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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download

SKU: A0.868044

Composed by Jennette Jay Booth. Christian,Sacred,Spiritual. 7 pages. Sound Booth #6371945. Published by Sound Booth (A0.868044).

As I have watched what the youth of today are up against, I couldn't help but think of the stripling warriors described in the Book of Mormon.
It struck me that even though every warrior miraculously survived the two battles they fought in, every warrior was also badly injured, many to the point of fainting from the loss of blood.

And what happened next?

Every able soldier worked to bind up the wounds of the injured.
THIS is part of the story of their miraculous survival!
This is OUR part of the story as the parents/leaders of the youth today.
Who Will Bind Their Wounds? is a call to the latter-day Army of Antipus to come fight for and rescue our beloved Youth Battallion.

Will you hasten to the fight like Antipus of old?
Will you march with all your might to defend the stripling fold?...

All profits go toward preventing child sexual abuse at BodySafetySongs.org

Who Will Bind Their Wounds?
Voix duo, Piano

$4.99 4.72 € Voix duo, Piano PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download

SKU: A0.1391989

Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 8 pages. Kevin G. Pace #975476. Published by Kevin G. Pace (A0.1391989).

An intensely beautiful, sacred, Christmas composition for SATB choir.   A choral psalm for Christmas.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.

Text:
To see his face, this newborn infant Son,
is to look upon pure brilliance like the sun.
To see his form, with glory in a stall,
hints for me to kneel and touch his swaddling shawl.

To see his face, to gaze upon his eyes,
is to know his strength which someday will supply
the greatest gift mankind will ever know . . .
He will give his life, his perfect love to show.

To hear his cries, I weep with gratitude
celebrating love, his sacrifice and wounds.
I bow my head in reverence for his Name.
He will take my sins, releasing me from shame.

To see his face, the very Son of God,
is to look upon perfection never flawed.
I speak his Name, this newborn heavn’ly Child,
and I know, from Him, to God I’m reconciled.

I lift my voice in songs of heartfelt praise.
On this Christmas morn to Him my eyes will stay.
I feel his love; I sense his warm embrace
as I look upon his ever-faithful face.

To See His Face, Sacred Christmas music for SATB Choir
Chorale SATB

$1.99 1.88 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download

SKU: A0.1374312

Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #958916. Published by Kevin G. Pace (A0.1374312).

An intensely beautiful Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.

Text:
To see his face, this newborn infant Son,
is to look upon pure brilliance like the sun.
To see his form, with glory in a stall,
hints for me to kneel and touch his swaddling shawl.

To see his face, to gaze upon his eyes,
is to know his strength which someday will supply
the greatest gift mankind will ever know . . .
He will give his life, his perfect love to show.

To hear his cries, I weep with gratitude
celebrating love, his sacrifice and wounds.
I bow my head in reverence for his Name.
He will take my sins, releasing me from shame.

To see his face, the very Son of God,
is to look upon perfection never flawed.
I speak his Name, this newborn heavn’ly Child,
and I know, from Him, to God I’m reconciled.

I lift my voice in songs of heartfelt praise.
On this Christmas morn to Him my eyes will stay.
I feel his love; I sense his warm embrace
as I look upon his ever-faithful face.

To See His Face, a sacred Christmas hymn
Chorale SATB

$1.99 1.88 € Chorale SATB PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download

SKU: A0.596399

Composed by Philip Hayes. Arranged by Kristin Campbell. Classical,Jewish,Sacred. 11 pages. Horsehair Music #5371883. Published by Horsehair Music (A0.596399).

This tune that is attributed as a Traditional Jewish tune. It was included in a book of canons and rounds by British composer Philip Hayes in 1878 called, The Muses Delight. American artist Don McLean recorded it on his album American Pie under the title Babylon. Isaac Wardell set new lyrics from Isaiah 53 with in his song By His Wounds. Here is an arrangement of this tune for violin and piano.

The violin part is at a difficulty Level 6. It includes passages in 1st - 6th positions. There are sixteenth note arpeggiated figures and some 4 note rolled chords that will give a challenge to any player. The mournful tune will also give players an opportunity for bow control development and work with the long phrases this tune carries. 

