Piano Solo - Level 3 - Digital Download SKU: A0.742493 Composed by Javier Martínez Maya. 20th Century,Concert,Instructional,World. Score. 38 pages. Arte Nova Music Lab #5042477. Published by Arte Nova Music Lab (A0.742493). Javier Martínez is a recognized producer, arranger, composer and educator in Colombia and England, where he has taught advanced production, mixing, mastering and audio technology for over 20 years. An independent writer/producer and recording engineer, his credits include works and scores for Colombian TV Channels, Moscow Symphonic Orchestra, Iberoamerican Orchestra (based at Barcelona, Spain) and almost 200 albums and films. From his Arte Nova Music Lab Studio, he’s completed film, video and multimedia original scores for clients like Nike, Honda, Chevrolet, Yoyo Music USA Inc, Mitsubishi, Mundo Arts, SAAB Miller and RCN Television. His international experience as arranger, engineer and producer includes workshops with sir Paul McCartney, Radio Head, Charlie Morgan (Elton John), and recordings at Scotland (Kim Edgar), Switzerland (Sebastian Portillo), Germany (Toby Freissler) and Spain (Iberoamerican Orchestra). Programmer and sound designer, he works with best seller music production tools, like Protools 12, Logic Pro X, Reason 9, Finale 2018, Musescore 3 and uses top music samplers from brands like Sounds Online, Native Instruments and Vir2, among others. He has worked also with several companies as manager and director, with duties as budget organization, development of musical projects and head of producers and engineers at recording studios.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1217088 Composed by George West. Arranged by George West and edited by CHRIS MAGEE. Jazz. Score and Parts. 70 pages. Dubba C Music #813624. Published by Dubba C Music (A0.1217088). Fall Fades Fast is a an up-tempo flag waver based on the chord changes to a famous standard about autumnal foliage. The melody is played by alto sax and trumpet, and then both instruments have solo space. The exciting shout chorus will have your audience on its feet. This chart will be a great opener or closer for your concert or assessment program! Grade 4.Ranges:Trumpet: D6Trombone: Bb4About George West:Trombonist and educator George West (1931-2013) was founder and head of the jazz program at James Madison University for 25 years, from 1971 until his retirement in 1996. He served as bass trombonist and arranger with the U.S. Air Force Airmen of Note from 1953 until 1958, and performed with the Kai Winding trombone Group from 1959 through 1960. George completed his undergraduate degree at Oberlin Conservatory, and earned his masters and Ph.D. from Michigan State University. He founded the jazz programs at both schools while he was a student. George also founded the jazz program at Blue Lake Fine Arts Camp (Muskegon, MI) in 1971 and led that program through 2004. After his retirement from James Madison University, he relocated to Deland, Florida, and led the jazz program at Stetson University until his passing in 2013.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-12E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1251299 By Indrė Gerikaitė. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 2 pages. Nacionaline vargonininku asociacija #845568. Published by Nacionaline vargonininku asociacija (A0.1251299). 12 Organ Trios, Op. 4. Taking into account the date of publication (1897) these seem to be the first printed organ compositions of Naujalis. They were published in Warsaw, in the collection Preludia na organy, part 2, series III. The publication soon received positive comments in the Polish newspaper of the St. Cecilia Society, Musica sacra (1898 No. 5). There are many signs that Naujalis used this edition as his favourite teaching manual since the fingerings and pedaling given are from the author himself.Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1164759 Composed by C. Michael Perry. Arranged by C. Michael Perry. Christian,Religious,Spiritual. Score. 9 pages. Shining Sharon Music #765093. Published by Shining Sharon Music (A0.1164759). Nephi saw a vision, one that supported exactly what his father, Lehi, saw. He asked in Faith and was rewarded for it. What he saw allowed him to testify of Christ and truth. He was witnessed by the Holy Ghost (The Angel of The Lord), and he could not –– would not deny it. (based on the scripture 1Nephi 11:13-33 in the Book of Mormon).

