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Two-part chorus - Digital Download SKU: C7.CGE483 Composed by Greg Gilpin. General, Christmas, Holiday. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CGE483. Published by Chorister's Guild - Digital (C7.CGE483). Greg Gilpin skillfully blends five favorite carols in this festive work you won’t want to miss! The choir begins and ends the piece with an original theme, followed by a masterful melding of Deck the Hall, Jingle Bells, Angels We Have Heard on High, Good King Wenceslas and Here We Come A-Caroling. This is one choral collage that is destined to become a favorite of your choirs for many seasons to come! Greg Gilpin skillfully blends five favorite carols in this festive work you won’t want to miss! The choir begins and ends the piece with an original theme, followed by a masterful melding of Deck the Hall, Jingle Bells, Angels We Have Heard on High, Good King Wenceslas and Here We Come A-Caroling. This is one choral collage that is destined to become a favorite of your choirs for many seasons to come! Greg Gilpin skillfully blends five favorite carols in this festive work you won’t want to miss! The choir begins and ends the piece with an original theme, followed by a masterful melding of Deck the Hall, Jingle Bells, Angels We Have Heard on High, Good King Wenceslas and Here We Come A-Caroling. This is one choral collage that is destined to become a favorite of your choirs for many seasons to come!
A-Caroling We Go
Chorale 2 parties

$2.45 2.08 € Chorale 2 parties PDF SheetMusicPlus

SATB chorus - Digital Download SKU: C7.CGE481 Composed by Greg Gilpin. General, Christmas, Holiday. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CGE481. Published by Chorister's Guild - Digital (C7.CGE481). Greg Gilpin skillfully blends five favorite carols in this festive work you won’t want to miss! The choir begins and ends the piece with an original theme, followed by a masterful melding of Deck the Hall, Jingle Bells, Angels We Have Heard on High, Good King Wenceslas and Here We Come A-Caroling. This is one choral collage that is destined to become a favorite of your choirs for many seasons to come! Greg Gilpin skillfully blends five favorite carols in this festive work you won’t want to miss! The choir begins and ends the piece with an original theme, followed by a masterful melding of Deck the Hall, Jingle Bells, Angels We Have Heard on High, Good King Wenceslas and Here We Come A-Caroling. This is one choral collage that is destined to become a favorite of your choirs for many seasons to come! Greg Gilpin skillfully blends five favorite carols in this festive work you won’t want to miss! The choir begins and ends the piece with an original theme, followed by a masterful melding of Deck the Hall, Jingle Bells, Angels We Have Heard on High, Good King Wenceslas and Here We Come A-Caroling. This is one choral collage that is destined to become a favorite of your choirs for many seasons to come!
A-Caroling We Go
Chorale SATB

$2.45 2.08 € Chorale SATB PDF SheetMusicPlus

Brass Ensemble - Digital Download SKU: A0.791036 By Monty Python. By Harry Parr-Davies. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 26 pages. Kevin P Holdgate #4889987. Published by Kevin P Holdgate (A0.791036). Versatile Brass 'Old Time Favourites' CollectionThis is another popular song from the WW2 era, although it was written a few years before for a film of the same title.Sing As We Go is a 1934 British musical film starring Gracie Fields, John Loder and Stanley Holloway. The script was written by Gordon Wellesley and J. B. Priestley.Considered by many to be British music hall star Gracie Fields' finest vehicle, this film was written for her by leading novelist J.B. Priestley. In this morale-boosting depression movie, set in the industrial north of England, Fields stars as a resourceful, determined working class heroine, laid off from her job in a clothing mill, who has to seek work in the seaside resort of Blackpool. This gives her the opportunity both to fall into many misadventures and, of course, to sing.The decision to film on location brings the film a life and immediacy all too absent from most films of the period. The film provides us with a snapshot of life in a seaside resort in the 1930s. The final scene of the millworkers returning to the re-opened mill while Fields leads them in the rousing title song has become an almost iconic film cliché.This is a simple arrangement of the title song with the lead line on solo Cornet. There is a vocal part included if required.
Sing As We Go (sit On My Face)
Ensemble de cuivres
Monty Python
$12.99 11.05 € Ensemble de cuivres PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.39 € Chorale TTBB PDF SheetMusicPlus

Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.1280331 By Olivia Newton-John & John Travolta. This edition: scorch. E-Z Play Today. Broadway,Film/TV,Musical/Show. Score. 4 pages. Hal Leonard - Digital #907670. Published by Hal Leonard - Digital (HX.1280331). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
We Go Together (from Grease)
Piano grosses notes
Olivia Newton-John & John Travolta This edition: scorch
$2.99 2.54 € Piano grosses notes PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1198465 By Dave Matthews Band. By Dave Matthews Band and Mark Batson. Arranged by Charles Gunsaullus. Pop,Rock,Singer/Songwriter,Wedding. 8 pages. Charles Gunsaullus #797608. Published by Charles Gunsaullus (A0.1198465). Here is an arrangement for string quartet of one of Dave Matthew's Band's most requested wedding songs.  Lovers of DMB will adore this at other functions besides weddings, and this could even be a nice addition to a regular performance.The parts are not difficult.  The first violin does get into 4th position, and the rhythm is a little tricky at times.  This arrangement is transposed down a half-step to make the big key change for the bridge more manageable.  Any intermediate to advanced ensemble should be able to play this well.
Steady As We Go
Quatuor à cordes: 2 violons, alto, violoncelle
Dave Matthews Band
$12.99 11.05 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015637 Somewhere My Love - (Lara's Theme). Composed by Maurice Jarre. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015637. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015637). ISBN 9780739094860. UPC: 038081456881. Paul Francis Webster.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
Somewhere My Love (Lara's Theme)
Piano, Voix et Guitare

$3.99 3.39 € Piano, Voix et Guitare PDF SheetMusicPlus

String Ensemble Electric Bass Guitar,Electronic Keyboard,Flute - Level 3 - Digital Download SKU: A0.1105262 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 149. David Kai #708522. Published by David Kai (A0.1105262). This version of the song is a backing track for soloist, group or congregation. This song is taken from the book of Ruth, chapter 1, and might be appropriate for weddings/celebrations of life partnerships. WHEREVER YOU MAY GO Words & Music: David Kai ©1997 Wherever you may go, I will follow, And your people shall be my people too, Wherever you may go, I will follow, For I would be faithful, loyal and true Say the word and I will stay, I will never go away, We will travel side by side, And God’s love will be our guide. Wherever you may go, I will follow, And your people shall be my people too, Wherever you may go, I will follow, For I would be faithful, loyal and true From beginning to the end, I will always be your friend, When you need me I’ll be there, You can trust my faithful care. Wherever you may go, I will follow, And your people shall be my people too, Wherever you may go, I will follow, For I would be faithful, loyal and true.
Wherever You May Go (instrumental)
David Kai
$1.99 1.69 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1465961 By Celine Dion. By James Horner and Will Jennings. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1044564. Published by Timothy Stapay (A0.1465961). This is an arrangement of My Heart Will Go On, the Love Theme From the movie Titanic.  Relive all the excitement and drama from this epic motion picture.My Heart Will Go On is considered Dion's signature song.  It topped the charts in more than 25 countries and was the best-selling single of 1998.  With worldwide sales estimated at more than 18 million, it is the second-best-selling single by a woman in music history and one of the best-selling singles of all time.  It was included in the list of Songs of the Century by the Recording Industry Association of America and the National Endowment for the Arts. Dion performed the song to honour the 20th anniversary of the film at the 2017 Billboard Music Awards.[Verse 1]Every night in my dreamsI see you, I feel youThat is how I know you go onFar across the distanceAnd spaces between usYou have come to show you go on[Chorus]Near, far, wherever you areI believe that the heart does go onOnce more, you open the doorAnd you're here in my heartAnd my heart will go on and on[Verse 2]Love can touch us one timeAnd last for a lifetimeAnd never let go 'til we're goneLove was when I loved youOne true time I'd hold toIn my life, we'll always go on[Chorus]Near, far, wherever you areI believe that the heart does go on(Why does the heart go on?)Once more, you open the doorAnd you're here in my heartAnd my heart will go on and on, mm.
My Heart Will Go On (Love Theme From 'titanic')
Piano seul
Celine Dion
$7.99 6.8 € Piano seul PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.851118 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna. Contemporary. Score and parts. 76 pages. Sophia Transistor #3530687. Published by Sophia Transistor (A0.851118). To Boldly Go and End Credits arranged for brass quartet with optional instrument variations: trumpet, trombone, hornThis piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar Star Trek tunes as we all love them.It has been adapted specifically for brass players. Breathing signs and spaces are included and the slide option of the trombones is exploited (if you choose to fill the corresponding voices with trombone players).Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brass only Star Trek performance.Score is available as a transposing and non-transposing score for two trumpets and two trombones, each 18 pages.Following parts are available:1st voice as trumpet in Bb and treble clef in C each 5 pages.2nd voice as trumpet in Bb and treble clef in C each 5 pages.3rd voice as trombone in bass clef in C and treble clef in F each 5 pages.4th voice as trombone in bass clef in C and treble clef in F each 5 pages.Total page number: 56
To Boldly Go from STAR TREK
Quatuor de Cuivres: 2 trompettes, Cor, trombone

$17.01 14.47 € Quatuor de Cuivres: 2 trompettes, Cor, trombone PDF SheetMusicPlus






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