Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.782531 Composed by Tyler Merideth. 20th Century,Christian,Contemporary,Sacred,Standards. Octavo. 7 pages. Tyler Merideth #5743199. Published by Tyler Merideth (A0.782531). Benedictus is the eleventh movement from a larger work entitled Reconciliation, a set of 12 Latin prayers. Each movement takes it's inspiration from individual postcards containing pictures of St. Michael's Cathedral in Coventry, England. When performed in sequence, Reconciliation can serve as a worship service however, the individual movements also can stand alone. The postcard associated with this text shows the remains of the bombed out original cathedral shell through a window with the famous Charred Cross prominently in the foreground. This cross is comprised of two wooden beams found in the shape of a cross among the rubble immediately after the bombing in WWII. The repetition and layering of the text represents Jesus making His journey from afar and subsequent triumphant entry into Jerusalem. The joyful welcome from the crowd and shouts for Him to save them is short-lived. His journey must continue until all prophecy is fulfilled and our reconciliation

Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn - Level 4 - Digital Download SKU: A0.1027659 Composed by Xavier Lo. 20th Century,Contemporary,New Age. Score and parts. 26 pages. Xavier Lo #3424759. Published by Xavier Lo (A0.1027659). This composition consists of three different dance movements that present a variety of different emotions.I. Trio of MoodsThis dance movement consists of three different sections which each represents a person with a specific mood and expression. The first section represents a funny and goofy person, which is followed with a second section that represents a logical and methodical person. The third section represents a light and sweet person. These section are alternated throughout the movement.II. OptimisteOptimiste is a french translation for 'upbeat'. This dance movement represents a group of people celebrating enjoy-fully with alcoholic drinks. However, eventually the after effects of alcohol will begin to affect them.III. IntensityIn this dance, it presents an intimate dance of Argentine Tango between two people. The connection between shows a range of intimate emotions, such as, passion, aggression and lust.

Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.

Piano Solo - Level 3 - Digital Download SKU: A0.1137144 Composed by Lahkang Myu Awng. 20th Century,Classical,Contemporary. Score. 4 pages. Myu A Shingni #737279. Published by Myu A Shingni (A0.1137144). Dance Mood is a short solo piano piece by Lahkang Myu Awng (Myo Aung). The piece characterizes the classical genre, but it sounds like a more contemporary style. However, the dance mood shows predictable chordal harmony and fingering running notes.

French Horn,Piano - Level 3 - Digital Download SKU: A0.1219714 Composed by John L Schwabe. Arranged by John L Schwabe. Classical. Score and part. 26 pages. Saxon Music #816079. Published by Saxon Music (A0.1219714). The concerto consists of three movements, and is designed to introduce horn students to the concerto repertoire. It was composed for French Horn to be accompanied by a string orchestra, but this arrangement has piano accompaniment.  The horn part is written for horn in F, however the score shows the horn part one octave above concert pitch to allow the pianist to assist the soloist when necessary.  Optional cadenzas are included.

Cello,Flute,Piano,Violin - Digital Download SKU: A0.1303067 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 86 pages. Mastery for Strings Press #892654. Published by Mastery for Strings Press (A0.1303067). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. His early Vienna concertos were scored for full orchestra, but conceived as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836. The accompanying ensemble in these arrangements consists not of strings alone but flute, violin, and cello. The participation of the instruments is in fact optional, as the orchestral tuttis are incorporated into the piano part so that a single piano soloist can perform the entire work. Hummel also considerably altered the solo keyboard parts to increase their range and brilliance.The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this beautiful work in the absence of a full orchestra, and 2) that pianists might use this version to get Mozart’s original solo part in their fingers with a minimum of alteration, for such occasions when they are called upon to perform it.

