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Bass Guitar,Piano,Voice - Digital Download SKU: A0.1070130 Composed by Jerry Westerman. Arranged by Jerry Westerman. Pop,Rock. Full Performance. Duration 213. Passing Lane Music #5991777. Published by Passing Lane Music (A0.1070130). I'm Human, You're Human addresses discrimination issues still haunting American society. It urges all to realize we are human and we all live in this world. I'm Human, You're Human, released by J. Westerman of Passing Lane Music is the fifth single following the release of three sequential albums by Through the Glass - J. Westerman. Those albums are Open  the Doors, This Side of the Glass & When the Glass is Gone. To learn more about Passing Lane Music visit https://passinglanemusic.wixsite.com/j-westerman
I'm Human, You're Human

$1.99 1.86 € PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887083 Composed by Marilena Zlatanou. Contemporary. 35 pages. Marilena Zlatanou #3535215. Published by Marilena Zlatanou (A0.887083). ON HUMAN RIGHTS (1), for SATB choir and piano, written for the UN Human Rights Office celebration of the 70th Anniversary of the Adoption of the Universal Declaration of Human Rights, and as a response to Fondazione Adkins Chiti: Donne in Musica's call for compositions for their Global Call for New Music. The texts used are in English and comprise of six different international famous quotations on the subject of Human Rights, marked in the score. Included in this composition are also two important existing songs: The March of The Women by Ethel Smyth and Bread and Roses (USA, Anon.). The attached file includes score, choir score and piano score. Duration 6 minutes.The mp3 file attached is a converted sibelius file. For more information on the composer, please visit www.zlatanou.net Member of TONO (The Norwegian copyright org.)
ON HUMAN RIGHTS (1) for SATB choir and Piano
Chorale SATB

$35.00 32.73 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.887085 Composed by Marilena Zlatanou. Contemporary. 84 pages. Marilena Zlatanou #3895449. Published by Marilena Zlatanou (A0.887085). This is an extended version of the composition ON HUMAN RIGHTS for SATB choir and piano (1), and consequently marked as (2). The extension is limited to the instrumental parts, the texts used are famous quotations on the subject (all attributed in the score). The texts used are in English and comprise of six different international famous quotations on the subject of Human Rights, marked in the score. Included in this composition are also two important existing songs: The March of The Women by Ethel Smyth and Bread and Roses (USA, Anon.). The attached file is a long pdf file with conductor's score, choir score, and parts, all included. Duration ca 10 min. The composer is a member of TONO, the Norwegian copyright org. The mp3 file attached is a converted sibelius file.For more inforamtion on the composer please visit website www.zlatanou.net
ON HUMAN RIGHTS (2) for SATB choir, strings and one percussionist
Chorale SATB

$25.00 23.38 € Chorale SATB PDF SheetMusicPlus

Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Hautbois, Piano (duo)

$20.00 18.7 € Hautbois, Piano (duo) PDF SheetMusicPlus






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