Violin Solo - Level 1 - Digital Download SKU: A0.1418952 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift. Arranged by Saa composition. 21st Century,Country,Pop,Wedding. 2 pages. Saa Compositions #1000402. Published by Saa Compositions (A0.1418952). I Knew You Were Trouble is a Taylor Swift song, here arranged for violin. For so, I took the liberty to optimize some repetitions and change the key to G major. I hope you like it. You can find me at Instagram: @saacompositions and email: samuel.araujo14998@gmail.com.

Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.576706 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and parts. 5 pages. David Warin Solomons #90245. Published by David Warin Solomons (A0.576706). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for low voice and guitar. In some places the guitar part is simplified in comparison to the original piano part in order to improve the flowing quality and to make it possible for one person to accompany herself/himself on the guitar. A version for low voice and piano also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt, Wer nie sein Brot mit Tränen ass, An die Türen) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site The pdf file contains the score and also the separate parts. An die Türen An die Türen will ich schleichen, Still und sittsam will ich steh'n; Fromme Hand wird Nahrung reichen, Und ich werde weitergehn. Jeder wird sich glücklich scheinen, Wenn mein Bild vor ihm erscheint; Eine Träne wird er weinen, Und ich weiß nicht, was er weint. I will creep up to the doors and stand there quiet and polite goodly hands will give me food and grateful I will leave their sight Every person will seem happy When they see me at their door They will shed a tear which I will never know the reason for. (English translation (c) 2015 David Warin Solomons) If you would like a downloadable mp3 of the guitar accompaniment, you can use this reference in the search box on sheetmusicplus: S0.707285

Instrumental Duet Flute,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.593625 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by David McKeown. Film/TV,Pop. Score and parts. 4 pages. David McKeown #6497269. Published by David McKeown (A0.593625). How Far I’ll Go is one of the best loved songs from the 2016 Disney film Moana. This version is arranged as a Duet for one Flute and one Oboe. Written by Lin-Manuel Miranda, two versions were recorded for the film, one by the lead actress AuliÊ»i Cravalho and the other by Alessia Cara. How Far I’ll Go won a Grammy in 2018 and has been consistently the most streamed song in the Disney canon since its release.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This is the full length version as sung in the film, with the verse, bridge and chorus performed twice and a final chorus a semitone higher. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1363547 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 12 pages. Amanda Rodrigues #947957. Published by Amanda Rodrigues (A0.1363547). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing string quartets to recreate the allure of the original performance. Crafted for 2 violins, viola and cello in the melodic Eb Major, this arrangement brings the timeless melody to life with ease. Additionally, discover the richness of accompanying chords, providing a fuller musical experience for your ensemble.Key Features:- Beginner/Intermediate Level- 2 Violins, Viola, and Cello- String Quartet Format- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Digital DownloadWhether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!

Concert Band - Level 3 - Digital Download SKU: A0.1439127 By Aerosmith. By Diane Warren. Arranged by Lorenzo Bocci. Film/TV,Pop,Rock. 70 pages. Lorenzo Bocci #1019156. Published by Lorenzo Bocci (A0.1439127). I DON'T WANT TO MISS A THING performed by Aerosmith - From The Touchstone Picture Armageddonfor Concert Band - Grade 3 - Digital Download Composed by Diane Warren. Arranged by Lorenzo Bocci. Film/Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'50''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Cymbals a 2), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.I Don't Want to Miss a Thing is a song recorded by American hard rock band Aerosmith as the theme song for the 1998 science fiction disaster film Armageddon. The power ballad was written by Diane Warren. The song received its airplay premiere on May 12, 1998, and was officially added to radio a week later. I Don't Want to Miss a Thing, in the United States, was originally supposed to be a radio-only single from Armageddon: The Album, but due to popular demand, Columbia Records issued the song commercially in August 1998. It subsequently debuted at number one on the Billboard Hot 100, giving the band their first and only number-one single in their home country, remaining at the top for four weeks. The song was nominated for an Oscar as Best Original Song at the 71st Academy Awards of 1998, but lost to When You Believe from The Prince of Egypt.Subscribe to my YouTube Channel to stay updated on new releases.

Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

C Instrument - Level 3 - Digital Download SKU: A0.499562 Composed by Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112867. Published by John Fries (A0.499562). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   I Didn't Know What Time It Was is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly).

