Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music

Flute & Piano - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by James Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Technique Training, Recital. Score, Set of Parts, Solo Part. 45 pages. Published by jmsgu3

Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music

Piano Solo - Early Intermediate - Digital Download Composed by Chris Gordon. Classical Period, Repertoire, Technique Training. Score. 7 pages. Published by Cool Wind Music Digital

Composed by John McAllister. 21st Century, 20th Century, Modern, Technique Training. 26 pages. Published by John McAllister

Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music

Piano Solo - Intermediate - Digital Download Composed by Kathryn Carpenter, Hale, Roulstone, Mason, Unknown, Nursery Rhyme, Taylor. Arranged by Kathryn Carpenter. Jazz, Blues, Method, Repertoire, Technique Training. 30 pages. Published by Published by Kathryn Carpenter

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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1444328 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1024243. Published by Kevin G. Pace (A0.1444328). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Thy will, O Lord, be done,What e'r it be.Bend my poor will to Thine.Help me to seeWisdom and love combineIn Thy perfect sight.As I turn my heart to TheeLead me on to light.Here I surrender all,All sin and pride.Loose ev'ry man-made chain,Leave them behind.Let Thy atoning bloodWash from me all stain.Let Thy goodness and Thy loveFree my soul from pain.Thy will be mine this day,Thy work to do.Lead me now forth in faithStrengthened anew.Bless me to see each need,Hear each desperate cry.Let me be Thy servant still,Pointing souls on high.

Piano Solo - Advanced - Digital Download Composed by Jean Baptiste Calkin "I Heard the Bells On Christmas Day?, Ukranian Carol/M. Leontovich "Carol Of the Bells". Arranged by Arranged By David S. Gaines, ASCAP. Christian, Sacred, Christmas. Individual Part. 6 pages. Published by DSGMusic Publishing

Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.876565 Composed by Daniel Cueto. Contemporary. 94 pages. Daniel Cueto #3500547. Published by Daniel Cueto (A0.876565). DUE CANTI, for 25 flutes, draws inspiration mainly from Dante Aligheri´s well-known narrative poem La Divina Comedia. The piece consists of two contrasting movements:  Inferno and Paradiso.  I´ve tried to paint with sounds some of the vivid images that appear in the work. Inferno, a world of chaos and despair, is a vibrant cacophony consisting of an insistent, mechanical ostinato, dissonant counterpoints and frullato cries in the upper registers of all flutes. Paradiso, a place of order and sensual delight, features shiny open fifths in the medium-high register, a theme in long notes which is symmetrical in design (as to represent God-like perfection and balance), as well as long, lyrical solos for the first flute and the bass flute. A secondary source of inspiration for the piece was the painting The Garden of Earthly Delights by the great Hieronymus Bosch.

Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.965763 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Children,Film/TV,Praise & Worship,Sacred,Spiritual. Score. 1 pages. Servant Song Music and Ministry #571431. Published by Servant Song Music and Ministry (A0.965763). I wrote this contemporary hymn as a musical prayer response to the invasion of Ukraine in 2022. In liturgical churches, it functions beautifully as a congregational sung response following the Prayers of the People (or even replacing the Prayers of the People). In evangelical settings, it can be sung as a stand-alone worship hymn right after the sermon, or as part of a set of worship songs at the beginning or conclusion of the service. I am a prolific songwriter, and I've been writing music for 35+ years now. Through all of those years, there have only been a handful of occasions where I have felt more like a conduit of the Holy Spirit than the composer of the hymn; this was definitely one of those times. This is Our Prayer is written in the key of F Major, making it highly accessible for beginning church accompanists. It has a moderate tempo, set in a 3/4 time signature with a lilting rhythm. The vocal range is designed for robust congregational singing. The melody line is just one octave, ranging from Middle C to the C above it; the Alto line is just a six note range, from Middle C to the A above. This score includes the piano accompaniment in a strophic, hymn style format, two-part vocal harmony, and guitar chords (which can also assist pianists who play by chord + melody line, instead of by reading the score). The simplicity of this hymn does not detract from its' beauty, however. This is a highly singable, memorable tune with some interesting rhythmic patterns. The lyrics of this hymn are loosely based on Romans 12:12-21 (As far as it depends upon you, live at peace with all people). The words of the hymn are truly a prayer, asking God for peace, but they also remind us that as people of faith, we are invited to participate WITH God in the process of making peace on earth, by how we pray, live, give, and place our trust in God. One lyric reads that we dare to pray for peace; this is an intentional choice on my part, flagging the potential costliness of becoming people who prioritize peace. The week this hymn was released to Spotify, iTunes, Amazon Music Unlimited, Reverbnation, and Deezer, it debuted at #30 on the Top 100 Contemporary Christian Music Charts on Spotify. The YouTube video version of the hymn (link attached below) was viewed over 7,000 times in the first ten days, by people in over 40 countries. You are welcome to stream it for worship services, on church websites, and on social media. The more people view it, the more ad revenue it will generate, and all profits from the sale of this hymn in any form (video ad revenue, digital MP3 sales on the sites listed above, and the sale of this musical score) will be donated to the Red Cross and the United Church of Canada's Mission & Service Fund; both of these registered charities have targeted programs running to assist Ukrainians who've been displaced by the war. Once the Ukrainian war ends, I will continue to send all profits from the hymn to those same charities to help refugees in other conflict zones. May this hymn comfort and discomfort you. My prayer is that it will prompt all of us to live more faithfully as people of peace - in our individual lives, but also in our families, in our communities, our nations, and our world. To God be the glory!

Brass Ensemble - Level 4 - Digital Download SKU: A0.767319 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Renaissance. Score and parts. 32 pages. Lyons Music Services #3468154. Published by Lyons Music Services (A0.767319). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Perchè Fuggi is a duet for two tenors, The title translates as Why do you flee? . In it, the poet is sad that the object of his desire runs away and hides when he tries to kiss her.I decided to use two euphoniums/baritones for the soloists, with the accompaniment managed by 1 cornet/trumpet, a horn and a tuba. I managed to retain the quintet as the accompaniment is very simple, almost 'secco' in styleThe seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.