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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1373417 Composed by Phil Beaman. Classical,Contemporary,Contest,Festival,Pop,Romantic Period. 10 pages. Phil Beaman #957783. Published by Phil Beaman (A0.1373417). I originally wrote Total Eclipse as an expressive Art Song for solo voice and piano.  I used several lines of poetry from Newburgh Hamilton (1741) and set them to unique music that is a fusion of Classical, Romantic, and Modern, with a touch of Pop.  The music expressively drifts from major to minor to modal every few measures, inspired by the themes of darkness and light.  When I adapted it for SATB I filled out the already rich harmony and added ethereal 'oo's under some of the melody.  In a few brief measures, at different places, SAB each will have a divisi line where it splits to 2 parts.  (The texture is never thicker than 5 parts at once.)  This approachable piece of music is a good introduction for singers to the interpretation of an Art Song and is a dramatic performance piece for concert.  And perfect for the upcoming April 8 total eclipse!(Haydn also used variations of this text to create several Recitatives and an Aria for his oratorio Samson.)  10 pages, 2:00 minutesVocal Ranges:  all 1 octave; Sop - middle C to C; Alto - low G to G; Tenor - D to C; Bass - G to Gattached recording is of the original solo voice version which SATB is closely based on.  Be the first choir to record this and send me a link which I will post.  plbeaman@gmail.comalso available on this site as a vocal solo in several keys, and as a Unison Choral hymn
Total Eclipse - SATB choir and piano
Chorale SATB

$3.50 3.03 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Piano seul

$29.00 25.1 € Piano seul PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.830511 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 16 pages. Richard Byrnes #3009475. Published by Richard Byrnes (A0.830511). The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound. Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
Fugue 17 from Well-Tempered Clavier, Book 2 (Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$19.99 17.3 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.830426 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 14 pages. Richard Byrnes #2988861. Published by Richard Byrnes (A0.830426). The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted.You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound. Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
Prelude 09 from Well-Tempered Clavier, Book 2 (Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$19.99 17.3 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Flute Duet Flute - Level 2 - Digital Download SKU: A0.1082316 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score. 12 pages. Jmsgu3 #686468. Published by jmsgu3 (A0.1082316). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
Sammartini: Sonata Op. 1 No. 2 for Alto Flute Duo
2 Flûtes traversières (duo)

$27.95 24.19 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Digital Download SKU: A0.830337 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 22 pages. Richard Byrnes #2956889. Published by Richard Byrnes (A0.830337). The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound. Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
Prelude 11 from Well-Tempered Clavier, Book 2 (Double Reed Quintet)

$24.99 21.63 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Contrabassoon - Digital Download SKU: A0.830353 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 3 pages. Richard Byrnes #2957879. Published by Richard Byrnes (A0.830353). The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound. Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
Prelude 15 from Well-Tempered Clavier, Book 2 (Bassoon Quartet)

$19.99 17.3 € PDF SheetMusicPlus






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