Piano and voice - Digital Download SKU: LV.23663 Composed by Percy Wenrich. Cartoons, Campaigns & battles, War work, Courtship, Leisure, Military hospitals, Silhouettes, Satire, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23663). I Ain't Got Weary Yet. Latest Hit by the Writers of Where Do We Go From Here. Patriotic War Edition. Words by Howard Johnson. Music by Percy Wenrich. Published 1918 by Leo Feist, Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Cartoons, Campaigns & battles, War work, Courtship, Leisure, Military hospitals, Silhouettes, Satire, World War I. First line reads Johnny Dunn, grabbed his little gun, sailed away, just to fight the Hun.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1368259 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 13 pages. Amanda Rodrigues #952589. Published by Amanda Rodrigues (A0.1368259). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for 2 Violins, Viola, Cello and String Bass (Double Bass/Contrabass) in the melodic Eb Major, this arrangement brings the timeless melody to life with ease.  Elevate your performance experiencing the depth of accompanying chords, providing a fuller and more immersive musical journey for your ensemble.- Easy Intermediate- 2 Violins, Viola, Cello and String Bass (Double Bass/Contrabass)- String Quintet Format- Chords for Accompaniment- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Digital DownloadWhether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!

Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1365461 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 15 pages. Amanda Rodrigues #949791. Published by Amanda Rodrigues (A0.1365461). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing brass quartets to recreate the allure of the original performance. Crafted for  2 trumpets in Bb, trombone and tuba in the melodic Cb Major, this arrangement brings the timeless melody to life with ease. Elevate your performance with the added brilliance of piano accompaniment, enhancing the depth and resonance of every note.Key Features: - Beginner/Intermediate Level- 2 Trumpets in Bb, Trombone, Tuba and Piano Accompaniment- Brass Quartet Format- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Piano Accompaniment- Instant Digital DownloadWhether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!

String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1369061 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 16 pages. Amanda Rodrigues #953406. Published by Amanda Rodrigues (A0.1369061). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for 2 Violins, Viola, Cello and String Bass (Double Bass/Contrabass) in the melodic Ab Major, this arrangement brings the timeless melody to life with ease.  Elevate your performance with the added brilliance of piano accompaniment, and experience the depth of accompanying chords, providing a fuller and more immersive musical journey for your ensemble.- Easy Intermediate- 2 Violins, Viola, Cello and String Bass (Double Bass/Contrabass)- String Quintet Format- Piano Accompaniment- Chords for Accompaniment- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Digital DownloadWhether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1366254 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 15 pages. Amanda Rodrigues #950580. Published by Amanda Rodrigues (A0.1366254). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing wind quartets to recreate the allure of the original performance. Crafted for  flute, oboe, clarinet in Bb and bassoon in the melodic Gb Major, this arrangement brings the timeless melody to life with ease. Elevate your performance with the added brilliance of piano accompaniment, enhancing the depth and resonance of every note.- Beginner/Intermediate Level- Flute, Oboe, Clarinet in Bb and Bassoon- Wind Quartet Format- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Piano Accompaniment- Instant Digital DownloadWhether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!

Violin Solo - Level 3 - Digital Download SKU: A0.1185223 By Woody Herman & His Orchestra. By Don Raye, Gene De Paul, and Pat Johnston. Arranged by Stéphane Grappelli. Jazz. 4 pages. Katsufumi Seki #784909. Published by Katsufumi Seki (A0.1185223). This is a transcription from a recording Flamingo by Stéphane Grappelli and Michel Petrucciani.The transcription is made by a piano tuner, therefore I am pretty sure all the pitches are correctly notated.I tried to catch slurs, harmonics and bowing, but they may be different interpretation by the performers.  Well, it's jazz.  I hope you add your own taste to the music and enjoy.Thanks,.

Piano and voice - Digital Download SKU: LV.19185 Composed by F. Gilbert. Lawyers, Law & legal affairs, Quarreling, Spouses, Business enterprises, Debts. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19185). I'll Place it in the Hands of My Attorney. Song and Chorus. Words By Geo. Russell Jackson. Music By F. Gilbert. Published 1885 by [W.P. Evans & Bro.] in n.p. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Lawyers, Law & legal affairs, Quarreling, Spouses, Business enterprises, Debts. First line reads I'm sometimes call'd a hasty man But don't know why I should be.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

3, 4, 5, 6, or 7 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB979 Psalm 23. Composed by Alex Guebert. Arranged by Alex Guebert. General, Estertide. With Flute. Score. 12 pages. Chorister's Guild - Digital #CGB979. Published by Chorister's Guild - Digital (C7.CGB979). UPC: 749193024553.Uplifting and sweet, this arrangement of The Lord’s My Shepherd, I’ll Not Want (BROTHER JAMES’ AIR) makes use of stirring crescendos and orchestral-sounding sweeping musical lines.  The quiet waters of the Psalm 23 text are reflected in the shimmering, peaceful first verse.  The second verse gains momentum (My soul He doth restore again) and the powerful crescendo into the third verse brings a confident sense of peace (Yea, though I walk in death’s dark vale / yet will I fear no ill).  At the final cadence, ethereal, unusual harmonies give way to a serene resolution, symbolizing heaven as a final resting place, calling to mind the last lines of the text: and in God’s house forevermore / my dwelling place shall be.  The optional flute part sweetens the lovely soft sections and adds flourish and weight to the majestic third verse and coda.