A simplified part is included that can be used with the same accompaniment. It is set at a difficulty Level 4. It uses 1st and 3rd position with a 4th finger extension for harmonic E6. The 4-note chords have been simplified to using a grace note before the beat and then long arpeggios have been simplified to include only 1 beat of arpeggios per measure.

Psalm 137 - Violin Solo
Violon
His Wounds  Here is an arrangement of this tune for violin and piano
$5.99 5.67 € Violon PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 2 - Digital Download

SKU: A0.618695

By Stephen DeCesare. By Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 51 pages. Exultet Music #484931. Published by Exultet Music (A0.618695).

A sacred cantata that is accessible for any level of performance (professional to the average church choir). This piece utilizes the Seven Last Words of Christ in conjunction with inspired hymns and songs. Scored for Solo, Tenor Solo, SATB, Piano/Organ. Songs included are: Overture * Forgive Them, O My Father * By His Wounds * Near The Cross Was Mary Weeping * My God, My God * What Have I Done To You? * When I See My Savior * Father, Into Your Hands * What Have We Done? Each of these pieces are also available separately on this site. A Vocal Score, Full Score, and Orchestra Parts are also available on this site.  Note: this book is just the vocal parts with NO accompaniment.  This is just so that the choir can have an easier time with less page turns.

The Seven Last Words Of Christ (Choir/Vocal Score)
Chorale SATB
Stephen DeCesare
$10.00 9.47 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Digital Download

SKU: A0.976873

Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873).

2017 Holiday Contest Entry

The alchemist

Flames in the dark sparkle

voice whispering echoes

They say about you

Sell useless dreams

they say about me that I’m too much frail

You are shutting down the day of this city

the lights switch on of different realities

and time dilates , begins another life

It is tacit ritual of a sad tribes

You firefly who shine

can you tell me where he is?

I seek the alchemist , you see yourself

from my eyes rimmed

on the nothing  wide open

they are full of fears and resemble your

And here it is your circus , you wait me already

not much has changed from a lifetime ago

you do not, you are not aged

a Peter Pan sick , who deduct his sins in the lives of others

clown you always have so many , acrobats tired

poised always between dream and reality

and as a cat, I also see in the dark

and over the waste to me slowly and then die

the crises, then anxiety , that imperfect woman

I do not stand me  anymore

I who have never been a daughter , your promise of another family

and this need for love, that torture and kill me

While you brush my long hair , from your hands give off crystals

bright lights exploding inside

as if by magic now I belong to you

snakes tattooed lean on your hips

 we float in the sea of time

how does I exist? always or yesterday

I do not remember but only mysteries

You adult  man and I young girl

abracadabra, as all before

I tired and old and you still a child

us travelers in a bogus time

and while I explore the emptiness I have inside

Nothing is sweeter than this torment

You prepare the potion , the right proportion , the antidote and poison

but you put more passion , My animal instinct

and add a little 'of gall for those who have hurt me

Mix all right , only you know what to do

you seals good my heart , can not serve me

evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ...

But you can not , and I stay here , prisoner of your invisible world

We like vampires , breath broken by sighs , arms forward, off eyes

alchemist turn off my complaints

You like a zombie , ready to sink your teeth ,that fascinates me and scares

alchemist dissolve my torments ..

but you can not .. and I stay here

I'm looking for the courage to live

 

It is being born on the day of this city

Milano  colored yourself with its activities

shorten the shadows , the sun shines and a veil hiding now all his vices

and my pace is tired , my face a bit 'more haggard  ,emptiness inside me and where are you?

I run always and do not know where I go

I look back , I stumble and then I fall

Slow walk among the tired souls

alive but in a state of apparent death

rips in the soul and on my clothes

I have no tattoos, scars only

and as the salt do  on the wounds

I burn at the memory of bad choices

Iron bars are closed . echoes of voices  deafen

They say about you that you no longer have a tear

they say about me that I’m free woman ...

Monica Bergo

L'alchimista
Piano seul

$3.99 3.78 € Piano seul PDF SheetMusicPlus

Piano Solo - Digital Download

SKU: A0.1012717

Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1012717).

