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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
Julian's Hazelnut for SSAA and B flat clarinet
Chorale SSAA

$1.99 1.7 € Chorale SSAA PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Score. 18 pages. JohnWillard Utuk #735794. Published by JohnWillard Utuk (A0.1135733). The Etherea Suite, Volume 1 is for intermediate to advanced players who enjoy lyrical, exciting, and showy repertoire, while expressing their imagination through their playing. Players get to musically explore the mountains, the desert, volcanoes, time travel to ancient times, and fight in battle! Volume I of the suite represents three main characters from the sci-fi, fantasy book Trials of the Innermost (release date May 26, 2023). Each movement has a distinct feel and reflects each character's personality. This edition features performance notes written by the composer, including musical elements unique to each movement, fun facts, and personal influences JohnWillard had in mind when creating the work. A graphic of the musical cryptogram system used to make the melodies for each character is featured at the end of the notes. The three movements imitate a sonata, with the overall order of the suite is slow, slow, fast. Some teaching elements in the first movement I. Vayriel: Protector of the Mountains, include: scalar passages (A natural minor scale), shifting hands position, rolled chords, repeated left hand patterns, ornaments, and pedaling. II. Zinvar: Peacemaker of the Volcanic Rifts is more challenging, but has more room for musicality, expression, exploring different touches on the piano, and ethereal use of pedaling, like the sostenuto pedal (if you have one!) The movement opens with a mysterious, wave-like arpeggiated left hand pattern, similar to pieces of Chopin or Rachmaninoff. The B section is practice in using the sostenuto (middle) pedal while playing softly, imitating Gregorian Chant. Best of all the ending sounds harder than it actually is and you get to play as loud as possible! III. Idrilia: Warrior of the Desert is fast paced, rhythmic, and inspired by video games. This piece is a nice supplement for students learning techniques found in toccatas, nocturnes, and pieces that require a big, full sound. The longest and most advanced movement, players can enjoy using all the things: pedaling, accents, quick changes in dynamic contrast, and a lyrical B section. Technique requires comfort with arpeggios, chord inversions, octaves, and sensitivity to voicing. Once mastered, this movement can be both fun to play as a stand-alone recital piece or an exciting treat to play for friends and family. You'll find yourself humming the simple melody as it transforms throughout the work, and the ending is a chance to play big chords by using the full range of the keyboard.
The Etherea Suite, Volume 1 for Solo Piano (Complete)
Piano seul

$15.00 12.81 € Piano seul PDF SheetMusicPlus

Instrumental Solo,Organ - Digital Download SKU: A0.1372227 Composed by Chris Kovarik. Classical,Praise & Worship,Sacred. Individual part. 8 pages. Chris Kovarik #956492. Published by Chris Kovarik (A0.1372227). Was lebet, was schwebet (composed 2021, duration ca. 5’) is less a chorale prelude, and more a prelude and fugue. The prelude is a free fantasy based mostly on the opening notes of the hymn tune. It alternates short pedal solos with showy figures in the manuals. The fugue is based on the first six measures of the hymn tune, and thoroughly investigates the subject. It concludes in a brief flourish, reminiscent of the opening fantasia. A final fugato presents the entire hymn tune, in augmentation, beginning in the bass (on the pedals) and moving to the soprano. The piece is joyful and exuberant from beginning to end.Technical note: despite the extensive counterpoint and manual flourishes, this piece is quite approachable, being easier, on the whole, than a typical Bach prelude and fugue.
Chorale Prelude on Was lebet, was schwebet (Worship the Lord in the beauty of holiness)
Orgue

$4.99 4.26 € Orgue PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.1133983 Composed by Phil Beaman. Classical. Score. 1 pages. Phil Beaman #734098. Published by Phil Beaman (A0.1133983). Classical Euphoria is an Organ Solo of pure fun. Euphoria--a temporary feeling of excessive happiness and intense joy. That certainly describes this piece of music. This piece puts a smile on my face every time. And it is definitely classical. It is in the Key of C with broken triads and is in Rounded Binary form. The B theme is minor but still happy and energetic. The complete song is Intro-AABBAA-Coda. The is no pedal part except a drone in the Coda. This is a very accessible piece for any organist; perfect for your organ postlude repertoire that can be pulled out at the last minute, yet showy enough to use for recital or concert. 1 page, 1 minute This piece is also in the booklet 3 Pieces for Beginning Organist which contains a prelude, offertory, and postlude; also available on this site.
Classical Euphoria - organ solo
Orgue

