Concert Band - Level 4 - Digital Download SKU: A0.917403 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 286 pages. Musica Nova USA #4967651. Published by Musica Nova USA (A0.917403). Pico del Teide is a 17 minute symphonic poem for concert band, grade 5. It was composed to feature the orchestral differences and colors in the symphonic band. There are several featured soloists throughout the piece, especially a long extended solo for alto saxophone. The piece also uses many textural variations showing several sections of chamber music. Pico del Teide is often selected as a contest piece when bands compete, especially in Spain. Pico del Teide was composed in 2005 and was premiered March 10, 2006 by Felipe Neri and the Banda Municipal of Tenerife. It won First Prize in the II Concurso Bienal de Composición de Música para Banda Ciudad de Santa Cruz de Tenerife, Spain. The piece is programmatic as it depicts a person climbing through the different sections of the Teide mountain - Los Roques, Las Cañadas, Pico del Teide, Teide and Pico Viejo to the top of Pico del Teide, which is the highest point in the Canary Islands.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.  

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.727459 Composed by Marin Marais, Willia Morris. Arranged by Carol Troutman Wiggins. A Cappella,Christmas,Early Music,Religious,Sacred. Octavo. 9 pages. Carol Troutman Wiggins #3868983. Published by Carol Troutman Wiggins (A0.727459). MASTERS IN THIS HALLSATB or AcappellaAn old French carol, Marche pour les Matelots by Marin Marais (1706), this tune is a favorite at Christmas and is popular with carolers. The words were written by Willia Morris (1860)In a 16th century style, Masters in This Hall refers back to a simpler society when the poor, bringing news of Christ's birth to the Masters in this Hall was a warning to the proud.This song explains raising up the poor and casting down the proud is also contained in the song of the Virgin Mary as in Luke 1:51. This carol describes a poor man who wished to draw his master's attention to the birth of Christ by telling how he had met shepherds travelling to Bethlehem. He joined them and saw the Christ child in his Mother Mary's arms. The chorus reveals how the birth of Christ has raised up the poor and cast down the proud.SATB, but may be sung acappellaChorus, men's section, ladies section, then all repeat on the chorusComfortable vocal rangePiano Accompaniment track available on this site

Piano - Digital Download SKU: A0.1065647 Composed by Marin Marais, Willia Morris. Arranged by Carol Troutman Wiggins. A Cappella,Christian,Christmas,Sacred,Standards. Accompaniment. Duration 134. Carol Troutman Wiggins #3868987. Published by Carol Troutman Wiggins (A0.1065647). MASTERS IN THIS HALL (Piano Accompaniment Track)SATB or AcappellaAn old French carol, Marche pour les Matelots by Marin Marais (1706), this tune is a favorite at Christmas and is popular with carolers. The words were written by Willia Morris (1860)In a 16th century style, Masters in This Hall refers back to a simpler society when the poor, bringing news of Christ's birth to the Masters in this Hall was a warning to the proud.This song explains raising up the poor and casting down the proud is also contained in the song of the Virgin Mary as in Luke 1:51. This carol describes a poor man who wished to draw his master's attention to the birth of Christ by telling how he had met shepherds travelling to Bethlehem. He joined them and saw the Christ child in his Mother Mary's arms. The chorus reveals how the birth of Christ has raised up the poor and cast down the proud.SATB, but may be sung acappellaChorus, men's section, ladies section, then all repeat on the chorusComfortable vocal range

Small Ensemble - Level 2 - Digital Download SKU: A0.522186 Composed by Unknown. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 27 pages. Colin Kirkpatrick Publications #6363609. Published by Colin Kirkpatrick Publications (A0.522186). These are two charming dances taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost all kinds of dances�) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century and who published his First Book of Dances in Leuven in 1571. The Antwerp publication of 1583 contains about half the dances from the original 1571 edition, together with some new titles, making a total of about seventy numbers.The 1583 collection contains a large selection of gaillardes, almandes and bransles which were all popular courtly dances of the time. The lively and well-known piece entitled Ungaresca appears on page 24 of the original publication. The drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. The name Ungaresca is a term used outside Hungary to denote a dance in the Hungarian style and this particular one probably first appeared in a 1578 dance collection for viol consort - Mainerio's Primo libro de balli. As a result, the music is sometimes attributed to Mainerio.In this arrangement, Ungaresca is paired with the delightful Almande Poussinghe which appears on page 16 of the original. This wonderful music of the 16th century still speaks to us today and this arrangement would be an ideal concert item, playable by virtually any combination of conventional wind instruments with optional percussion and keyboard parts. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. Some minor changes have been made to the inner parts to facilitate performance.This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. Most electronic keyboards have a harpsichord option. The score and set of parts come in a single PDF file.