Piano,Trombone - Level 5 - Digital Download SKU: A0.792196 Composed by Gliere, Reinhold. Arranged by Cherry, Gordon. 20th Century,Classical,Romantic Period. Score and part. 35 pages. Gordon Cherry #4609007. Published by Gordon Cherry (A0.792196). Reinhold Gliere's Concerto for Coloratura Soprano and Orchestra, Op. 82 was written in 1942-1943 and shows off the composer's gentle melodic musical style reminiscent of Tchaikovsky, Rachmaninov and even Wagner. The choice of a vocal soloist singing without words was not new at that time, as Rachmaninov's beautiful Vocalise had already been composed. But....adding a full orchestra to the mix was a gamble that paid off, as this is one of Gliere's finest works. The Concerto consists of two movements -- Andante and Allegro and is about 14 minutes in length. The 1st movement's rich melodies are full of lush harmonic textures and the work drives from climax to climax. The finale Allegro is lighthearted and bounces along merrily to the end. Gordon Cherry's arrangement for Alto Trombone with Piano accompaniment reduction brings a major new work to the Alto Trombone repertoire. This work can also be performed on the Tenor Trombone, however, the style of the work makes it perfect for the Alto Trombone. Appropriate for advanced performers. (Under license from G. Schirmer Music)

Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1343361 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 101 pages. Mastery for Strings Press #928889. Published by Mastery for Strings Press (A0.1343361). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. When the composer moved from his native Salzburg to Vienna in 1782, three piano concertos (K. 413, 414 and 415) were among his first compositions produced in the latter city. They were scored for full orchestra, but advertised when published as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that, perhaps out of a desire for increased sales and more hearings of these works, Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836, though the last of them appeared in print only several years after Hummel’s death in 1837. The accompanying ensemble in these arrangements consists of flute, violin, and cello.  Hummel, who had studied with Mozart as a boy, materially altered and elaborated the solo part in these versions, taking advantage of the increased range of nineteenth-century pianos. He imposed his own tastes in ornamentation and decoration, which strongly influenced the piano writing of Chopin, on melodic passages. This is especially true in the slow movements, resulting in a stylistic hybrid that bridges the Classical and Romantic eras. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this work in the absence of a full orchestra, and 2) that pianists might use this version to learn Mozart’s original solo part with a minimum of alteration for such occasions when they are called upon to perform it in its original setting.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.876428 Composed by Joe Procopio. Blues,Pop. Score. 3 pages. JoeCopio Music LLC #1947. Published by JoeCopio Music LLC (A0.876428). A WOMEN’S BLUES By Joe Procopio From the CD ALL IN MY LIFE A WOMENS BLUES is a pop song describing the feelings of some women of today. The Blues is melancholic music and the lyrics of this song express a kind of pensive sadness with no apparent cause. The backing track of music however is uplifting. The result is a song with a curious combination of feelings that are both heartbroken and happy at the same time. There two recorded versions of this song. One was recorded in a studio in California the other is the original recording. The original is a homemade recording done in the Gymnasium of an Elementary School in New Woodstock, NY with Mark Freeman on Drums, brother Greg on both the Guitar and Flute solo, and Barbie Briars doing the vocals. You can also hear Barbie on The Touch, The Taste Of Time, Why Are You So Lonely, For You My God and Maybe It’s The Way. These recordings can be found at Sheet Music Plus, iTunes, Amazon, etc., on a CD entitled All In My Life by the author. The printed sheet music here shows the song as a Lead Sheet. That is, the melody, the lyrics and the chords. JOE PROCOPIO IS THE AUTHOR OF THE VERY BEST AND LOWEST PRICED MUSIC EBOOKS AVAILABLE WORLDWIDE INCLUDING THE AWARD WINNING BASIC MUSIC THEORY.

