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Instrumental Duet Harpsichord,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.804681 Composed by Francesco Cavalli. Arranged by Juliano Music. Classical,Instructional,Romantic Period,Sacred,Standards. Score and parts. 21 pages. Juliano Alessandro Molteni #6234399. Published by Juliano Alessandro Molteni (A0.804681). MY ARRANGEMENT OF THE BEST ARIAS OF THE OPERA ORMINDO BY FRANCESCO CAVALLI. ORGAN REDUCTION WITHOUT PEDALBOARD & HARPSICHORD.I HAVE DELIBERATELY LEFT THE SCORE CLEAN, WITH NO DYNAMIC MARKS.CONTENT.AUREE TRECCE INANELLATE (ORGAN ARRANGEMENT)INVAN SPENDETE L'ORO (ORGAN ARRANGEMENT)MAI VOLI CH'EL MIO CORE (ORGAN ARRANGEMENT)MIO CORE RESPIRA (ORGAN ARRANGEMENT)MIRACOLO D'AMORE (ORGAN ARRANGEMENT)SE MI CINGE (HARPICHORD ARRANGEMENT)SINFONIA (ORGAN ARRANGEMENT)---COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING--JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.ENJOY!!
THE BEST OF ORMINDO (ORGAN & HARPSICHORD REDUCTION) - F. CAVALLI
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$9.99 8.46 € Orgue PDF SheetMusicPlus

Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.
Sonata for Violin & Harpsichord in D minor (VB 157)

$30.00 25.41 € PDF SheetMusicPlus






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