$2.99 2.55 € Orgue PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1025463 Composed by Alexandra Eddy. 20th Century,Contemporary. Score. 18 pages. Alexandra Eddy Project #4887035. Published by Alexandra Eddy Project (A0.1025463). The title of this 14-minute piece reflects the fact that it was commissioned by my dear late friend Edwin Good to perform on his beautiful Thomas and Barbara Wolf copy of the very first piano. (Cristofori, 1700). It is playable on the modern piano as well. The movements are as follows: 1. In Medias Res: Fanfare (begins at 0:00 in the mp3 file) is a showy, energetic, brief, humorous beginning.2. Ricercar (begins at 0:33 in the mp3 file) uses the imitative techniques of 16th century instrumental music, with modern harmonies.3. For JSB (begins at 3:25 in the mp3 file) was composed in loving homage to Johann Sebastian Bach.4. Burlesca (begins at 6:15 in the mp3 file) is another moment of humor and energy.5. Nocturne (begins at 8:04 in the mp3 file) is, of course, night music.6. Passacaglia (begins at 11:04 in the mp3 file) continues without break from the Nocturne. In the left hand, a pattern of several notes repeats many times, organizing the music. Simultaneously, the right hand quotes fragments from the other movements.NOTE: The mp3 file is automated, but gives a rough sense of the music.
Music for First Piano
Piano seul

$9.95 8.5 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1270685 By Etta James. By Irving Kahal and Sammy Fain. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #863059. Published by Timothy Stapay (A0.1270685). This arrangement of I'll Be Seeing You is written as performed by legendary piano artist, Liberace.  It's based on a rare piano solo version rather than thevocal version, that Liberace would often sing on his shows. I'll Be Seeing You is a popular song about missing a loved one, with music by Sammy Fain and lyrics by Irving Kahal.   Published in 1938, it was inserted into the Broadway musical Right This Way, which closed after fifteen performances. The title of the 1944 film I'll Be Seeing You was taken from this song at the suggestion of the film's producer, Dore Schary. The song is included in the film's soundtrack. Lyrics:I'll be seeing you in all the old familiar placesThat this heart of mine embraces all day throughIn that small cafe, the park across the wayThe children's carousel, The chestnut trees, the wishing wellI'll be seeing you in every lovely summer's dayIn everything that's light and gayI'll always think of you that wayI'll find you in the morning' sunAnd when the night is newI'll be looking at the moonBut I'll be seeing youI'll find you in the morning sunAnd when the night is newI'll be looking at the moonBut I'll be seeing you.
I'll Be Seeing You
Piano seul
Etta James
$8.99 7.68 € Piano seul PDF SheetMusicPlus

Jazz Combo - Level 3 - Digital Download SKU: A0.1220916 By Wes Montgomery. By John L. (Wes) Montgomery and Sascha Burland. Arranged by Arranged by Alan Fagan & Dr. LeRoy Henry. 20th Century,Blues,Jazz,Standards. 7 pages. Dr. LeRoy Henry #817258. Published by Dr. LeRoy Henry (A0.1220916).      Fortunately for us, guitarist Wes Montgomery went over to Europe in the spring of 1965 and toured. We're lucky, because Montgomery wound up on European TV shows during many of his stops, resulting in lots of video clips.      Wes was filmed May 7 in England with pianist Stan Tracey, bassist Rick Laird, and drummer Jackie Dougan. This session is quite different from the April 4 session in Belgium with pianist Harold Mabern, bassist Arthur Harper and drummer Jimmy Lovelaceand the April 2, 1965 session in Holland with pianist Pim Jacobs, bassist Ruud Jacobs and drummer Han Bennink in that it includes commentary from club owner Ronnie Scott, who explains the career and music of Wes Montgomery as if he were giving a lecture. The music, of course, features more of Montgomery's great stuff with personable glimpses at each of the artists. The quartet swings and seems to enjoy every minute of the show. The guitarist's West Coast Blues, in particular, makes this video stand out as an unforgettable piece of jazz history.     An interesting thing about this video, the horn section did not know that the chord changes for solos were different than the changes for the theme. One can imagine that Wes was not traveling with a Real Book so the group did not learn this from paper. This arrangement corrects that issue and includes a head chart for the rhythm section and a version for guitar with tablature. It also includes trumpet, alto saxophone, tenor saxophone, and baritone saxophone.
West Coast Blues
Jazz combo
Wes Montgomery
$24.99 21.34 € Jazz combo PDF SheetMusicPlus

