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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: Gloria tibi trinitas for String Trio
Trio à Cordes: violon, alto, violoncelle

$24.95 21.55 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1442839 Composed by Johann Friedrich Franz Burgmüller. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Romantic Period. Score. 4 pages. Keith Terrett #1022775. Published by Keith Terrett (A0.1442839). Johann Friedrich Franz Burgmüller, generally known as Friedrich Burgmuller (4 December 1806 – 13 February 1874) was a German pianist and composer[1] during the Romantic period. He is perhaps best known for his three collections of children's etudes (or teaching pieces) for the piano, particularly his Op. 100 25 Études faciles et progressives (25 Easy and Progressive Studies) for early intermediate students. The other two collections, for more advanced students, were Op. 105 and 109.Life: Friedrich Burgmüller was born in Ratisbon (at that time part of the Principality of Regensburg, Confederation of the Rhine). His father Friedrich August Burgmüller and his younger brother Norbert Burgmüller were also composers. His mother was pianist and singer Therese von Zandt.He moved to Kassel in 1829 to study with Ludwig Spohr and Moritz Hauptmann. There he appeared as a pianist for his first concert, January 14, 1830.Burgmüller moved to Paris in 1832 (at age 26 ), where he stayed until his death. Norbert Burgmüller, his brother, made plans to join him in Paris, in 1835. However, he drowned in a spa in Aachen during an epileptic seizure a year later. In Paris, Burgmüller adopted Parisian music and developed his trademark (light) style of playing. He wrote many pieces of salon music for the piano and published several albums. Burgmüller also went on to compose piano études intended for children. He died in Paris on February 13, 1874.Works:Burgmüller composed piano pieces, waltzes, nocturnes, polonaises and two ballets. His Peasant Pas de Deux was added to Adolphe Adam's ballet Giselle for its 1841 premiere. This music was originally titled Souvenirs de Ratisbonne.
Berceuse for Pianoforte
Piano seul

$1.99 1.72 € Piano seul PDF SheetMusicPlus

Guitar,Piano - Level 3 - Digital Download SKU: A0.1145635 By William McKechnie. By William McKechnie. Arranged by Lindsay Garvin & Anthony King. Christmas,Contemporary,Holiday,Singer/Songwriter,Traditional. Score and part. 2 pages. William McKechnie #745878. Published by William McKechnie (A0.1145635). Piano manuscript for Intermediate. Fall of Snow is a jolly upbeat, 194bpm Christmas swing with an excellent hook. It tells the story of Santa setting off on his journey to deliver presents while elves wave him goodbye and Frosty the snowman and how he is made. The story-telling also describes Santa's clothing, the reindeers and the elves. In all, what makes Fall of Snow unique is its chorus which once heard is difficult to forget...it sticks somewhere in the back of the mind and you can't help humming it all day long Lyrics Fall of Snow It's Christmas time it's party time it comes round every year The time when we start singing about Rudolph the reindeer His nose is red and shiny and it does glow so bright He guides old Santa's sleigh across the sky Christmas eve night. Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Frosty he is our snowman a friendly jolly chap He has a carrot for his nose and sometimes wears a cap He has a scarf around his neck and two black eyes to see Branches are used for his arms taken from a tree Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Santa has a big red suit with white bits here and there He has his little helpers those young elves are everywhere A back belt round his tummy and a very long white beard Standing at the Christmas tree then whoosh he's disappeared Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Santa Claus needs his reindeers to help him on his way Dasher, Dancer, Prancer, Vixen, Comet, Cupid, hey Donner, Blitzen, Rudolph all his reindeers now you know But Christmas isn't Christmas without a fall of Snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow ho ho ho ho ho.
Fall Of Snow
Piano, Guitare (duo)
William McKechnie
$1.99 1.72 € Piano, Guitare (duo) PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.   School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Alto Flute & Piano
Flûte traversière et Piano

$26.95 23.27 € Flûte traversière et Piano PDF SheetMusicPlus

Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1021226 Composed by Pavel Trojan. 20th Century,Contemporary,Standards. Score and parts. 100 pages. Pavel Trojan #5828495. Published by Pavel Trojan (A0.1021226). The Piano Trio N.2 by Pavel Trojan was composed in 2009 at the call of the Czech Trio and has since been played many times in the Czech Republic and abroad. This work was also recorded by Czech Radio and released on CD (Radioservis). The performance of this work in Dvořák's Hall of Rudolfinum in 2011, was particularly resonated. The Composition has 4 movements and is appropriate both for music school students and professional concert artists. PAVEL TROJAN was born on 14th August 1956 in Domažlice. Between 1977 and 1982, he studied composition with Ilja Hurník at the Prague Conservatory; after that, from 1982 until 1989, he went to attend the Music and Dance Faculty of the Academy of Performing Arts in Prague, where he studied in the class of Jiří Pauer.The composer has extensive chamber, orchestral and musical dramatic work, which includes both opera and musical. In his work he puts emphasis on melody, brevity and clarity.He has been working at the Prague Conservatory since 1986, at first as a music theory tutor, and from 1991 as a music composition teacher. From 1992 until 2004, he was the vice director of the conservatory until being appointed the director in December 2004 (until July 2018). He is currently teaching a composition. Main works:Piano Concerto (1989), Missa solemnis (1998), Variations on a Theme by and Written in Honor of Václav Trojan (2006), Sinfonia giocosa (2008), Piano Trio No. 2 (2009), Pastoral Fairytale (Opera, 2012), Concerto for Violin and Orchestra N. 2 (2015), The Cross of Zavis (Musical, 2016).  
Pavel Trojan - Piano Trio N.2
Piano Trio: piano, violon, violoncelle