String Ensemble,String Trio Cello,Viola - Level 3 - Digital Download SKU: A0.552153 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score and parts. 20 pages. Jmsgu3 #6236229. Published by jmsgu3 (A0.552153). Divertimento No. 30 Hob. XI No. 30 in three movements for 2 Violas & Cello. Originally scored for Baryton, Viola & CelloI. Adagio cantabileII. Minuett - AllegrettoIII. Fine - Allegro assaiScore: 11 pages. Duration: 7:40Franz Josef Haydn was an Austrian composer who is best known for his work in the field of chamber music. He composed in a variety of musical forms, including divertimenti, trios and string quartets. He was a prolific composer who wrote over 100 pieces of chamber music and is believed to have been a major influence on the music of his students and contemporaries, including Mozart and Beethoven. Haydn's music is known for its balance and clarity in structure. His chamber works were known for their accessibility and elegance, with melodies that were often lighthearted and charming. His symphonies were well-crafted and often featured balanced melodic elements. Haydn composed many well-known divertimenti and trios, but his string quartets are what he is most celebrated for. He wrote some sixty to eighty string quartets, and these works were historically significant for expanding the limits of the genre and for their influence on the composers and musicians who followed him.

Flute,Piano - Level 3 - Digital Download SKU: A0.560167 Composed by Hans Sitt. Arranged by Lisa Ochoco. Concert,Romantic Period. Score and part. 9 pages. Lisa L Ochoco #6591307. Published by Lisa L Ochoco (A0.560167). Hans Sitt might not be a well-known composer to wind players, as he composed music almost entirely for the strings. Born in Prague into a musical family, he was a violinist, violist, teacher, and composer. His father was a well-known violin maker. Although not pushed into music, he chose music as his profession, and was one of the most sought-after violin teachers of his time. Along with many positions as a performing violinist, he was also an orchestral conductor in several European countries.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855097 Composed by Lowell Mason (1792-1872)/Sarah F. Adams(1805-1848). Arranged by Joseph Pugh. 20th Century,Concert,Sacred,Standards. Score and parts. 8 pages. Joseph Pugh #6188539. Published by Joseph Pugh (A0.855097). Nearer, My God, to Thee is a 19th-century Christian hymn by Sarah Flower Adams, which retells the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it... This brass quintet arrangement by Joseph Pugh, brings a new touch to the old iconic Hymn.

Brass Ensemble E-Flat Cornet - Digital Download SKU: A0.1047820 Composed by Buddy Bernier and Nat Simon. Arranged by Bud Caputo. Jazz,Traditional. Score and parts. 22 pages. Bud Caputo #652253. Published by Bud Caputo (A0.1047820). A Drum set is optional but will add to the Latin flavor. The song has been identified as a development of a Cuban folk song entitled La Canción del �rbol whose title translates as the song of the tree, the royal poinciana being a favorite Caribbean flowering plant.[1][2] However composer Nat Simon would claim the song's tune came to him while he was dining at Manhattan Theater District restaurant Leone's, and that he jotted down a rough draft of the melody on his table's cloth which - with Leone's permission - he took home to work out the completed melody at his piano. Lyrics for the song were completed in about thirty minutes by Buddy Bernier, who cited as his inspiration a postcard of a royal Poinciana tree he'd recently received from Florida.[3].

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407218 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 43 pages. Jmsgu3 #989901. Published by jmsgu3 (A0.1407218). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1399200 By Soloist. By Dan Bradley. Arranged by Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. Score. 3 pages. Mare Dan Music #982497. Published by Mare Dan Music (A0.1399200). Glory Hallelujah, He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. Come to one conclusion: He Is Alive! This is also available in Solo, Two Part, SAB and SATB also in Spanish: Gloria Aleluya, Esta Vivo! and in French: Gloire Alléluia, Il Est Vivant and in English Glory Hallelujah, He Is Alive!.The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Gloria Aleluya, Esta Vivo! es perfecto para la Pascua y la Temporada de Pascua cuenta la historia de las Mujeres en la Tumba, El Camino a Emaús, Tomás el Dudoso. Llega a una conclusión: ¡Está vivo! También está disponible en Solo, Dos Partes, SAB y SATB también en español: Gloria Aleluya, Esta Vivo! y en Francés: Gloire Alléluia, Il Est Vivant y en inglés Glory Hallelujah, He Is Alive!La música tiene una modalidad hebrea y utiliza ritmos como una hora. Divertido y dramático para cantar y basado en escrituras sólidas. Puede proporcionar muchas lecciones maravillosas de Fe.