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1408117 Composed by Maxim Berezovsky. Arranged by Roman Fotuima. Chamber,Classical,Early Music. Score and part. 28 pages. RamFot #990683. Published by RamFot (A0.1408117). First ever written Ukrainian sonata composed by Maxim Berezovsky (1745-1777).Very interesting piece in bright, joyful character.Originally composed for violin and basso continuo now availible for soprano saxophone and piano.Maxim Berezovsky - was a Ukrainian composer of secular and liturgical music, a conductor and opera singer. Some time worked at the St. Petersburg Court Chapel, but spent much of his career in Italy. He made an important contribution in the music of Ukraine. Together with Artemy Vedel and Dmytro Bortniansky, Berezovsky is considered by musicologists as one of the Golden Three composers of 18th century Ukrainian classical music.

Recorder - Level 4 - Digital Download SKU: A0.1431988 By Manchester recorder orchestra. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 188. David Warin Solomons #1012466. Published by David Warin Solomons (A0.1431988). Work for recorder orchestra written for and performed by Manchester Recorder Orchestra in February 2015.The music is inspired by a poem of e e cummings:anyone lived in a pretty how town(with up so floating many bells down)spring summer autumn winterhe sang his didn’t he danced his did.women and men (both little and small)cared for anyone not at allthey sowed their isn’t they reaped their samesun moon stars rainchildren guessed (but only a fewand down they forgot as up they grewautumn winter spring summer)that noone loved him more by morewhen by now and tree by leafshe laughed his joy she cried his griefbird by snow and stir by stillanyone’s any was all to hersomeones married their everyoneslaughed their cryings and did their dance(sleep wake hope and then) they said their nevers they slept their dreamstars rain sun moon(and only the snow can begin to explainhow children are apt to forget to rememberwith up so floating many bells down)one day anyone died i guess(and noone stooped to kiss his face)busy folk buried them side by sidelittle by little and was by wasall by all and deep by deepand more by more they dream their sleepnoone and anyone earth by aprilwish by spirit and if by yes.women and men (both dong and ding)summer autumn winter springreaped their sowing and went their camesun moon stars rain

Strings Flute - Level 4 - Digital Download SKU: A0.1431980 By Jeremiah Bornfield. By David Warin Solomons. Arranged by Colin Bayliss. Classical,Contemporary. Full Performance. Duration 184. David Warin Solomons #1012458. Published by David Warin Solomons (A0.1431980). This realisation by Jeremiah Bornfield is based on Colin Bayliss'  chamber orchestra arrangement of my composition.(The original version was for recorder orchestra)The music is inspired by a poem of e e cummings:anyone lived in a pretty how town(with up so floating many bells down)spring summer autumn winterhe sang his didn’t he danced his did.women and men (both little and small)cared for anyone not at allthey sowed their isn’t they reaped their samesun moon stars rainchildren guessed (but only a fewand down they forgot as up they grewautumn winter spring summer)that noone loved him more by morewhen by now and tree by leafshe laughed his joy she cried his griefbird by snow and stir by stillanyone’s any was all to hersomeones married their everyoneslaughed their cryings and did their dance(sleep wake hope and then) they said their nevers they slept their dreamstars rain sun moon(and only the snow can begin to explainhow children are apt to forget to rememberwith up so floating many bells down)one day anyone died i guess(and noone stooped to kiss his face)busy folk buried them side by sidelittle by little and was by wasall by all and deep by deepand more by more they dream their sleepnoone and anyone earth by aprilwish by spirit and if by yes.women and men (both dong and ding)summer autumn winter springreaped their sowing and went their camesun moon stars rain

Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3 - Digital Download SKU: A0.1047346 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 43 pages. Blaze Scheuerman #651904. Published by Blaze Scheuerman (A0.1047346). Through The Years is meant to be a reflection back onto one’s childhood. Inspired by my own upbringing, it is a recollection of past events that came and mindsets experienced. It opens up with a loud and active sound to show the start of the journey. The character begins happy and energetic, going head first with no fear. The dotted quarter note theme at measure 11 then shows the young child’s state of mind. While beginning to understand concepts of anxiety and fear, he is still full of vigor and confidence. Then at measure 26, the main character begins his adolescence. Still fresh and happy, he sees the world in a simple way and that it is actively watching out for him. He is enjoying this passive time of leisure until measure 40, where he decides to actively try to seek out something. He gets carried away however, and tries to return back to his roots, seen in measure 59. Unfortunately he finds himself tainted and unable to return to his go-getting former self. He then does something peculiar in measure 77. Instead of being angered or saddened by this fact, he accepts it and takes a step back to rebuild himself, seen in the fugato section. After a long and detailed remapping, he finds himself back at his desired happy self. However at measure 127, he feels himself changing once again. So through active awareness and will, he prevents himself from changing into something he doesn’t want to be and instead stays as his desired self.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1107927 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #710541. Published by Kevin G. Pace (A0.1107927). An epic, exciting, sacred composition for SATB choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: Let all creation praise His coming, Sending triumph through the sky! When Jesus Christ steps from the Father All the heavens will supply Grand hallelujahs to all list’ning. And those long-awaited sounds Will announce the Second Coming When His glory will abound. So, let the earth burst forth revering; Let the waters cheer with praise. Let the mountains shout for gladness All because our Lord was raised. Let all valleys hear rejoicing And the seas and dry lands bring Grandest strains to all formation Because He is Christ, our King. Let the stars and morning sunbeams Sing together, all as one. Let the woods and trees and meadows Voice their joy because He comes. Then let the animals speak jointly, And the sun and moon share light; Let the whole world join in worship Because He is in our sight. Let his creations call for oneness To declare his name with love, To proclaim the voice of Jesus When He visits from above. Let all creation praise His coming For his light will be our sun; Let us shout with hymns of singing Because Christ, our Savior comes!

