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Flute Duet Flute - Level 4 - Digital Download SKU: A0.855883 Composed by Alessandro Scarlatti, Arcangelo Corelli, George Frideric Handel, Henry Purcell, Johann Sebastian Bach, Scholze & RameauDarren Lloyd, and Snow. Arranged by Pott Shrigley Press. Baroque,Concert,Instructional. Score. 62 pages. Darren Lloyd #3664093. Published by Darren Lloyd (A0.855883).  The book consists of Baroque keyboard pieces arranged for two Flutes. Composers include - J S Bach, Purcell, Handel, Corelli, Scarlatti, Snow, Scholze & Rameau. Four duets are from Bach's 'Little notebook' and five are taken from Bach's 'Inventions for keyboard' the numbers are 1, 3, 8, 10 & 15.The duets are aimed at the intermediate through to advanced player.
21 Baroque dues for 2 Flutes
2 Flûtes traversières (duo)

$9.99 8.55 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1465030 Composed by Gustav Holst. Arranged by Rob Bushnell. 20th Century,Classical,Romantic Period,Traditional. Brass Band. 105 pages. Rob Bushnell #1043488. Published by Rob Bushnell (A0.1465030). A Fugal Overture was written in 1922 by Gustav Holst. It was first performed at the Royal Opera House, Covent Garden on 14 May 1923 and was used as an opening work to Holst’s one-act opera The Perfect Fool. It received its concert premiere on 11 October 1923 at one of Henry Wood’s Queen’s Hall Promenade Concerts. It is an early example of neoclassicism and was influenced by the counterpoint of J. S. Bach, despite its unconventional use of the fugal process.Holst began writing the piece in the summer of 1922, having hoped to develop it into a ballet. It is divided into three sections, the fugal subject with its distinct 3+3+2 pattern, a slower section with solos at the end, and a third section where the subject returns.Although reviews of the piece were mixed at the time of its premiere, the likes of Adrian Boult have said it was “an invigorating work that could effectively start any […] concert. In more recent years, it has been compared to John Adam’s A Short Ride in a Fast Machine.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=a8xfwJyFq2E.
A Fugal Overture (Holst) - Brass Band

$49.99 42.78 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
Feu follet
Piano seul
1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin
$3.79 3.24 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: LV.19229 Composed by Roe Stephens. Railroad freight cars. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19229). Blue Line Galop. Composed By Roe Stephens. Published 1867 by J. Henry Whittemore, 179 Jefferson Avenue in Detroit. Composition of da capo, with trio with piano instrumentation. Subject headings for this piece include Railroad freight cars. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Blue Line Galop
Piano seul
Roe Stephens Published 1867 by J
$5.99 5.13 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1276648 By Sharon Wilson. By G. M. Bills, Lela B. Long, Ralph E. Hudson, Traditional, William Henry Clark, and William J. Kirkpatrick. Arranged by Sharon Wilson and Sharon Wilson Music. Christian,Easter,Folk,Sacred,Traditional. Score. 6 pages. Sharon Wilson #868395. Published by Sharon Wilson (A0.1276648). This intermediate piano solo medley features 3 praise hymn choruses about the name of Jesus. Titles included in this medley: Jesus Is the Sweetest Name I Know by Lela B. Long, Blessed Be the Name by Ralph E. Hudson, and His Name is Jesus with an unknown origin (possibly by G. M. Bills).Relaxed and expressive, this medley encourages thoughtful reflection making it a treasured addition to the church pianist's sacred repertoire. This arrangement is one of the 10 songs in the collection Sacred Medleys: Hymns and Spirituals, Book 2 (A Collection of 10 Medleys for Solo Piano). Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.comKeywords: worship service, meditation, devotional music, prelude, offertory, sacred repertoire, church music, Lent, communion, invitation, altar call.
Sweetest Name I Know Medley (with "Blessed Be the Name" and "His Name Is Jesus")
Piano seul
Sharon Wilson
$4.99 4.27 € Piano seul PDF SheetMusicPlus


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