String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1222232 Composed by Jerrold Lewis Bock and Lawrence Holofcener. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 13 pages. Sarah Cellobat Chaffee #818494. Published by Sarah Cellobat Chaffee (A0.1222232). *INSTRUMENTATION: 2 VIOLINS & CELLO*If you've ever heard the song The Day We Fell In Love, chances are that you haven't gotten this catchy tune out of your head ever since! Recorded in 2019 by Nick Kingsley and Danny Farrant, this bouncy upbeat love song has become immensely popular, especially after it was featured in numerous ads for shows and channels including Peacock, the Hallmark Channel, and Love Island. This arrangement for your two-violin and cello string trio features the catchy melodies, upbeat groove, and joyful lovestruck vibes of the original for a chart that will be just as fun to play as it is to listen to! Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
The Day We Fell In Love
Trio à Cordes: 2 violons, violoncelle

$14.99 12.8 € Trio à Cordes: 2 violons, violoncelle PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.894397 Composed by Zack Richards. 20th Century,Contemporary,Film/TV. Score and parts. 120 pages. Zack Richards #5210677. Published by Zack Richards (A0.894397). Throughout my youth, I was highly influenced by Science Fiction, especially Star Trek: The Next Generation. It inspired me from a creative, musical, and human perspective and was a large factor in most of my current views of the world in which we all live. This work is largely inspired by that show as well as other Star Trek shows and movies. The title is inspired by the idea of space, called the final frontier throughout Star Trek. The first melody pulls many aspects from the The Original Series, including the opening interval of a minor 7th, the rhythmic use of triplets, and the chromatic intervals in the second half of the melody. It sits over quartal harmonies which help create the open spacey sound. The countermelody introduced by the Oboe in measure 13 is inspired intervalically and rhythmically by the 2009 Star Trek reboot movie theme. These 2 melodies are used in various ways from start to finish, sometimes rhythmically diminished, sometimes just as a motif passed from one instrument to another. Every section has a moment to shine like a distant star in this fun sci-fi inspired piece.
The Greatest Frontier
Orchestre d'harmonie

$59.99 51.22 € Orchestre d'harmonie PDF SheetMusicPlus

Baritone Saxophone,Clarinet,Drum Set,Tenor Saxophone,Trombone - Level 3 - Digital Download SKU: A0.1223905 Composed by Herbert Chappell. Arranged by Trevor Wharton. 20th Century,Film/TV. 33 pages. Bumpmusic Editions #820038. Published by Bumpmusic Editions (A0.1223905). The Paddington Bear Theme by Herbert Chappell was used as the theme tune to the British animated television series 'Paddington' which was broadcast on BBC from 1976 to 1980 and produced by Filmfare.The music originated as incidental music for a BBC adaption of 'Lord Peter Wimsey' and released as the B side of that shows theme tune. It was later used in a stage show in 1972, with lyrics by the compser's wife.It has a very 1920's feel to the music and this arrangement uses the lighter clarinet and muted trombone sounds to set that period tone. The melody is share between the instuments to give interest to players and audience.
Paddington Bear Theme

$19.75 16.86 € PDF SheetMusicPlus






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