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Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
Mendelssohn: Wedding March for Piano Trio
Piano Trio: piano, violon, violoncelle

$36.95 32.06 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.891910 Composed by Eugene Gigout. Arranged by Stephen Davies. 20th Century. 18 pages. Stephen Davies #3475055. Published by Stephen Davies (A0.891910). This unusual piece by Eugene Gigout is simplistic and complex, plain and colourful, in other words as we say in the Uk '... its bit like Marmite!' ie. you either like it or you don't! Fugal in style and very melodic with a modern feel harmonically. And I like Marmite!! Gigout was born in Nancy in France and became a pupil Saint-Saens. He mainly wrote for the Organ, his Toccata is still played today and very popular as an encore piece. He was also Organist at the St Augustin Church in Paris for 62 years!
Interlude by Eugene Gigout for Clarinet Quartet.
Quatuor de Clarinettes: 4 clarinettes

$12.99 11.27 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Piano - intermediate to difficult - Digital Download SKU: S9.Q53311 Composed by Johann Friedrich Burgmuller. Edited by Robert Schafer and Wilhelm Ohmen. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 11 pages. Schott Music - Digital #Q53311. Published by Schott Music - Digital (S9.Q53311). Friedrich Burgmüller grew up in Germany in a very musical family. His father, Friedrich August Burgmüller and his younger brother Norbert Burgmüller were also composers. His mother was the pianist and singer Therese von Zandt. Burgmüller lived in Paris in the 1830s. He mainly composed salon music for piano such as fantasias, variations and waltzes. His piano studies op. 100, 105 and 109 are particularly worthy of mention, even today remaining popular in piano tuition. The great waltz on the opera ‘Dinorah ou Le pardon de Ploërmel’ by Giacomo Meyerbeer was published by Schott in 1859 (plate number 15730), in the year of the opera’s first performance.
Grande valse de salon sur Le pardon de Ploërmel de Meyerbeer
Piano seul

$3.99 3.46 € Piano seul PDF SheetMusicPlus

Instrumental Duet B-Flat Clarinet,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.857506 Composed by Thomas Van Dyke Wiesenthal. Arranged by Brittany Sommerville. Classical,Contest,Festival,Multicultural,Renaissance,Traditional,World. Score and parts. 2 pages. Brittany Sommerville #463969. Published by Brittany Sommerville (A0.857506). Cheer Up, Pull Away: A Duet for Oboe and Bb Clarinet is inspired by the travels of Thomas Forrest (1729-1802). Forrest was a captain in the British Royal Navy and a captain for the British East India Company. During his travels to Indonesia, he recorded his adventures in a journal. The Maluku islands are a province in Indonesia, west of New Guinea. The islands were known for their production of nutmeg and cloves. During Forrest's time in the Maluku islands, he came across a local fishing vessel. There, he noticed that when the sailors on the ship became fatigued, the first-mate would begin a call of motivation to the men at the oars. The men would respond back with a melody, which lighted their drowsy spirits enough to continue rowing for the whole night. Forrest recorded one of these locals songs. Translated into English, the chants contain, What fishes abound in its main; Behold you island afar; Haste, Haste and the fishes obtain. In 1818, Thomas Van Dyke Wiesenthal of the United States Navy composed a chorus and piano arrangement based on Forrest's journals; Cheer up! Pull away! The song featured calls and responses as similar to the sea chanties from the Maluku sailors. The melody in this arrangement of Cheer Up, Pull Away is passed between the oboe and the Bb clarinet; resembling the call and response of the Maluku sea chanties. The dynamically loud and abrupt sixteenth note arpeggios throughout the piece represent abrupt transition from drowsy and fatigued sailors to alert and motivated crew after participating in the chanty. This arrangement is suggested for those in grades 8, 9 and 10. Students will gain experience working with a six-eight time signature and controlling dynamics without being distracted with difficult fingerings and octaves. This piece may be used in solo and ensemble competitions throughout the United States of America, or as a fun piece for students to become comfortable in a six-eight time signature. There are 68 measures in this piece. The tempo is set to be dotted quarter note = 80 BPM; students should perform the piece in any tempo best suited to their needs. This piece will be 104 seconds long at quarter note = 80 BPM. Bb Concert Key.
Cheer Up, Pull Away: A Duet for Oboe and Bb Clarinet

$4.99 4.33 € PDF SheetMusicPlus

Piano,Violin - Digital Download SKU: A0.933384 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 22 pages. Pavel Burdych #119401. Published by Pavel Burdych (A0.933384). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
Deutsches Gemüthsleben, Waltz for Violin and Piano, Op. 88
Violon et Piano

$6.95 6.03 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.933385 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 26 pages. Pavel Burdych #119407. Published by Pavel Burdych (A0.933385). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
Vom Rhein zur Donau, Waltz for Violin and Piano, Op. 138
Violon et Piano

$6.95 6.03 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.933382 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 25 pages. Pavel Burdych #73859. Published by Pavel Burdych (A0.933382). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
Am schönen Rhein gedenk ich dein, Waltz for Violin and Piano, Op. 83
Violon et Piano

$6.95 6.03 € Violon et Piano PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
Bach: Jesu, Joy of Man's Desiring for Flute Choir
Ensemble de Flûtes

$49.95 43.34 € Ensemble de Flûtes PDF SheetMusicPlus

2 Pianos,8 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1457551 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Mindy Rawlinson. Film/TV,Halloween,Pop. Score. 18 pages. Mindy Rawlinson #1036579. Published by Mindy Rawlinson (A0.1457551). Set sail for a swashbuckling musical adventure in your group piano class! This multilevel ensemble is arranged for Piano Pyramid® and offers five levels of complexity from brand-new beginner to intermediate. Students in same level classes can enjoy this arrangement as much as multilevel classes. Key of C major.Download includes both a teacher score and individual parts.To learn more about multilevel piano teaching the Piano Pyramid® way, visit pianopyramid.com.
He's A Pirate
2 Pianos, 8 mains

$54.00 46.85 € 2 Pianos, 8 mains PDF SheetMusicPlus






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