Full Orchestra - Level 3 - Digital Download SKU: A0.518882 Composed by Mykola Leontovich. Arranged by Kevin Riley. 20th Century,Christmas,Classical. Score and parts. 47 pages. Kevin Riley #129566. Published by Kevin Riley (A0.518882). Carol of the Bells is a popular Christmas carol, with music by Ukrainian composer Mykola Leontovych in 1914 and lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant Shchedryk.The music is in the public domain, Wilhousky's lyrics are however under copyright protection (owned by Carl Fischer Music). The music is based on a four-note ostinato and is in 3 4 time signature, with the B-flat bell pealing in 6 8 time. The carol is metrically bistable, and a listener can focus on either measure or switch between them. It has been adapted for many genres, including: classical, metal, jazz, country music, rock, trap, and pop. The piece also features in films, television shows, and parodies.

Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1502107 By Alabama. By Ed King, Gary Rossington, and Ronnie Van Zant. Arranged by Tracy Dean McCallum. 20th Century,Rock. Score. 6 pages. Tracy Dean McCallum #1077985. Published by Tracy Dean McCallum (A0.1502107). https://tracymccallum.com Lyrics   They got loose to you Here it comes Oh, whoa-whoa Big wheels keep on turnin' Carry me home to see my kin Singin' songs about the Southland I miss Alabamy once again, and I think it's a sin, I said Well, I heard Mr. Young sing about her Well, I heard old Neil put her down Well, I hope Neil Young will remember A Southern man don't need him around, anyhow Sweet home Alabama Where the skies are so blue Sweet home Alabama Lord, I'm comin' home to you One thing I wanna tell you In Birmingham, they love the governor (boo, boo, boo!) Now we all did what we could do Now Watergate does not bother me, uh-uh Does your conscience bother you? Tell the truth Sweet home Alabama Where the skies are so blue Sweet home Alabama (oh, my baby) Lord, I'm comin' home to you (here I come, Alabama) Speak your mind Ah-ah-ah (can you feel that?), Alabama Ah-ah-ah, Alabama Ah-ah-ah, Alabama Ah-ah-ah, Alabama Now Muscle Shoals has got the Swampers And they've been known to pick a song or two (yes, they do) Lord, they get me off so much They pick me up when I'm feelin' blue, now how 'bout you? Sweet home Alabama (oh) Where the skies are so blue Sweet home Alabama Lord, I'm comin' home to you Sweet home Alabama (home, sweet home, baby) Where the skies are so blue (and the governor's, too) Sweet home Alabama (Lord, yeah) Lord, I'm comin' home to you (whoo, whoa, yeah, oh) Alright, brother, now Wait one minute Oh-oh, sweet Alabama Thank you

Brass Ensemble - Level 5 - Digital Download SKU: A0.792692 Composed by Ludwig van Beethoven. Arranged by Jim Hopson. Classical,Romantic Period. Score and parts. 14 pages. Gordon Cherry #5772435. Published by Gordon Cherry (A0.792692). The Adagio Cantabile is the second movement of Beethoven's great work known as Sonata Pathétique written in 1798. The movement is very expressive, it's melody being one of the most recognized of the Classical period, becoming the theme for over 37 years of an internationally famous classical music show as well as showing up in albums by Kiss and Billy Joel. Jim Hopson has beautifully arranged it in the original key of A-flat for standard brass quintet of 2 Trumpets in B-flat, Horn, Trombone and Tuba.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.939976 Composed by César Zumel. Christian,Contemporary,Easter,Sacred. Octavo. 3 pages. César Zumel #3062489. Published by César Zumel (A0.939976). Around two minutes of music for saying the last bye, plenty of sorrow and hope.For church funerals at communio, or at the end of the ceremony. Affordable for SATB choir a bit experienced, really easy to describe and to show sorrow by your own voice. Contemporary music is used for showing sorrow but enough to be sung by a non profesional nor semi-profesional choir.The Canticum Zacchariae lyric is found in Luke (I, 67-79) and it is sung at the funeral. The deceased receives prayers and this song, accompanied by two candles and a cross. Just before Canticum Zacchariae it is sung Liberame Domine, eternal death, ... and In paradisum: deducant Angeli .... Canticum Zacchariae sums up the hope placed on eternal life and which Luke tells in his youth gospel of Jesus.