes     James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics  For GuitarTab Chords Lyrics  For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com

Piano - difficult - Digital Download SKU: S9.Q21932 Paraphrase of the 3 movements from the Partita in E Major for Violin solo. Composed by Johann Sebastian Bach and Olli Mustonen. This edition: Sheet music. Hommage - piano - paraphrase. The Virtuoso Piano Transcription Series. Der finnische Pianist und Komponist Olli Mustonen nimmt das Bachsche Anfangsmotiv und formt daraus ein knappes, harmonisch stark verfremdetes, brillantes und hoch virtuoses Kabinettstück. Downloadable. Op. 8. Duration 1' 15. Schott Music - Digital #Q21932. Published by Schott Music - Digital (S9.Q21932). Key: E major.Ich schrieb diese kleine Paraphrase der Gavotte aus Bachs Partita in E-dur vor zwanzig Jahren. Eigentlich ist sie eine Art doppelte Hommage: auf der einen Seite ist es natürlich ein Tribut an J. S. Bach, dessen wundervolle, geniale Musik sicherlich als eine der höchsten Errungenschaften der Menschheit gelten muss. Auf der anderen Seite – etwas näher zu unserer Zeit hin – wollte ich meine Bewunderung für die virtuosen Pianisten des frühen 20. Jahrhunderts zeigen, deren unglaubliche Aufnahmen mich in den Bann gezogen hatten. Diese Meister der Tastatur – Josef Lhevinne, Sergej Rachmaninov and Josef Hofmann, um nur einige zu nennen – waren Magier und Hexenmeister, die ihr Publikum mit einer nicht enden wollenden Vielfalt an Zaubertricks in Staunen versetzen konnten, zuweilen als wenn sie die Zeit zwischen ihren Fingerspitzen anhielten und dabei die Zuhörer in eine andere Realität hinführten. (Olli Mustonen).

Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes     James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags :    Sheet music, Tab,  Pop/Rock, Folk , Country, Acoustic Guitar,  Easy  Intermediate

SATB choir, treble choir, congregation, handbells, brass quartet, and organ - Medium - Digital Download SKU: MQ.50-5553A-E Composed by Carlton R. Young. Pentecost. 10 pages. MorningStar Music Publishers - Digital Sheet Music #50-5553A-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-5553A-E). A classic Pentecost hymn by Henry H. Tweedy that calls for the Spirit to again descend to the church, and for us to share the gospel of Jesus Christ to all persons. Set to the delightful English folktune, FOREST GREEN. Perfect for festival-type services. Reproducible page for congregation included.Instrumental Parts include: Trumpets I and II in B-flat Trombones I and II Handbells (4 octaves).

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1122389 Composed by Jimmie Thomas. Arranged by David Holt. Christmas,Contemporary,Holiday,Pop,Rock. Brass Band. 51 pages. David Holt #723547. Published by David Holt (A0.1122389). The American pop and rock composer Leon Rene wrote “Rockin' Robin� under the pseudonym Jimmie Thomas. It was recorded by Bobby Day in 1958 and became his most popular song, reaching number two on the Billboard Hot 100 and number one in R&B sales. It was later recorded by Michael Jackson in 1972, and was the best-selling hit on his debut solo album “Got To Be There�. This arrangement is written for a soprano cornet soloist, and is a rousing crowd-pleaser, designed to get the audience clapping along. It was written for, and first performed by, Charlie Welch of Horbury Victoria Band. Whether it is a Christmas piece is up to the concert planner to decide - but it definitely works in a festive programme! The solo part is a guide, which the soloist is welcome to diverge from if desired! In particular, the section between H and K has a free “jazz solo� feel and can be simplified or embellished to suit the player. A soprano duet version is included for use as an unconventional novelty feature. Whilst a Bb version of the 2nd duet part has also been included, this is not the recommended instrumentation, and it will be a challenge to play! Alternate clef trombone parts are provided.

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.568034 Composed by Thomas Graf. Arranged by Thomas Graf. Folk,Multicultural,World. 14 pages. Thomas Graf - the-hit-factory.com #2344155. Published by Thomas Graf - the-hit-factory.com (A0.568034). Schmissige Schnellpolka für die ORIGINAL DRACHENFELSER MUSIKANTEN von Thomas H. Graf / Bonn. Speady German Polka, fast and full of energy while very easy to play. The best choice for your Oktoberfest!  Instrumentation:  Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb    Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...              Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic    New catalog included (2016,9 pages) https://youtu.be/wjU83ZOoS3I

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ - Digital (ZZ.DZ-4303). Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.