$12.99 11.22 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.990752 Composed by SR.Pakpahan,SST. Arranged by Lyricst : SR.Pakpahan,SST. Christian,Instructional,Musical/Show,New Age,World. Octavo. 46 pages. SR.Pakpahan,SST #4809431. Published by SR.Pakpahan,SST (A0.990752). TUTORIAL HOW TO MAKE MUSIC IN FL STUDIO 11.A Song (Dual Drum set) From PMD Music Creation With 40 Effect MIXER.Look inside And Listen https://www.sheetmusicplus.com/title/enduring-our-live-tutorial-3b-digital-sheet-music/21417702How to make this song take a look at https://www.worldslastchance.com/group/viewgroup/343, or this http://www.Worldslastchance.com on the menu Groups / my group / PMD Luni Solar Music Lover.(Cara membuat lagu ini lihat di https://www.worldslastchance.com/group/viewgroup/343, atau yang ini http://www.Worldslastchance.com di menu Groups / my group / PMD Luni Solar Music Lover),Lyric of Song:ENDURING OUR LIVE (C=1, 4/4)(Intro)Enduring our live, complaining and complainingKeep looking at Jesus Christ The Lord, He is The SaviourJesus Christ The Lord, Jesus Christ The Lamb of God, He died for the ransom of the worldJesus Christ The Lord, Jesus Christ The Lamb of God, He rose for the people who believeJesus Christ, He is my saviour, Jesus Christ, He is your saviour too, keep believingIn faith our life, we must not complain moreJesus Christ The Lord who gave love to us, Hallelujah(Interlude/Instrumental)Jesus Christ, He is my saviour, Jesus Christ, He is your saviour too, says I'm believeFriends, let's be grow up, be light up, let's be strong and fruitfullAnd win many souls for Jesus ChristJesus Christ The Lord with The Holly Spirit accompany us in ministryMinistring choice for the best believers(Interlude/Instrumental)Jesus Christ The Lord with The Holly Spirit accompany us in ministryMinistring choice for the best believers.
ENDURING OUR LIVE (Tutorial 3b)
Chorale SATB

$3.00 2.59 € Chorale SATB PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano

$32.95 28.46 € Saxophone Baryton, Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1211654 Composed by Edvard Grieg (1843-1907). Arranged by Andrew Lamb. 19th Century,Religious,Romantic Period. 16 pages. Andrew Lamb #809266. Published by Andrew Lamb (A0.1211654). Title: Ave Maris StellaComposer: Edvard Grieg (1843-1907)Arranger: Andrew LambDescription: This is my transcription of Ave Maris Stella by Norwegian composer and pianist Edvard Grieg (1843-1907)Edvard Grieg was a Norwegian composer and pianist born on June 15, 1843, in Bergen, Norway. He came from a musical family and showed great talent for music at a young age. He studied at the Leipzig Conservatory in Germany, where he was exposed to the music of leading German composers, such as Robert Schumann and Felix Mendelssohn.Grieg composed a variety of works, including orchestral music, chamber music, songs, and piano pieces. He is best known for his composition “Peer Gynt,†which includes the popular suite “In the Hall of the Mountain King.†Other famous works by Grieg include the Piano Concerto in A Minor and the Holberg Suite.Throughout his career, Grieg was devoted to promoting Norwegian music and culture. He was a central figure in the Norwegian music scene and worked to establish a national identity through his music.Grieg’s influence on Norwegian music was significant, and he is considered one of the leading figures in the Norwegian Romantic movement. His music was also highly regarded by his contemporaries, including Johannes Brahms and Claude Debussy.Edvard Grieg died on September 4, 1907, in Bergen, Norway, at the age of 64. His contributions to classical music were significant and he left a lasting legacy on Norwegian and European music.
Ave Maris Stella (Vespers Hymn)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$12.00 10.36 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.990746 Composed by SR.Pakpahan,SST. Arranged by Lyric : SR.Pakpahan,SST. Christian,Contemporary,Instructional,New Age,World. Octavo. 46 pages. SR.Pakpahan,SST #4780595. Published by SR.Pakpahan,SST (A0.990746). TUTORIAL HOW TO MAKE MUSIC IN FL STUDIO 11.A Song (Dual Drum set) From PMD Music Creation With 80 Effect MIXER (48 Effect Insert).Look inside And Listen https://www.sheetmusicplus.com/title/enduring-our-live-tutorial-4a-digital-sheet-music/21419894How to make this song take a look at https://www.worldslastchance.com/group/viewgroup/343, or this http://www.Worldslastchance.com on the menu Groups / my group / PMD Luni Solar Music Lover.(Cara membuat lagu ini lihat di https://www.worldslastchance.com/group/viewgroup/343, atau yang ini http://www.Worldslastchance.com di menu Groups / my group / PMD Luni Solar Music Lover),Lyric of Song:ENDURING OUR LIVE (C=1, 4/4)(Intro)Enduring our live, complaining and complainingKeep looking at Jesus Christ The Lord, He is The SaviourJesus Christ The Lord, Jesus Christ The Lamb of God, He died for the ransom of the worldJesus Christ The Lord, Jesus Christ The Lamb of God, He rose for the people who believeJesus Christ, He is my saviour, Jesus Christ, He is your saviour too, keep believingIn faith our life, we must not complain moreJesus Christ The Lord who gave love to us, Hallelujah(Interlude/Instrumental)Jesus Christ, He is my saviour, Jesus Christ, He is your saviour too, says I'm believeFriends, let's be grow up, be light up, let's be strong and fruitfullAnd win many souls for Jesus ChristJesus Christ The Lord with The Holly Spirit accompany us in ministryMinistring choice for the best believers(Interlude/Instrumental)Jesus Christ The Lord with The Holly Spirit accompany us in ministryMinistring choice for the best believers.
ENDURING OUR LIVE (Tutorial 4c)
Chorale SATB

