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Piano Solo - Level 3 - Digital Download SKU: A0.1487273 Composed by Johann Baptist Wanhal. Arranged by Allan Badley. Classical. Score. 41 pages. Artaria Editions #1064248. Published by Artaria Editions (A0.1487273). Like his younger compatriot Leopold Koželuh, Johann Baptist Wanhal derived a considerable part of his income from teaching, and his large output of keyboard music – which includes solos, chamber works with keyboard and instructional pieces – reflects this. Along with the usual sets of variations, dances and other small-scale works, he published sonatinas and progressive sonatas for young performers which reveal his experience as teacher and his gift of making the simplest music attractive as well as instructive. Wanhal’s output of solo keyboard music also includes far more complex and ambitious works, among them, several sets of pieces styled “Capriccio”. These works are in essence multi-movement sonatas, their capriciousness largely evident in their discursive first movements which include an element of modest tonal adventure. The works are very attractive, technically demanding yet well within the scope of the many fine amateur fortepianists in Vienna. Wanhal’s capriccios were eagerly sought after in other centres as well and were issued by publishers in London, Paris, Amsterdam, Offenbach am Main as well as in Vienna.
Three Capriccios for the Pianoforte, Op.31 (Weinmann XIII:1-3)
Piano seul

$54.00 45.62 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble Bassoon,Double Reed Quintet - Level 4 - Digital Download SKU: A0.1245673 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #840529. Published by Regis Bookshar (A0.1245673). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Bassoon Quintet - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex thatn the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus. Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Bassoon Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Bassoon Quintet)

$30.00 25.34 € PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.1453796 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th Century,March,Religious,Sacred,Wedding. Score. 11 pages. School Sisters of St. Francis #1033046. Published by School Sisters of St. Francis (A0.1453796). Intermediate difficulty.Originally published in 1956 for weddings these marches serve any occasion. The opening composition, “Marche Nuptiale,” may be played as a complete unit through m. 53. If played as a wedding march, there is a complete change of character in ms. 54-71. At this point it introduces the Latin Introit—Mode III of the Nuptiale Mass found in the Graduale Romanum:  Deus Israel conjungat vos, et ipse sit vobiscum, qui misertus est duobus unicis: et nunc, Domine, fac eos plenius benedicere te.  P.T. Alleluia, alleluia.  Ps. Beati omnes qui timent Dominum: qui ambulant in viis ejus.*  This section may also be played independently while the couple approaches the altar as an introduction to the sung introit.*“May the God of Israel join you together; and may he be with you, who took pity upon two only children: and now, O Lord, make them bless thee more fully.  Ps. 127:1  Blessed are all they that fear the Lord; that walk in his ways.”* * *The Recessional, an A B A form, serves any Sunday as a postlude or a practical extension after the main recessional at a wedding (key of G with frequent flat 6-Eb). The B section begins with the pick-up to m. 28, a practical extension when repeated with its succeeding A section to lengthen the composition.Sr. Theophane presents the pair for use on a two-manual instrument. The dynamics provide an easy conversion for a three-manual performance.
Marche Nuptiale & Recessional for Organ
Orgue
Dr Sheri L
$9.99 8.44 € Orgue PDF SheetMusicPlus

Euphonium,Low Brass Quintet - Level 4 - Digital Download SKU: A0.1250710 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #844991. Published by Regis Bookshar (A0.1250710). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Euphonium Quintet (Treble Clef) - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a  hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Choral Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Euphonium Quintet, written in Treble Clef. There is also a version written in Bass Clef, if you would prefer. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Euphonium Quintet - Treble Clef)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$30.00 25.34 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254358 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847925. Published by Regis Bookshar (A0.1254358). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 2 Tenors, 1 Bari) - Adsvanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 6215. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Quintette de Saxophone: 5 saxophones

$30.00 25.34 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Flute Quintet,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1250916 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #845198. Published by Regis Bookshar (A0.1250916). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Flute Quintet - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusivley during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of hs Cantata No.   4.This arrangement is for a Flute Quintet. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Flute Quintet)
Quintette de Flûte : 5 flûtes

$30.00 25.34 € Quintette de Flûte : 5 flûtes PDF SheetMusicPlus

String Quintet Violin - Level 4 - Digital Download SKU: A0.1257411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #850734. Published by Regis Bookshar (A0.1257411). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Violin Quintet - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar had transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Violin Quintet. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Violin Quintet)
Ensemble de Violons

$30.00 25.34 € Ensemble de Violons PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download SKU: A0.1392994 By George Ezra. By George Barnett and Joel Pott. Arranged by Jps Arrangements. Folk,Pop,Rock. Score. 3 pages. Jps Arrangements #976539. Published by Jps Arrangements (A0.1392994). Budapest for easy piano sheet musicBudapest†is a catchy song by British singer-songwriter George Ezra.Released in 2013, it became a hit and is known for its upbeat melody and nostalgic lyrics.The song is an ode to the city of Budapest, capital of Hungary. Ezra sings about a romantic trip to the city, where he feels free and in love. The melody is infectious, with a folk-pop beat that invites listeners to sway along.For easy pianists, the “Budapest†sheet music could be a great choice. She presentsSimple chords and a catchy melody, perfect for those just starting to play the piano. The solo piano formation is ideal for focusing on the main melody and basic chords.* the arrangement does not have the figuresRemember to practice slowly and enjoy the musical journey while playing this beautiful song! 🎹🎶.
Budapest
Piano Facile
George Ezra
$4.99 4.22 € Piano Facile PDF SheetMusicPlus

Horn Quintet - Level 4 - Digital Download SKU: A0.1253252 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 27 pages. Regis Bookshar #847012. Published by Regis Bookshar (A0.1253252). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - French Horn Quintet - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this triology is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a French Horn Quintet. Included are a score and a complete set of parts (27 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I thisk you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (French Horn Quintet)

$30.00 25.34 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - Digital Download SKU: A0.1375473 Composed by W.A. Mozart, J.S. Bach, W.F. Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 221 pages. Daniel Kaplan #959960. Published by Daniel Kaplan (A0.1375473). As part of a campaign to enrich the woodwind quintet repertoire, Kaplan has arranged for woodwind quintet the six preludes and fugues for string trio by Mozart (based on fugues, and some preludes, by J.S. and W.F. Bach, with the addition of four original preludes by Mozart). Around 1782 (as recounted by Mozart in a letter to his father), Mozart used to attend Sunday musicales at the home of Baron van Swieten, who required Bach and Handel to be played by all. Presumably it was to comply with the Baron's wishes that Mozart created these arrangements plus original preludes. The arranger surmises that Mozart's immersion in Bachian counterpoint influenced his own works, which increasingly featured interesting, elaborate, musically and emotionally exciting fugues (such as those in the K.387 string quartet, the Jupiter Symphony, and the Requiem). Given Mozart's genius, it is not all surprising that the fugues he selected are all of great musical interest.Note that in arranging string music for woodwinds, one often finds the English Horn better suited to the tessitura than the oboe. The main challenge is to share the string parts among the wind instruments in such a way as to permit the players to breathe. This the arranger has done, but welcomes feedback from players.
Six Mozart-Bach Preludes and Fugues, K.404a

$24.95 21.08 € PDF SheetMusicPlus

Wind band - difficult - Digital Download SKU: S9.Q20959 Composed by Stephan Adam. This edition: score. Schott Harmony Series. Downloadable, score. Duration 12 minutes. Schott Music - Digital #Q20959. Published by Schott Music - Digital (S9.Q20959). Using thematic-motif material and Baroque concerto structures, Stephan Adam has created a contemporary work with new sounds without being avant-garde. The work is demanding, particularly as regards technique and rhythmic complexity. This work was commissioned by the Bundesvereinigung Deutscher Blasmusikverbände [Federation of German Wind Music Organisations] and has been a set piece in competitions at the most advanced level. Stephan Adam studied Church Music and Composition in Frankfurt am Main; Kurt Hessenberg was one of his teachers. He has been teaching since 1982 at the Berufsfachschule für Musik [Further Education College of Music] in Bad Königshofen.(1 Piccolo-Flöte, 2 Flöten, 2 Oboen, 2 Fagotte, 1 Klarinette in Es, 3 Klarinetten in B, 1 Bass-Klarinette in b, 2 Alt-Saxophone in Es, 2 Tenor-Saxophone in B (2. ad lib.), 1 Bariton-Saxophon in Es, 4 Hörner in F, 4 Trompeten in B, 3 Posaunen, 2 Flügelhörner in B, 2 Tenorhörner in B, 1 Bariton, 2 Tuben, 1 Kontrabass, Pauken, Schlagzeug: Glockenspiel, Xylophon, kleine Trommel, 3 Tomtoms, große Trommel, 2 Tempelblocks, Triangel, hängendes Becken, Beckenpaar, Tam-Tam tief, Röhrenglocken).
Mouvement symphonique
Orchestre d'harmonie

$55.99 47.3 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.955864 Composed by Pietro Mascagni. Arranged by Scott S. Stewart. Concert,Opera. Octavo. 9 pages. Scott S. Stewart #6504211. Published by Scott S. Stewart (A0.955864). The Brindisi (drinking song), Viva il vino spumeggiante (Hail to the bubbling wine), from the one Act Italian opera Cavalleria Rusticana (1890), by Pietro Mascagni is sung by Turiddu (tenor), a young villager who recently returned from the army, on Easter Sunday in the main square of a Sicilian village.  He sings praising wine that makes one’s thoughts turn only to happiness.  This arrangement is scored for 4-part SATB ensemble with piano accompaniment. it is in the original Italian text.  The performance time: 2:40+
Viva il vino spumeggiante, Brindisi - Cavalleria Rusticana
Chorale SATB

$2.99 2.53 € Chorale SATB PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1280105 Composed by Boualem Lamhene and Michael Giacchino. Arranged by Marco Polo C. Ignacio. Broadway,Film/TV,Musical/Show,Pop. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #871527. Published by MARCO POLO IGNACIO (A0.1280105). Le Festin is a song performed by French singer Camille for the movie Ratatouille. Michael Giacchino, composer for the film, said that the film was different from scene to scene. When you go see a movie about rats, you’re thinking it’s going to be funny and slapstick — but this is an extremely emotional movie. In addition to the score, Giacchino wrote the main theme song, Le Festin, about Remy and his dream to be a chef. Though Bird's initial films were not song-oriented, the necessity to include an original song was to do something different and special, according to Giacchino. The song was the first cue he written for the film. French artist Camille (who was 29 at the time of the film's release) was hired to perform Le Festin after Giacchino listened to her music and realized she was perfect for the song; as a result, the song is sung in French in almost all versions of the film. The song was recorded in Vancouver.
Le Festin
Instruments en Do

$4.99 4.22 € Instruments en Do PDF SheetMusicPlus






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