By Johannes Brahms (1833-1897). Arranged by Josh Hauser. For trombone quartet. Quartet music. Score and parts. Published by Cimarron Music Press

By A. Sullivan. Arranged by J. Hauser. For brass quintet. Quintet music. Score and parts. Published by Cimarron Music Press

Brass Ensemble,Trombone Quartet Bass Trombone - Level 4 - Digital Download SKU: A0.784357 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Joshua Hauser. Contemporary,Pop,Rock. Score and parts. 17 pages. Slide Ride #6853213. Published by Slide Ride (A0.784357). A fun addition to your pops repertoire for trombone quartet or large ensemble! This chart is arranged as a Rick Roll for your audience. I encourage you to either not announce the title or give something in another language such as the latin non te deseram.  The arrangement begins with lyrical counterpoint.  Everyone gets a chance for a few bars of the melody before the tempo kicks up for a unison statement of the Chorus to set up the rest of the chart.Playable by a good high school group on up. Up to C5 for trombone 1 and down to pedal Bb (Bb1) for the bass trombonist.

String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.

Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·      Choose a tempo.·      Choose a dynamic.·      Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Cello,Piano - Level 2 - Digital Download SKU: A0.974458 Composed by George Frideric Handel. Arranged by Tom Christie. Baroque. Score and part. 5 pages. Tom Christie #6203965. Published by Tom Christie (A0.974458). Here is Handel's 'Lascia Ch'io Pianga' which I have arranged for cello and piano.  I love this piece, and came across it only last year, when Stjepan Hauser released his latest album 'Classic'.  I have loved it ever since, and even though it is originally for voice, I think it suits the cello very well, so here is an arrangement of it for cello and piano!

By Monty Python's Spamalot. Arranged by Joshua Hauser. Score, Set of Parts. 17 pages. Published by Slide Ride

Cello,Piano - Level 4 - Digital Download SKU: A0.1207801 Composed by Ennio Morricone. Arranged by Marcus Martin. 20th Century,Film/TV,Wedding. Score and part. 4 pages. Cornelius Edition (uk) #805924. Published by Cornelius Edition (uk) (A0.1207801). The 1970 film theme as performed by Hauser.  A lovely recital item.

By Duke Ellington. By Albany Bigard, Duke Ellington (1899- 1974), and Irving Mills (1894- 1985). Arranged by Joshua Hauser. Jazz. Score and parts. 15 pages. Slide Ride #3228729. Published by Slide Ride

Brass Ensemble - Level 4 - Digital Download SKU: A0.784320 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Joshua Hauser. Christmas,Contemporary,Film/TV,Pop. Score and parts. 19 pages. Slide Ride #4849953. Published by Slide Ride (A0.784320). Believe from the movie The Polar Express, is now available in an easily accessible setting for brass quintet in an arrangement that is sure to please audiences of all ages.  This arrangement features your flugelhorn soloist with an optional improvisation section to close the song. As recorded by the Brass Arts Quintet at Tennessee Tech University. Look for our other selections from the movie The Polar Express including The Polar Express and Rockin’ on Top of the World!

Brass Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1043956 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Joshua Hauser. 20th Century,Contemporary,Film/TV,Rock,Standards. Score and parts. 20 pages. Slide Ride #648656. Published by Slide Ride (A0.1043956). Enjoy this setting of the John Lennon classic rock tune set for Tuba Quartet. Also available in a higher key for Trombone Quartet. Everyone gets their chance to play Lennon's beautiful melody.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.857576 By Adele. By Bob Dylan. Arranged by Joshua Hauser. Pop,Rock,Wedding. Score and parts. 18 pages. Slide Ride #464018. Published by Slide Ride (A0.857576). A lovely setting of the Bob Dylan song, made famous by Billy Joel, Garth Brooks, and Adele, this brass quintet version includes an optional improvised solo for the second trumpet. Works great on flugelhorns! Perfect for concerts or weddings.

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,Lent,Traditional. Score and part. 8 pages. Con Spirito Music #802815. Published by Con Spirito Music (A0.1204336). Here's a lovely, lyrical tune that's ideal for use during Holy Week or as a meditative prelude, offertory, or communion selection for trombone (or euphonium, cello) and piano.Saw Ye My Savior? is an early 19th-century American folk hymn with a tune that predates it by perhaps 100 years or more. Both the text and the tune seem to have been freely adapted to the subject of the song (whether secular or sacred) and the singer, which is typical of folk songs and folk hymns handed down from one generation to the next. For example, the text of the hymn, which begins Saw ye my Savior, saw ye my Savior, saw ye my savior and my God? is similar to that of an English folk song, Saw you my father, saw you my mother, saw you my true love John?In the 1858 edition of William Walker's shape-note hymnal, The Southern Harmony, and Musical Companion, the source cited for the text and tune is Baptist Harmony (1834), p. 477. However, William Hauser and Benjamin Turner's collection, The Olive Leaf (1878), refers to the tune as a Scotch air; and certainly, the Scotch snap rhythm in measures 3 and 4 of the tune lend credence to that. The website, hymnary.org, cites Saw Ye My Savior? as having been published in 167 hymnals (all prior to 1979 but one). Two similar tunes, CRUCIFIXION (Southern Harmony) and ATONEMENT are associated with the text. Because the subject of the text is Christ's crucifixion (see representative text here), Saw Ye My Savior? has often been used as a choral anthem in Palm Sunday, Good Friday, and Holy Saturday worship services. This arrangement of the lovely, flowing tune for trombone (or euphonium, cello) and piano is ideal at any time as a meditative prelude to worship, or as an offertory or communion selection. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved.

Composed by Percy Aldridge Grainger (1882-1961). Arranged by Joshua Hauser. 7 pages. Published by Cimarron Music Press - Digital

Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!