Piano Solo - Level 3 - Digital Download SKU: A0.845468 Composed by Finneas O'Connell. Arranged by Musikeo. Contemporary. Score. 2 pages. Musikeo #6381847. Published by Musikeo (A0.845468). I Don't Miss You at All is a song by American singer-songwriter Finneas from his debut EP, Blood Harmony (2019). It was released by OYOY as the fourth and final single from the EP on September 20, 2019. The dark pop track, was written and produced by Finneas himself. The song received mainly positive reviews from music critics, several of whom praised the music and lyrical content. During his October 2019 United States tour, the singer performed the song. He also sang it on Jimmy Kimmel Live! and during a livestream for Verizon Communications.Finneas explained in a statement that the song is about trying to convince yourself that you're over someone. Remembering all your absolute favorite things about them and pretending they mean nothing to you now. Finneas wrote I Don't Miss You at All while touring in New York City. He was sitting on a hotel bed while playing a toy guitar he had bought in Boston. He intended to write a song that felt like it was entirely a lie, the way we all lie to ourselves to try to feel like we're over someone when [we're] definitely, definitely not.The piano score you'll find follows the original structure of the song with it's bossa-nova flavour. Perfect tune to practice rythmic patterns in your left hand. Enjoy playing it on your piano!

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1174319 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 5 pages. Kevin G. Pace #774490. Published by Kevin G. Pace (A0.1174319). A touching, sacred hymn about Christ's taking upon Him our sorrows and trials.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Hollow grief and vibrations of loss leave me isolated, uniquelyAlone.Shouting silence echoes against every promised dream.Emptiness sobs wildly, yet no one perceives my searing, stingingPain.My pierced and bruised heart halts; no hands reach out, andI weep.He trammels from side to side with weight of words and wood,Alone.Shouldering all burdens bears gut groans and crimson blood . . .Void to those who are blind to His solitary, sacrificing, wrenchingPain.His severed heart stretches to reach those with shielded eyes, andHe weeps.With shackled sight silently loosed, I see woeful mourning is neverAlone.Yoked by clear cleansing, and trusting each atoning breath,I grasp His robe with welcoming arms—His, which can subdue everyPain.My humbled heart cries out to Him with joy, and clinging gratefully,We weep.

Fl(pic).2cl(1.Ebcl, 2.bcl)-pno.hp-vla.vc.db ensemble - Digital Download SKU: S9.Q43250 For ensemble. Composed by Julian Anderson. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 19 minutes. Schott Music - Digital #Q43250. Published by Schott Music - Digital (S9.Q43250). The starting point was the collected letters of Vincent van Gogh. In spite of the tragedies for which van Gogh is best known, his letters are filled with joyous exuberance for the practical considerations of his work: what he will paint next and, most importantly, what colours he will use. For Julian Anderson, it seems the painter relishes ‘the sheer stuff of which his art is made’. In Van Gogh Blue, Anderson relishes the sheer stuff of which his own art is made. It’s a very physical, highly contrasted work about the joy of sound. Instrumental colour plays a large role, and Anderson’s use of two mobile clarinetists allows extra colour as their sound moves through the acoustic space of the hall.

Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp. Christian,Sacred,Spiritual. Score and parts. 11 pages. Michael E. Ropp #2959209. Published by Michael E. Ropp (A0.971700). I have always loved this hymn, and one Sunday morning when I had been called upon to write something lyric for our brass quartet (two trumpets in Bb, horn in F, and tuba), I went straight for It Is Well With My Soul.  This arrangement tells in music the story of Horatio Spafford and the circumstances under which he wrote the lyric for this hymn.  The piece opens with sounding of the horn of Spafford’s ship as she passes over the point at which Spafford's four daughters were lost.  The first verse builds dramatically as the lyric comes to Spafford and ends with the lovely chorus.  The next section is based on the third stanza of the hymn in which Spafford writes, My sin, not the part, but the whole, is nailed to the cross…  The horn gets the melody, evoking the sound of Spafford’s own voice, and the other instruments vividly paint the hammering of the nails.  However, as Spafford moves into the chorus, the harmony becomes dark and uncertain as Spafford’s grief overwhelms him; his faith wavers as he tries to believe what he is writing.  Then, the melody transfers to the trumpet as Spafford is answered by the higher voice from above-his daughters assuring him that, yes, it IS well, it is well.  The piece then ends with a peaceful statement of the chorus, evocative of the rolling sea and Spafford’s soul at peace.  This piece can be played by a student ensemble; the primary challenge is in achieving the level of expression and emotion required to pull off a piece like this.