$3.79 3.27 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.924080 Composed by Dominic McGonigal. Contemporary. Octavo. 4 pages. C8 Music #5988631. Published by C8 Music (A0.924080). This song is about a miracle. Liam was born in December 2018 and was without oxygen for fifteen minutes. Normally, that is fatal. In Liam's case, he lived but he had no sight, no hearing, no touch and no brain activity. He was given days to live and his parents took him home to talk to him, sing to him, be with him in his first and last few days. Days passed and Liam didn't die. Day by day, his face lit up, he could see, he could hear, he could feel and his brain came alive. Now he is a happy toddler, with an innocent smile and a miraculous radiance. 2'30. www.dominic.mcgonigal.com
#TheBoyWhoLived (SSAA)
Chorale SSAA

$4.99 4.31 € Chorale SSAA PDF SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'.  This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
Mendelssohn: Wedding March for Oboe & Piano
Hautbois, Piano (duo)

$24.95 21.55 € Hautbois, Piano (duo) PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.†The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.†That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.†“Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.†Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.†Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,†Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.â€.
Savin' Jeremiah - SATB Choir
Chorale SATB
a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’
$1.99 1.72 € Chorale SATB PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
Saxophone Soprano et Piano

$11.95 10.32 € Saxophone Soprano et Piano PDF SheetMusicPlus

Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.    
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duo)

$26.95 23.27 € Euphonium, Piano (duo) PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1211655 Composed by Edvard Grieg (1843-1907). Arranged by Andrew Lamb. 19th Century,Romantic Period. 16 pages. Andrew Lamb #809267. Published by Andrew Lamb (A0.1211655). Title: Ave Maris StellaComposer: Edvard Grieg (1843-1907)Arranger: Andrew LambDescription: This is my transcription of Ave Maris Stella by Norwegian composer and pianist Edvard Grieg (1843-1907)Edvard Grieg was a Norwegian composer and pianist born on June 15, 1843, in Bergen, Norway. He came from a musical family and showed great talent for music at a young age. He studied at the Leipzig Conservatory in Germany, where he was exposed to the music of leading German composers, such as Robert Schumann and Felix Mendelssohn.Grieg composed a variety of works, including orchestral music, chamber music, songs, and piano pieces. He is best known for his composition “Peer Gynt,†which includes the popular suite “In the Hall of the Mountain King.†Other famous works by Grieg include the Piano Concerto in A Minor and the Holberg Suite.Throughout his career, Grieg was devoted to promoting Norwegian music and culture. He was a central figure in the Norwegian music scene and worked to establish a national identity through his music.Grieg’s influence on Norwegian music was significant, and he is considered one of the leading figures in the Norwegian Romantic movement. His music was also highly regarded by his contemporaries, including Johannes Brahms and Claude Debussy.Edvard Grieg died on September 4, 1907, in Bergen, Norway, at the age of 64. His contributions to classical music were significant and he left a lasting legacy on Norwegian and European music.
Ave Maris Stella (Vespers Hymn)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$12.00 10.36 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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