Music and song composed by me

 

The alchemist

Flames in the dark sparkle

voice whispering echoes

They say about you

Sell useless dreams

they say about me that I’m too much frail

You are shutting down the day of this city

the lights switch on of different realities

and time dilates , begins another life

It is tacit ritual of a sad tribes

You firefly who shine

can you tell me where he is?

I seek the alchemist , you see yourself

from my eyes rimmed

on the nothing  wide open

they are full of fears and resemble your

And here it is your circus , you wait me already

not much has changed from a lifetime ago

you do not, you are not aged

a Peter Pan sick , who deduct his sins in the lives of others

clown you always have so many , acrobats tired

poised always between dream and reality

and as a cat, I also see in the dark

and over the waste to me slowly and then die

the crises, then anxiety , that imperfect woman

I do not stand me  anymore

I who have never been a daughter , your promise of another family

and this need for love, that torture and kill me

While you brush my long hair , from your hands give off crystals

bright lights exploding inside

as if by magic now I belong to you

snakes tattooed lean on your hips

 we float in the sea of time

how does I exist? always or yesterday

I do not remember but only mysteries

You adult  man and I young girl

abracadabra, as all before

I tired and old and you still a child

us travelers in a bogus time

and while I explore the emptiness I have inside

Nothing is sweeter than this torment

You prepare the potion , the right proportion , the antidote and poison

but you put more passion , My animal instinct

and add a little 'of gall for those who have hurt me

Mix all right , only you know what to do

you seals good my heart , can not serve me

evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ...

But you can not , and I stay here , prisoner of your invisible world

 

It is being born on the day of this city

Milano  colored yourself with its activities

shorten the shadows , the sun shines and a veil hiding now all his vices

and my pace is tired , my face a bit 'more haggard  ,emptiness inside me and where are you?

I run always and do not know where I go

I look back , I stumble and then I fall

Slow walk among the tired souls

alive but in a state of apparent death

rips in the soul and on my clothes

I have no tattoos, scars only

and as the salt do  on the wounds

I burn at the memory of bad choices

Iron bars are closed . echoes of voices  deafen

They say about you that you no longer have a tear

they say about me that I’m free woman ...

Monica Bergo


ALCHEMIST
Piano seul

$5.00 4.73 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.1307228

Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Romantic Period. 10 pages. RayThompsonMusic #896485. Published by RayThompsonMusic (A0.1307228).

Two Elegiac Melodies, Op. 34, is a composition in two movements for string orchestra by Edvard Grieg, completed in 1880 and first published in 1881.

The two movements are instrumental arrangements Grieg made of two of his 12 Melodies, Op. 33, published in 1880: these were settings for voice and piano of words by the Norwegian poet and journalist Aasmund Olavsson Vinje.

The Two Elegiac Melodies were dedicated to Heinrich von Herzogenberg.

Grieg also made an arrangement for solo piano.

This arrangement is of No.1 - Hjertesår (The Wounded Heart or sometimes called Heart's Wounds/Heart's ease)

Vinje's words, from Grieg's Op. 33 No. 3, relate that wounds have been suffered by the heart in the struggles of life, but it has survived; faith is not destroyed.

It is arranged for standard wind quintet.

My arrangement for wind quintet of
No.2 VÃ¥ren (Last Spring) is available on this site

My other Grieg arrangememts

Grieg: 2 Elegiac Melodies Op.34 No.1 “Hjertesår” (The Wounded Heart) - wind quintet Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$14.95 14.15 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.942434

Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434).

Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870.

The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.

In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes.

In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her?

Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody.

Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness.

The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music.

The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.html

An English translation of the German text used by Brahms

SOLO

But down there, who is it?

His path loses itself in the bush.

Behind him the branches close.

The grass stands up again.

Desolation surrounds him.

O, who heals the wounds of the one to whom balm has become poison,

who drank hatred of people from the fullness of love?

Once despised, now a despiser.

Secretly he destroys himself in unsatisfying self-seeking.

CHORUS

If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart.

 .

Rhapsody for Concert Band
Orchestre d'harmonie
July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
$20.00 18.94 € Orchestre d'harmonie PDF SheetMusicPlus






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