Violin and piano - intermediate - Digital Download SKU: S9.Q15318 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15318. Published by Schott Music - Digital (S9.Q15318). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.Er stand und steht auch heute noch ein wenig im Schatten von Bedrich Smetana und Antonín Dvorák: der böhmische Komponist Zdenek Fibich (1850-1900). Zu Unrecht, denn mit seinem umfangreichen Oeuvre hat der allzu früh verstorbene Musiker ebenfalls entscheidend zur Begründung einer nationalen Schule beigetragen.

Piano,Violin - Level 5 - Digital Download SKU: A0.1005690 Composed by Thomas John Williams, 1890. Arranged by Grace Joy Reid, 2021. Christian,Sacred,Spiritual. 8 pages. Creating Music Joy #6356583. Published by Creating Music Joy (A0.1005690). The text was written in 1875 by Samuel Trevor Francis. A Welsh hymn tune, Ebenezer, composed by Thomas John Williams.  Legend has it that as a young man, Samuel Trevor Francis contemplated committing suicide by jumping into the Thames River from the Hungerford Bridge in London.  Experiencing the love of Jesus, he wrote these lyrics and went on to write many poems, hymns, and became a preacher, in addition to being a merchant sailor. Hymn Lyrics1 O the deep, deep love of Jesus!Vast, unmeasured, boundless, free,rolling as a mighty oceanin its fullness over me.Underneath me, all around me,is the current of thy love;leading onward, leading homeward,to thy glorious rest above.2 O the deep, deep love of Jesus!Spread his praise from shore to shore;how he loveth, ever loveth,changeth never, nevermore;how he watches o'er his loved ones,died to call them all his own;how for them He intercedeth,watcheth o'er them from the throne.3 O the deep, deep love of Jesus!Love of ev'ry love the best:'tis an ocean vast of blessing,'tis a haven sweet of rest.O the deep, deep love of Jesus!'Tis a heav'n of heav'ns to me;and it lifts me up to glory,for it lifts me up to thee.Source: Trinity Psalter Hymnal #463

Marimba Solo - Digital Download SKU: A0.955427 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editions #6047249. Published by Neal Fitzpatrick Editions (A0.955427). This is Impromptu No.16 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

String Orchestra - Level 3 - Digital Download SKU: A0.1417819 Composed by Antonio Vivaldi. Arranged by Martin Lass. Baroque,Chamber,Children,Classical,Instructional. 19 pages. MA Lass & I Lass #999240. Published by MA Lass & I Lass (A0.1417819). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing. Vivaldi's Concerto RV 93 was originally written for lute or guitar solo plus strings and basso continuo. Here, the 1st movement of the concerto has been arranged for an intermediate-level student string orchestra without continuo or piano accompaniment. To this end, the work has been simplified: the original key of D major has been changed to C major; some rhythms have been simplified, including doubling all note values and changing the time signature to 2/2; some registers have been changed in order to keep parts in 1st position; and extensive dynamics and articulations have been added to assist students with musical interpretation according to Baroque music conventions. That said, some crescendos have been added for effect. It is anticipated that the one repeat will be done, as is traditional. The upper strings are expected to be able to play low 2nd and 4th fingers, and the cellos have both backward and forward extensions but only leave 1st position in two short identical passages. The main challenge of the piece lies in the bowing style and the articulations, aforementioned.Level: 2.0 - 2.5Duration: 3mParts ListViolin IViolin IIViolin III (from Viola) (optional)ViolaVioloncelloDouble BassFull Score.