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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1110053

By Hamilton, Joe Frank & Reynolds. By Brian Potter and Dennis Lambert. Arranged by Jim Farley - www.arrangementsone.com. Pop,Rock. Score. 12 pages. Jim Farley arrangementsone.com #712405. Published by Jim Farley arrangementsone.com (A0.1110053).

ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptionsthat are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.

Don't Pull Your Love
Piano, Voix et Guitare
Hamilton, Joe Frank & Reynolds
$4.99 4.75 € Piano, Voix et Guitare PDF SheetMusicPlus

Alto Saxophone,Bass Guitar,Drums,Piano,Trombone,Trumpet,Voice - Level 3 - Digital Download

SKU: A0.765213

By Hamilton, Joe Frank & Reynolds. By Brian Potter and Dennis Lambert. Arranged by Jim Farley. Contemporary. 37 pages. Jim Farley arrangementsone.com #5300329. Published by Jim Farley arrangementsone.com (A0.765213).

Arranged for 7-8 piece horn band, including: Directors score, Piano/Vocal/Chords, Guitar (chords only), Bass Guitar, Drums, Alto Sax, Trumpet & Trombone. 

ABOUT THE ARRANGER:
 Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalogue: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact Jim at:
farleyjc@gmail.com and visit his website at Arrangements On E!

Don't Pull Your Love Hamilton, Joe Frank & Reynolds
$49.99 47.56 € PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download

SKU: A0.1110051

By Hamilton, Joe Frank & Reynolds. By Brian Potter and Dennis Lambert. Arranged by Jim Farley - www.arrangementsone.com. Pop,Rock. Score and parts. 44 pages. Jim Farley arrangementsone.com #712402. Published by Jim Farley arrangementsone.com (A0.1110051).

Arranged for 8 piece horn band including: Drums, Bass, Guitar, Organ, Alto Sax, Tenor Sax (identical to alto), Trumpets 1 & 2 and Trombone. <>ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptionsthat are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.

Don't Pull Your Love
Hamilton, Joe Frank & Reynolds
$40.00 38.05 € PDF SheetMusicPlus

B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download

SKU: A0.1320503

Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503).

In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalry”, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.

Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.” After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.” He died, penniless, in 1945.

Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.

The piece is so popular that (along with the “Easter Hymn” from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.

The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.

This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube:
https://www.youtube.com/watch?v=Kgr-I1y1_2M.


Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcĂ­a, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.

Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano
$15.99 15.21 € PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download

SKU: A0.1315952

Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages. RBMusic #904730. Published by RBMusic (A0.1315952).

In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalry”, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.

Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.” After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.” He died, penniless, in 1945.

Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.

The piece is so popular that (along with the “Easter Hymn” from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.

The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.

A recording of the original song can be found on YouTube:
https://www.youtube.com/watch?v=Kgr-I1y1_2M.


Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcĂ­a, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.

Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano Violon et Piano

$15.99 15.21 € Violon et Piano PDF SheetMusicPlus

Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1321540

Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 18 pages. RBMusic #910007. Published by RBMusic (A0.1321540).

In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalry”, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.

Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.” After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.” He died, penniless, in 1945.

Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.

The piece is so popular that (along with the “Easter Hymn” from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.

The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.

This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original song can be found on YouTube:
https://www.youtube.com/watch?v=Kgr-I1y1_2M.


Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcĂ­a, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.

Intermezzo from "Cavalleria rusticana" (Mascagni) - Brass Quintet
$19.99 19.02 € PDF SheetMusicPlus






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