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String Orchestra - Level 3 - Digital Download SKU: A0.719773 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 60 pages. Curtis Hanson #6258371. Published by Curtis Hanson (A0.719773). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals, lieder, and chansons in this collection are arranged for string quartet and quintet. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.
Renaissance Madrigals Arranged for Strings, set 1
Orchestre à Cordes

$29.99 25.74 € Orchestre à Cordes PDF SheetMusicPlus

Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.527513 Composed by Lumbye. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. 40 pages. Diego Marani #2832983. Published by Diego Marani (A0.527513). The Champagne Galop (Danish: Champagne-Galoppen; German: Champagner Galopp) is a piece of orchestral music by the Danish composer Hans Christian Lumbye (1810–1874) which was written to celebrate the second anniversary of Copenhagen's Tivoli in 1845. Together with Lumbye's Telegraph Galop and Copenhagen Steam Railway Galop, it was included in the 2006 Danish Culture Canon as a masterpiece of Danish classical music. This arrangement for sax choir includes the following parts: Eb Sopranino, 2 Bb Sopranos, 3 Eb Altos, 3 Bb Tenors, 2 Eb Baritones, Bb Bass.The composition is suitable for classroom, repertoire, recital and New Year's event.
Champagne Galop for Saxophone Ensemble
Ensemble de saxophones

$19.90 17.08 € Ensemble de saxophones PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719611 Composed by Claude Debussy. Arranged by Curtis Hanson. 20th Century,Sacred. Octavo. 15 pages. Curtis Hanson #11833. Published by Curtis Hanson (A0.719611). The Prodigal Son as arranged here is an adaptation of the final scene of Debussy's cantata which won the Prix de Rome in 1884. Debussy scored his work for three primary solo voices, the mother (soprano), the father (bass), and the son (tenor) plus a couple of minor servant roles. In this arrangement for SATB voices which begins as the prodigal son returns to his home, the father's solo and son's reply are kept, but they may be eliminated and the piece begin at ms. 68 where the entire company praises God at the son's return. Debussy modulated at this point to the key of B major which gives the solo soprano a high B near the end. For choral ease, such as it is, the arranger drops the modulation to A major making the high note a little more accessible for choral sopranos. Being a piano reduction of a Debussy orchestral accompaniment, a competent pianist is necessary, but the choral writing is not overly difficult. The English text is a translation by the arranger.
The Prodigal Son (final scene)
Chorale SATB

$2.25 1.93 € Chorale SATB PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1462708 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 36 pages. Clara Obsidian #1041453. Published by Clara Obsidian (A0.1462708). The Chansons gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926. Originally writted for voice and piano, the series has been arranged for Cello and Piano with a difficulty range of late beginner to intermediate level.1. La Maîtresse volage2. Chanson à boire3. Madrigal4. Invocation aux Parques5. Couplets bachiques6. L'Offrande7. La Belle Jeunesse8. Sérénade (Listen to 'Sample Audio')Full Score and PartsAlso available as individual titles, or for Violin or Viola-----------------------------------
F. Poulenc: 8 Chansons Gaillardes for Cello and Piano
Violoncelle, Piano

$12.99 11.15 € Violoncelle, Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.1462710 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. 36 pages. Clara Obsidian #1041457. Published by Clara Obsidian (A0.1462710). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926. Originally writted for voice and piano, the series has been arranged for Violin and Piano with a difficulty range of late beginner to intermediate level.1. La Maîtresse volage2. Chanson à boire3. Madrigal4. Invocation aux Parques5. Couplets bachiques6. L'Offrande7. La Belle Jeunesse8. Sérénade (Listen to 'Sample Audio')Full Score and PartsAlso available as individual titles, or for Cello or Viola-----------------------------------.
F. Poulenc: 8 Chansons Gaillardes for Violin and Piano
Violon et Piano

$12.99 11.15 € Violon et Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.1462711 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 36 pages. Clara Obsidian #1041458. Published by Clara Obsidian (A0.1462711). The Chansons gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926. Originally writted for voice and piano, the series has been arranged for Viola and Piano with a difficulty range of late beginner to intermediate level.1. La Maîtresse volage2. Chanson à boire3. Madrigal4. Invocation aux Parques5. Couplets bachiques6. L'Offrande7. La Belle Jeunesse8. Sérénade (Listen to 'Sample Audio')Full Score and PartsAlso available as individual titles, or for Violin or Cello-----------------------------------.
F. Poulenc: 8 Chansons Gaillardes for Viola and Piano
Alto, Piano

$12.99 11.15 € Alto, Piano PDF SheetMusicPlus

Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
Chansons de Verlaine
Voix Soprano, Piano

$19.99 17.15 € Voix Soprano, Piano PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis Hanson #6258399. Published by Curtis Hanson (A0.719774). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.
Renaissance Madrigals Arranged for Strings, set 2

$29.99 25.74 € PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. Published by Curtis Hanson (A0.719775). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example contains one piece from each of the three composers included, John Dowland, Thomas Morley, and Thomas Weelkes, three English giants in this genre.
Renaissance Madrigals Arranged for Strings, set 3

$29.99 25.74 € PDF SheetMusicPlus

Percussion Ensemble - Level 4 - Digital Download SKU: A0.933463 Composed by Mark Attebery. Children,Contemporary,World. Score and parts. 47 pages. Mark Attebery Studio #6722015. Published by Mark Attebery Studio (A0.933463). The Emperor and the Nightingale for Percussion Octet is adapted from my ballet score for Oakland Ballet, based on Hans Christian Andersen's The Nightingale.This nine-minute percussion arrangement features the following scenes: Prologue, Emperor, Tai-Chi, Kitchen Maid, Nightingale, Mechanical Bird & Epilogue.This is a moderately advanced piece for high school or college. http://markattebery.com/music.htmlSearch Mark Attebery at Sheet Music Plus for more percussion music. Percussion 1 Orchestra BellsPercussion 2 Bird Call, Congas, Xylophone, Temple BlocksPercussion 3 Bird Call, Vibraphone, Crash Cymbal, RachetPercussion 4  Vibraphone, ChimesPercussion 5  4.0 Marimba Percussion 6  4.5 Marimba, Guiro Percussion 7 Bird Call, Small Bass Drum (or Large Tom), Large Bass Drum, Snare Drum Percussion 8 Bird Call, Tam-Tam, Suspended Cymbal
The Emperor and The Nightingale Percussion Octet
Ensemble de Percussions

$20.00 17.16 € Ensemble de Percussions PDF SheetMusicPlus

Piano,Viola - Level 2 - Digital Download SKU: A0.1461595 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 4 pages. Clara Obsidian #1040339. Published by Clara Obsidian (A0.1461595). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926.Originally writted for medium voice and piano, the third piece of the set has been arranged for Viola and Piano of late beginner - intermediate difficulty.Optional repeat (unindicated) from bar 25 - end is recommended for an increased duration if necessary.Pieces one, two, four to eight are also available individually or as a complete set of 8.Full Score and Parts----------------------------------------------------.
F. Poulenc: Madrigal from 8 Chansons Gaillardes for Viola and Piano
Alto, Piano

$2.99 2.57 € Alto, Piano PDF SheetMusicPlus


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