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Piano Solo - Level 3 - Digital Download SKU: A0.1498151 Composed by Traditional Armenian. Arranged by Constance Shelengian. Folk,Multicultural,Traditional,Wedding,World. Score. 6 pages. Constance Shelengian #1074461. Published by Constance Shelengian (A0.1498151). For Solo Piano with Guitar chord diagrams.Traditional dances in ancient Armenia were essential to celebrations, holidays, rituals, social gatherings and more. This medley of Western Armenian music in 10/8 is drawn from the Anatolian song-dance tradition and perpetuated in America. In Sirahar Yem (“I'm In Love”), the Left Hand reinforces the stressed beats within the rhythmic pattern, emphasizing beats 1, 4, and 6.  Beats are grouped as 3 2 2 3. Initially, this may be a challenge to play but well worth the effort to expand one’s musicianship skills! While harmony is sparingly interspersed in the inner parts, or created in intervals of 3rds and 6ths, traditionally, the ceremonial/wedding melodies Candle Dance and Hars Oo Pesa (“Bride and Groom”) are monophonic. Due to the mountainous terrain in historic Armenia and challenge of travel between villages, these two dances exist with different melodies, depending on the region. The dance steps also vary by village. In contrast, the use of a sustained note (drone) in the bass clef alters the spirit in Hars Oo Pesa where the key also changes to D major. Whereas the piano has limitations in replicating microtones of folk wind instruments such as the zurna used in an authentic Armenian village wedding, the aim in this arrangement is rather to preserve the spirit of the melody and actively engage the amateur pianist.For more information on Armenian music, refer to : Kazarian, Hachig. (2023) Western Armenian Music: From Asia Minor to the United States. The Press: California State University, Fresno.
Armenian 10/8 Medley for Piano: Sirahar Yem/Candle Dance/Hars Oo Pesa
Piano seul

$5.99 5.1 € Piano seul PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.738904 By Kyu Sakamoto. By Hachidai Nakamura and Rokusuke Ei. Arranged by Kayleigh Huelin. Contemporary. 10 pages. Kayleigh Huelin #6344775. Published by Kayleigh Huelin (A0.738904). Sukiyaki (Ue o Muite ArukÅ (上をå‘ã„ã¦æ­©ã“ã†) is a song recorded by Japanese crooner Kyu Sakamoto, first released in Japan in 1961. The Japanese title translates as I Look Up As I Walk, and has no relation to the English-language title! One of the best-selling singles of all time, this is a lovely, simple tune arranged for SATTB/AATTB saxophone quintet.
Sukiyaki
Quintette de Saxophone: 5 saxophones
Kyu Sakamoto
$24.99 21.26 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.755244 Composed by Sy Brandon. 20th Century,Contemporary. 47 pages. Sy Brandon #3590241. Published by Sy Brandon (A0.755244). Cycles for bassoon quartet honors those who lost loved ones in the March 2011 earthquake and tsunami in Japan. The title reflects both the living earth upon which we live and the fortitude of humanity.             The first movement depicts serenity interrupted by bombastic resemblances of earthquakes and tsunamis. The movement is called The Living Earth as our planet is still evolving by constantly building up pressure and releasing that pressure. The opening serene section uses key clicks and wind sounds in the serenity section. Pitch bends in the melody are designed to resemble a shakuhachi. Syncopated explosions that use polytonal pentatonic scales represent the earthquake. Rapid ascending and descending scale patterns depict the resultant tsunami.             The second movement is a hymn song for the souls of the dead. It is called Ashes to Ashes as it represents a different cycle, one of death and rebirth. Pentatonic scales abound once again but this time they modulate gently from one tonality to another instead of being used simultaneously.             A song of redemption and hope for the survivors is the theme for the third and final movement, Resiliency of the Spirit. It depicts the strength of the human spirit and it is the cycle of joy growing out of sorrow. Taiko drumming is the major influence in this movement. It begins with a foot stomp followed by the drummers warming up. A staccato rhythmic section that imitates the drums follows this. A hymn-like theme in pentatonic is interpolated over this rhythmic drumming bringing the movement and the piece to a hopeful conclusion.
Cycles for Bassoon Quartet
4 Bassons

$14.99 12.75 € 4 Bassons PDF SheetMusicPlus






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