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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017221_H1 1st F Horn. Composed by Gordon Goodwin. Arranged by Peter Blair. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017221_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017221_H1). UPC: 038081431734.An easy-to-play shuffle swing adapted from Gordon Goodwin's high-end chart for the grade 2 level. Arranger Peter Blair gets it right with accessible rhythms, written solos for alto and trumpet and this catchy melody. While not a trumpet section feature, the trumpets get most of the spotlight melody lines with lead trumpet range to written G on top of the staff with one last note A above the staff. It's good to play Goodwin! This title is available in SmartMusic.
That's How We Roll: 1st F Horn
Cor (partie séparée)

$3.00 2.6 € Cor (partie séparée) PDF SheetMusicPlus

English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Cor anglais, Piano

$19.95 17.32 € Cor anglais, Piano PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017486_H1 1st F Horn. Composed by Victor Lopez. Jazz; Latin. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017486_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017486_H1). UPC: 038081519043.A Taste of Cuba for sure. A very hot Latin chart premiered at the Midwest Band Clinic, 2015, this is a show-stopper chart for a strong band. The chart is jam-packed with lines that bounce from section to section, including a suggested written tenor sax solo with backgrounds. Lead trumpet range is to written A above the staff with an optional high D. Two auxiliary percussion parts that really make this chart come alive plus optional flute and vibraphone too. (3:39).
Sabor de Cuba: 1st F Horn
Cor (partie séparée)

$3.00 2.6 € Cor (partie séparée) PDF SheetMusicPlus

French Horn Solo - Level 2 - Digital Download SKU: A0.875238 Composed by Antonin Dvorak. Arranged by Dr Jerry Nelson. Instructional,Romantic Period,Standards,World. Individual part. 6 pages. Jerry Nelson #3876477. Published by Jerry Nelson (A0.875238). Dvorak's most expressive piece - accessible to almost all playing levels.  Stairstep from Level 2 to 4 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this lush Orchestral Accompaniment Track (#SO.434057). Time  3:48Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.  Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).  You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).
New World Symphony - Dvorak (Arrangements Level 2-4 for HORN + Written acc)
Cor

$4.99 4.33 € Cor PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.     www.jamesguthrie.com.
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
Cor et Piano

$24.95 21.66 € Cor et Piano PDF SheetMusicPlus

English Horn,Piano - Level 3 - Digital Download SKU: A0.533375 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618663. Published by Musik Fabrik Music Publishing (A0.533375). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
Gregory Sullivan Isaacs: Song Without Words for english horn and piano
Cor anglais, Piano

$11.95 10.38 € Cor anglais, Piano PDF SheetMusicPlus






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