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Choral Choir (SATB) - Digital Download

SKU: A0.835786

Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786).

Composed 2007, duration 8:30 approx.

The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland.

First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King.

 

Instrumentation is flexible; the following is a guide:

Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1,

Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet

Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C)

Part 4 - Cello, bassoon

Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible)

SATB voices (doubling metal spoons and pitch pipes)

Optional:

Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score.

Keyboard instrument with sustaining capability - piano sound

 

Instructions:

Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred.

About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given.

Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes

Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics.

There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes.

 

Text:

Carve stone

Strike out

Stay at home

Or go far alone.

Blocks of stone are laid

Emblazoned with the signs of great deeds

That signify our memory,

Mem’ries of who we are.

Careful carvings erode through time,

Chiseled grooves smooth away.

Families, they scatter and fade

As generations age

Descendants pass on memory time.

Sense of our allegiance shifts when major faults are found,

Feelings of belonging fall on shaky ground,

But the sense of a place will remain.

The Sense of a Place Will Remain
Chorale SATB

$7.95 7.29 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download

SKU: A0.1329886

Composed by Ludwig van Beethoven. Arranged by Masakazu YAMAMOTO. 19th Century,Classical,Instructional,Pop. Score. 11 pages. Motch Music #917859. Published by Motch Music (A0.1329886).

It is a piano plus series of two sonatinas No. 1 in G major, Anh.5-1 (all 2 movements), comp. by Beethoven.

The following scores are included.
・Score
・Part 1 / Piano
・Part 2 / Keyboard harmonica
・Part 3 / Optional part (mid-low voice)
・Part 4 / Keyboard harmonica + option (Grand staff)

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Piano Plus Series is arrangements of classical music such as Sonatina and Burgmüller, that is added the Keyboard harmonica part as obrigat. You can enjoy it as an ensemble at lessons and concert.

When you replace the keyboard harmonica part with monophonic instrument, choose the best note from the chord for each case (also you can move the octave).

The optional part is for medium and low. Together with the keyboard harmonica part, you can also play it with another piano or organ (Part 4 / Keyboard harmonica + option).
Please use it for various purposes.

Please enjoy plus to your usual piano performance!


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Motch Music
All Sheet Music (
Sheet Music Plus / Sheet Music Direct)

I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band.
From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire.
I also provide a rich collection of audio preview.

In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received.
Please take a look below for more information!

Motch Music Web Page
https://www.masakazuyamamoto.com/english

[Piano Plus Series] Beethoven Sonatine G major (arr. Masakazu YAMAMOTO) Piano seul

$22.00 20.18 € Piano seul PDF SheetMusicPlus

Jazz Combo - Digital Download

SKU: A0.979629

Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629).

Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords.

CONTACT:
http://www.rogeraldridge.com/contact.html
PRO: BMI
WEBSITE: http://www.rogeraldridge.com/
DURATION: around 4:00
YEAR OF RELEASE: 1999.

Pi, Why? Jazz combo

$3.00 2.75 € Jazz combo PDF SheetMusicPlus

Handbells handbell choir (3-6 octaves) - Level 3 - Digital Download

SKU: H1.2165DP

Arranged by Barbara B. Kinyon. General Worship, Sacred. Handbell Part. 8 pages. Hope Publishing - Digital #2165DP. Published by Hope Publishing - Digital (H1.2165DP).

1 Timothy 1:17 - 1 Timothy 6:12 - 2 Timothy 2:3 - 2 Timothy 4:8 - Ephesians 4:1 - Ephesians 4:2 - Ephesians 4:3 - Ephesians 4:4 - Ephesians 4:5 - Ephesians 4:6 - Ephesians 4:7 - Ephesians 4:8 - Ephesians 4:9 - Ephesians 4:10 - Ephesi.

19th Century hymn Barbara Kinyon's 3-6 octave arrangement of this 19th Century hymn is triumphant and joyous. The sound is both full and harmonically interesting including two very colorful modulations. It is a very powerful setting which builds harmonically and melodically throughout and ends with a surprising and effective conclusion. For the Easter season you may wish to use the hymn title The Day of Resurrection.

Lead On, O King Eternal
Cloches

$6.25 5.73 € Cloches PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download

SKU: A0.1292766

By Donato & Estefano. By Donato Poveda Lopez and Fabio Salgado. Arranged by Sérgio Matias da Cunha. 20th Century,Latin,Pop,Singer/Songwriter. Score. 1 pages. Sérgio Matias da Cunha #883330. Published by Sérgio Matias da Cunha (A0.1292766).

Arranjo claro, objetivo, conciso e acessível apresentando marcação de cifra, sinais de repetição, notas sincopadas e figuras rítmicas maiores que a semicolcheia. Melodia harmonicamente enriquecida com a presença de segunda voz. Acompanhamento baseado em movimentos padronizados, devidamente distribuídos sobre as notas dos respectivos acordes. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Estoy Enamorado
Piano seul
Donato & Estefano
$4.99 4.58 € Piano seul PDF SheetMusicPlus


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