Trumpet Solo - Level 5 - Digital Download SKU: A0.810842 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pages. Gordon Cherry #3464533. Published by Gordon Cherry (A0.810842). Bach's Unaccompanied Suites beautifully and meticulously edited for Trumpet by Ralph Sauer as a 48 page textbook. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us...

Instrumental Solo - Level 5 - Digital Download SKU: A0.792578 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Instructional,Renaissance. Individual part. 48 pages. Gordon Cherry #5010159. Published by Gordon Cherry (A0.792578). Bach's Unaccompanied Suites have been beautifully and meticulously edited for Alto Trombone by Ralph Sauer. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer, I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style…This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built. Excellent practice for anyone who wants to improve their alto clef reading abilities.

Tuba Solo - Level 5 - Digital Download SKU: A0.810845 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pages. Gordon Cherry #3464557. Published by Gordon Cherry (A0.810845). Bach's Unaccompanied Suites beautifully and meticulously edited for Tuba or Bass Trombone by Ralph Sauer, 48 page textbook. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us...

French Horn Solo - Level 5 - Digital Download SKU: A0.792112 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pages. Gordon Cherry #3464523. Published by Gordon Cherry (A0.792112). Bach's Unaccompanied Suites beautifully and meticulously edited for Horn by Ralph Sauer, 48 page textbook. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us...

Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.792573 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Individual part. 48 pages. Gordon Cherry #5008627. Published by Gordon Cherry (A0.792573). Bach's Unaccompanied Suites have been beautifully and meticulously edited for Bass Trombone by Ralph Sauer. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer, I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style…This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.

Instrumental Duet Guitar,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.1045230 Composed by Andrea Morricone and Ennio Morricone. Arranged by Derek Hasted. Film/TV. Score and parts. 10 pages. Derek Hasted #649810. Published by Derek Hasted (A0.1045230). CINEMA PARADISO - LOVE THEME - duet for OBOE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This fantastic theme, Tema D'Amore, was written as an integral part of the film Cinema Paradiso.Ennio Morricone and his son Andrea rightly received a BAFTA award for the gorgeous soundtrack music.My arrangement captures the four “verses� that feature in this piece - each verse maintains the same thematic material but the accompaniment becomes more involved and with a thicker texture, before the piece fades away again. The guitar accompaniment is styled on the piano solo score, but tailored here and there to fit the guitar like a glove.The key here isn’t the same as the original, but it fits right into the “sweet spot� of the oboe's pitch range and allows for a guitar accompaniment that can use open strings to improve the sustain. Unlike other arrangements, this has plenty of space and few finger gymnastics, so the gentle movement of the original is easy to reproduce.I also have an arrangement for two guitars which moves the melody between the guitars as the piece progresses.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

Lever Harp - Level 4 - Digital Download SKU: A0.1426525 By Aiga Helmer. By Aiga Helmer. Arranged by Aiga Helmer. 20th Century,Chamber,Contemporary,Contest,Festival,Latin. Score. 4 pages. Aiga Helmer #1007225. Published by Aiga Helmer (A0.1426525). This 4-page and almost 5 minute long original composition for solo lever or pedal harp in G minor has chord symbols attached for optimal accompaniment. As the piece is quite long, a shortened MP3 sound sample of 2 1/2 min. is included. Those caves in the Provinc of Malaga  are like a giant cathedral  and very impressive which I try to express in the music.  The harp plays  the few bars with  bisbigliando notes (rapid arpeggios)  quite well.  The tempo changes from 6/8 to 4/4 on the last page .

Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158419 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy,Contemporary. 31 pages. Https://gildedmusicpress.com/ #758705. Published by https://gildedmusicpress.com/ (A0.1158419). This piece was inspired by a post-concert reception with the Sioux City Symphony to which all musicians, season ticket holders, and other select guests were invited. As I found a place to sit down and geek out with some fellow trumpeters, a group of concertgoers began to gather at the adjacent table. Each guest that joined that animated group added more character until they had spilled over into our small gathering. Their conversations also spilled over, including a couple of mild warnings about one final guest who would be joining us, who had already had just a bit too much to drink. Of course, she sat by me—a seasoned Brit with an easy-going love of life. During the course of the evening, several pairs of glasses made their way out of her purse and onto her head. Her friend asked me to take her picture and send it to her. That dignified portrait, textured and filtered with color highlights, became the cover to this work. “Concertgoers� is a musical soundtrack to that memorable evening with the unforgettable group of concertgoers. It begins with the motivic intro in the horn that becomes the main melodic content throughout the work which repeats in allusion to concertgoers joining the festivities one by one until the party blooms in full. Quirky and fun, this piece paints a fitting aural picture of the cacophonous reception and varied chatter of the evening. The use of chromaticism provides much of the quirkiness, along with the use of mixed meter for some of the varieties of that night of entertainment. These modern compositional techniques challenge a good college-level quintet, though it is accessible to the musicians and listenable to the average concertgoer. To program it on a brass quintet concert or recital aptly tips the hat in acknowledgement of the audience, as it is a dedicated piece just for them!

Woodwind Ensemble Alto Flute,Contrabassoon,E-Flat Alto Saxophone,Instrumental Solo,Oboe/English Horn,Piccolo,Tenor Saxophone,Viola (Clarinet 3) - Level 4 - Digital Download SKU: A0.902203 By Rainer's. By Antonio Vivaldi. Arranged by R G Roth. Baroque,Contemporary,Instructional. Individual part. 110 pages. Rainer's Rainbow #6506601. Published by Rainer's Rainbow (A0.902203). Vivaldi wrote his violin concerto RV 297 Op 8 around 1723. It contains some of the most famous and frequently recorded and recognizable themes in music. I have closely followed the pattern of the original concerto which has come to be know as Winter from The Four Seasons. Included are a solo part plus a 2nd voice to make this playable as a duet. Chords are also included for jazz players to improvise and us the solo part as a guide.

Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score, Solo Part. 35 pages. Published by Juan Maria Solare

1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1489345 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Shelley Marwood. Contemporary,Pop. Score. 6 pages. Shelley Marwood #1066206. Published by Shelley Marwood (A0.1489345). Play the hit song Blank Space by Taylor Swift. Easy piano duet for student and teacher. Compare student level to Piano Adventures 2A/B. I have been teaching piano for decades, and I am also a professional composer. After several years of teaching I realized that students at different levels often wanted to play the same songs. But one size does not fit all when it comes to “Easy Piano,” and I did not have five versions of Jingle Bells at my fingertips!So I began arranging songs for in-studio use. Sometimes I ended up with 3 or 4 different levels of a particular song. My preferred method book is Faber’s Piano Adventures, so I used that as a guide for creating my arrangements. Every title I publish has a suggested level that roughly corresponds to books in this series.Students soon learned that they could request any song they wanted, from a holiday carol, to Mozart, to current pop or rock hits. I have now arranged many songs at more than one level of simplicity, and I am always adding more.Check out my other titles on your favourite music download site!See my website for a full list of available titles, and feel free to contact me with any suggestions for new arrangements.www.shelleymarwood.com

1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1489352 By Taylor Swift. By Taylor Swift. Arranged by Shelley Marwood. Contemporary,Pop. Score. 8 pages. Shelley Marwood #1066211. Published by Shelley Marwood (A0.1489352). Play the hit song Love Story by Taylor Swift. Easy piano duet for student and teacher. Compare student level to Piano Adventures 2A/B. I have been teaching piano for decades, and I am also a professional composer. After several years of teaching I realized that students at different levels often wanted to play the same songs. But one size does not fit all when it comes to “Easy Piano,” and I did not have five versions of Jingle Bells at my fingertips!So I began arranging songs for in-studio use. Sometimes I ended up with 3 or 4 different levels of a particular song. My preferred method book is Faber’s Piano Adventures, so I used that as a guide for creating my arrangements. Every title I publish has a suggested level that roughly corresponds to books in this series.Students soon learned that they could request any song they wanted, from a holiday carol, to Mozart, to current pop or rock hits. I have now arranged many songs at more than one level of simplicity, and I am always adding more.Check out my other titles on your favourite music download site!See my website for a full list of available titles, and feel free to contact me with any suggestions for new arrangements.www.shelleymarwood.com

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged� with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim� accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “ß� with “ss� in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.� and “dim.� markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .