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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sunday”. Diane our Choir director commented “there are very few Good Shepherd pieces to choose from”. One of our sopranos replied “Let's write our own”. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth” continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep” (animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd King”. The refrain begins with the tenor continuing to solo on the main melody. ”He Will Lead Home” is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and natural”. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!”. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!”.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith. 
He Will Lead Me Home
Piano, Voix
Kevin Longley
$1.99 1.7 € Piano, Voix PDF SheetMusicPlus

Cello Solo - Digital Download SKU: A0.961997 Composed by Ma Shui Long 馬水龍. 20th Century,Contemporary. Individual part. 17 pages. SpringAutumnmusic #2341883. Published by SpringAutumnmusic (A0.961997). 《水墨畫之冥想》(九支大提琴室內樂曲) 1994年  作曲者自幼喜愛繪畫與音樂。爾後,雖然選擇了音樂為終身志業,但對繪畫的興趣與狂熱,始終有增無減。在已完成的音樂作品中,幾首均與繪畫有密切的關係。作曲者認為,所有的藝術創作,雖然因其使用的素材不同或表現的技法相異,但最後所要呈現的藝術本質,應是殊途同歸,音樂與繪畫更是不例外。   本曲創作的動機,來自於傳統水墨畫中的「虛實相生」觀念。古人笪重光「畫筌」云:實處之妙,皆因虛處而生,也就是無虛不易顯實,無空不能存虛。無疏不能成密,無密不能見疏,是以虛實相生,疏密相用。作曲者試圖以此繪畫手法,呈現在此首樂曲結構中,如時間與空間的對比,織度與密度的互換,實體與空靈的轉變等,以求音畫之意境。 ※本曲由文建會委託創作,首演於1995年11月25日於國家演奏廳,由財團法人邱再興文教基金會主辦之「春秋樂集95秋 · 室內樂之夜」。由涂惠民擔任指揮,大提琴演奏家為孫琬玲、黃智瑛、鄭佩玲、曾史妃、洪婉容、黃韻宇、劉姝嫥、蘇千芳、王佩瑜。   《Meditation on Ink Painting》for Nine Cellos (1994)     Music and painting are two beloved arts for Professor Ma since he was a kid. Even he finally decided devoted to music composing for his life, he always had the passion for painting. Several Professor Ma’s compositions were highly inspired from the concepts and techniques of painting. Professor Ma believed that all the arts, although they present differently on the usages of materials or techniques, the essence and highest acheivement of all arts must be the same, including both music and painting.     Meditation on Paintings in Ink was directly inspired by the techniques of Chinese traditional ink painting and the concept of the mutuality in virtuality and reality. The composer attempted to transform the philosophy that derive from the virtuality-reality relationship into the composition, presented it as the contrast between time and space, the alternation of texture and density, or, the changing of emptiness and fullness, etc., in order to establish an artistic atmosphere of musical painting.     Meditation on Paintings in Ink was commissioned by the Council for Cultural Affairs, premiered in the National Concert Hall, on 25th of November 1995. It was programed in the Euterpe: Spring and Autumn concert series Autumn 1995: A Night of Chamber Music, held by the Chew’s Culture Foundation. The world premiere was conducted by Hwei-Ming Twu and the nine cellists were Wan-Ling Sun, Jyh-Ing Huang, Pei-Ling Cheng (Yi-Chin Cheng) , Shih-Fei Tseng, Wan-Rong Hung, Yun-Yu Huang, Chu-Chuan Liu, Monica C.F. Su and Pei-Yu Wang.
Meditation on Ink Painting《水墨畫之冥想》
Violoncelle

$13.99 11.94 € Violoncelle PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1494816 Composed by French carol. Arranged by Anne Britt. Celtic,Christian,Christmas,Irish. Score. 18 pages. Anne Britt #1071382. Published by Anne Britt (A0.1494816). The French carol Il est n, le divin Enfant celebrates the long-awaited birth of the Savior, foretold by ancient prophets. This intermediate piano duet arrangement starts out sweetly with the melody being played lightly, then starts adding in rolled open-fifth chords and ornamentation to give it a Celtic flair. The energy picks up as it transitions to an lively 6/8 meter, making you want to get up and dance in joyful celebration! The primo part is a bit more advanced than the secondo part. 5 pages each for the secondo and primo parts, or 8 pages for the combined score. The PDF contains both layouts so you can play from the one you prefer. Performance time: approximately 3:00.Also available for late intermediate piano solo.Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/.
He Is Born, the Divine Christ Child (piano duet)
1 Piano, 4 mains

$6.99 5.97 € 1 Piano, 4 mains PDF SheetMusicPlus

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1162441 By Hank Williams Jr. By Andy Razaf, Harry Brooks, and Thomas Fats Waller. Arranged by Virginia Firnberg. Broadway,Jazz,Musical/Show,Singer/Songwriter,Standards. Octavo. 3 pages. Virginia Firnberg #762789. Published by Virginia Firnberg (A0.1162441). My male voice choir plus my mixed choir have enjoyed performing this fun, jazzy, playful and upbeat arrangment of Ain't Misbehavin'. The song is for easy/intermediate two part choir and piano. The lower part imitates an accoustic walking bass and the two parts have a playful interaction with some great rhythmic interjections from the piano. The narrator promises to be loyal to his true love because he ain't misbehavin' by staying out late or flirting with other women. The song was written for the Broadway musical comedy play Connie's Hot Chocolates.
Ain't Misbehavin'
Chorale 2 parties
Hank Williams Jr
$1.99 1.7 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1503412 Composed by Iain Cook, Lauren Mayberry, and Martin Doherty. Arranged by Andrew Montano. A Cappella,Pop. 15 pages. Andrew Montano #1078860. Published by Andrew Montano (A0.1503412). He Said She Said was the first song CHVRCHES composed for their fourth album after the COVID-19 pandemic. The meaning behind the track focuses on the pressures of being true to oneself and living up to expectations, especially in the ongoing age of social media.The verses describe a hypocrisy and controlling, manipulative struggle with the singer's physicality and mental state. The quotes tell her to act a certain way or mold into a specific shape, but also mention to not go too far in either category. Not having a clear direction and attempting to please others makes the singer feel like they're losing their mind.Lauren Mayberry, the lead vocalist, said The barebones of thesong were there in about an hour and the opening line of thesong was the first lyric that came out.The song released with a music video following Mayberry trapped inside a transparent revolving door with no way ofescaping. She's seen bashing against the glass attempting to break out with shots of her spinning around.Martin Doherty, the synthesist and producer of the band, said The chords felt like they had this eternal tension in themthey never actually release, even though they get really big. Itfeels to me like a panic attack.The lyrics enhance this tense suffocation with Mayberry's build up in the pre chorus followed by her highest range in the chorus. She switches between a false voice/autotune into her natural voice after breaking free from the silence. Almost as if her falsified persona is begging for release but no one responds to her cry for help.
He Said She Said
Chorale SATB

$4.99 4.26 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1366004 By Michael Oliinyk. By Michael Oliinyk. Film/TV,Multicultural,Pop,Romantic Period,Spiritual,World. Score. 3 pages. Mykhailo Oliinyk #950347. Published by Mykhailo Oliinyk (A0.1366004). Ukrainian Sky is a piece written by composer and pianist Michael Oliinyk. He is currently serving in the Armed Forces of Ukraine as a mobilised soldier. The piece embodies the dream of millions of Ukrainians of a free sky, peace and prosperity. It is melancholic and heartbreaking, with a sense of sadness combined with the light of hope. The composition is included in Michael Oliinyk's solo album A Moment. All the pieces from this album are created on the front line. 
Ukrainian Sky | Українське небо
Piano seul
Michael Oliinyk
$3.99 3.41 € Piano seul PDF SheetMusicPlus

Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53352 Arabian Lament. Composed by Jeno Hubay. Edited by Wolfgang Birtel. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53352. Published by Schott Music - Digital (S9.Q53352). English • German.Hungarian composer and violinist Jenö Hubay, born Eugen Huber, received his musical training in Budapest and made his concert début with Viotti’s Violin Concerto No. 22 in A minor. He spent three years in Berlin, where he studied violin with Joseph Joachim. After his return he met Franz Liszt, who recommended that he travel to Paris. In that city he was a welcome guest at musical salons; he also formed a friendship with Henri Vieuxtemps. Hubay taught groups of violin students first in Brussels, then for a long time in Budapest. For twenty-five years he toured Europe as a virtuoso violinist, settling in Switzerland for a while before returning to Budapest for the rest of his life. His chamber compositions include a series of little pieces very probably written for his own use at musical salons, along with character pieces reminiscent of his Hungarian homeland and exotic pieces such as Plaintes arabes (Arabian Lament), an expressive and mournful lament on the violin. Plate no. 23388, published in 1882.
Plaintes arabes
Violon et Piano

$3.99 3.41 € Violon et Piano PDF SheetMusicPlus


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