Clarinet; Clarinet Quartet - Grade 1 SKU: HL.4479522 Clarinet Quartet - Grade 1. Composed by Johann Sebastian Bach. Arranged by Clair W. Johnson. Rubank Solo/Ensemble Sheet. Contest. 20 pages. Rubank Publications #RUBX849. Published by Rubank Publications (HL.4479522). UPC: 073999795226. 9.0x12.0x0.03 inches.For four Bb clarinets (fourth part opt. bass clarinet) Includes: Vater unser im Himmelreich (Our Father in Heaven); Befiehl du deine Wege (Entrust Thy Ways); Uns ist ein Kind geboren (Unto Us a Child Is Born); Das alte Jahr vergangen ist (The Old Year Has Passed Away).

Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869319 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #2032489. Published by Thomas Oboe Lee (A0.869319). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card.  And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.

Freu dich sehr, o meine Seele" - "Vater unser im Himmelreich. Composed by Anton Heiller (1923-1979). This edition: Sheet music. Downloadable. Schott Music - Digital #Q280. Published by Schott Music - Digital

SSATB chorus - Digital Download SKU: BJ.1290 Composed by Trad. Sweden. Arranged by Anna Cederberg-Orreteg. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1290. Published by Bo Ejeby Forlag - Digital (BJ.1290). 8.27 x 11.7 inches.Two Dalecarlian hymns without words: Bereden vag for Herran and Himmelriket liknas vid tio jungfrur. One of my ensembles requested a new adaptation of the traditional regional Dalecarlian version of Bereden vag for Herran (Prepare the Way). Since I personally find the arrangement by Anders Bond very beautiful indeed, it seemed pointless. But my resistance was worn down in time and I composed this arrangement without lyrics and inserted the more traditional Bond variant. It is possible of course to replace this with a unison presentation of the chorale or to have the audience/congregation join in. If you prefer to sing the arrangement as it is, you should go directly from bar 25 to bar 31. The chords to these two hymns have been added later, in the event that they might be a foundation for improvisation. - Anna Cederberg-Orreteg.

Voice and piano - Digital Download SKU: XB.DNLB00807ML For medium low voice. Composed by Wilhelm Olof Peterson-Berger. Song cycles. Score. 11 pages. Bells Publishing #DNLB00807ML. Published by Bells Publishing (XB.DNLB00807ML). 1. Nar jag for mig sjalv (E minor) 2. Ditt namn jag hade skrivit (E minor) 3. Som stjarnorna pa himmelen (E major) 4. Bland skogens hoga furustammar (E minor)

Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869325 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 3 pages. Thomas Oboe Lee #2032491. Published by Thomas Oboe Lee (A0.869325). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card.  And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.

Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #32677. Published by Thomas Oboe Lee (A0.869254). When the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card.  And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.

Organ - Digital Download SKU: S9.Q23333 Choralvorspiele und Orgelchoräle Band 3: Ostern, Himmelfahrt, Pfingsten, Michaelis. Composed by Ernst Pepping. This edition: Sheet music. Downloadable. Op. 3. Schott Music - Digital #Q23333. Published by Schott Music - Digital (S9.Q23333).

Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869321 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2014-09-16. 6 pages. Thomas Oboe Lee #2289. Published by Thomas Oboe Lee (A0.869321). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card.  And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.

Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 2 - Digital Download SKU: A0.508198 Arranged by Eric Burger Music. Romantic Period. Score and parts. 22 pages. Eric Burger Music #3514749. Published by Eric Burger Music (A0.508198). These three works or from Mendelssohn's From Sechs Sprüche, Op. 79 (1874) , and offer a great opportunity for young and developing players to play gorgeous and interesting Romantic era works by one of the great composers. Included in this set:Weihnachten (No. 1) Am Karfreitag (No.6) Am Himmelsfahrtstage (No. 3)  View the score with playback at:https://youtu.be/yUz1Eq7rJx4 This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.

Organ - Level 2 - Digital Download SKU: A0.1512245 By Markus Dreja. By Lowell Mason (1792-1872). Arranged by Markus Dreja. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 3 pages. Markus Dreja #1087296. Published by Markus Dreja (A0.1512245). Näher, mein Gott, zu dir ist einer der bekanntesten christlichen Choräle. Er basiert auf dem Gedicht Nearer, My God, to Thee der englischen Dichterin Sarah Flower Adams von 1841. Das Gedicht wurde mit verschiedenen Melodien vertont, die bekannteste ist Bethany von Lowell Mason. Der Choral wird vor allem in der englischsprachigen Welt häufig bei Begräbnissen gesungen oder gespielt und spätestens seit dem Film Titanic in aller Munde. Biblischer Hintergrund des Textes ist die Erzählung von Jakobs Traum von der Himmelsleiter im 1. Buch Mose. Jakob hat sich auf einem Stein schlafen gelegt und erfährt durch die Traumvision Stärkung in schwerer Bedrängnis. Er nennt den Ort Bet-El (Bethel), Haus Gottes (Gen 28,10–19 EU).“Näher mein Gott zu dir” is one of the most famous Christian hymns. It is based on the 1841 poem Nearer, My God, to Thee by the English poet Sarah Flower Adams. The poem was set to music with various melodies, the best known being Bethany by Lowell Mason. The chant is often sung or played at funerals, especially in the English-speaking world, and has been on everyone's lips since the film Titanic. The biblical background of the text is the story of Jacob's dream of the ladder to heaven in Genesis. Jacob has gone to sleep on a stone and finds strength in his severe distress through the dream vision. He calls the place Bet-El (Bethel), house of God (Gen 28:10-19 EU).

Soprano voice and piano - Digital Download SKU: S9.Q32132 Ballad from the opera The Golden Dragon. Composed by Peter Eotvos. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q32132. Published by Schott Music - Digital (S9.Q32132). German • English.The Long Journey, the final monologue of the opera The Golden Dragon based on the eponymous play by Roland Schimmelpfennig, has been given the air of a ballad. A young Chinese works illegally in an Asian restaurant of Anytown. Not having a health insurance, he bleeds to death after a botched dental operation. His colleagues throw his body into the river which runs through the town and carries the body to the sea. He floats back to his home country – this last journey is the theme of the monologue.

Drum Set,Flute,Marimba,Vibraphone - Level 5 - Digital Download SKU: A0.1021984 Composed by Mark Engebretson. 20th Century,Contemporary. 73 pages. Effiny Music #6269027. Published by Effiny Music (A0.1021984). For flute and percussion (small drum set, marimba, vibraphone). Movement titles: Whac-a-Mole; Floam. Total duration: 8:00. A virtuosic work, Two Duos Two was composed for the ensemble Due East (Erin Lesser, flute and Greg Beyer, percussion) in the course of a composition/performance/recording collaboration involving the duo and composers David Maki, Mark Engebretson, Alejandro Rutty, Carl Schimmel, Jeff Heriott and John Allemeier.

Organ - advanced - Digital Download SKU: S9.Q11728 Luna. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 22 minutes. Schott Music - Digital #Q11728. Published by Schott Music - Digital (S9.Q11728). In allen Kulturen der Erde steht der veränderliche Mond für das Rätselhafte, Dunkle, Weibliche, Flüssige, Magische, Unfassbare, Irrationale. Er beeinflusst die Launen von Mensch, Tier, Pflanzen und Wetter wie kein anderer Himmelskörper. Ihm sind die sperrigen Zahlen 7 und 13 zugeordnet. In der aus vier enigmatischen Sätzen bestehenden 13. Orgelsinfonie werden einige dieser Facetten thematisiert: Satz 1 „Neumond spinnt von einem Zentralklang ausgehend musikalische Fäden, die sich farbenreich immer wieder ins Nichts verlieren und sich jeder thematischen Logik sperren. Satz 2 über die „Mondgöttinnen ist ein vitaler Tanz im 13/8-Takt, der stets neue Anordnungen der 3+3+3+2+2-Gruppierungen präsentiert. Eine Hommage an Robert Schumann stellt der 3. Satz über die „Mondnacht, eines der schönsten Lieder der Romantik und Vorwegnahme des zuständlichen Impressionismus der französischen Moderne, dar. Mit einer „Ciacona lunatica wird im letzten Satz dem Wachsen und majestätischen Erscheinen des „Vollmondes gehuldigt - mit Variationen über ein geheimnisvolles Bass- und Harmoniemodell. (Enjott Schneider).

Mixed choir (SABar) - intermediate - Digital Download SKU: S9.Q6911 Composed by Paul Hindemith. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q6911. Published by Schott Music - Digital (S9.Q6911). German.Singing, especially singing in small groups, is a valuable and even the most natural musical activity - that is what Paul Hindemith (1895-1963) firmly believed: 'Everybody has got a voice ... A choir is the least demanding and at the same time best educational tool.' And that is why singing had always been part of his teaching activities, be it while trying and practising musical-theoretical tasks, be it while rehearsing old and modern choral settings. No wonder that the composer had dealt with choral music all his life, addressing himself to all different kinds of vocal ensembles: to mixed choirs, male-voice and children's choirs, professional choirs and trained singers. He developed his a-cappella style during his training with Arnold Mendelssohn and Bernhard Sekles at the Hoch Conservatoire in Frankfurt. As a consequence, the sketch books from his student days also contain three-part vocal settings on cantus firmi. The sacred choral works presented here (1. Christus, der ist mein Leben, 2. Erhalt uns, Herr, bei deinem Wort, 3. Nun komm, der Heiden Heiland, 4. Gott des Himmels) are not only interesting as compositional studies, but also as sonorous and catchy choral music which can be easily performed by any good church choir.