Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1045487 Composed by Lorenz Hart and Richard Rodgers. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #650063. Published by DAVID LEE GINGRAS (A0.1045487). My Romance is a popular jazz song, with music by Richard Rodgers and lyrics by Lorenz Hart, written for Billy Rose's musical, Jumbo (1935). Gloria Grafton and Donald Novis introduced the song in that musical. This version features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this great old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1234166 Composed by Lorenz Hart and Richard Rodgers. Arranged by David Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #829702. Published by DAVID LEE GINGRAS (A0.1234166). My Romance is a popular jazz song, with music by Richard Rodgers and lyrics by Lorenz Hart, written for Billy Rose's musical, Jumbo (1935). Gloria Grafton and Donald Novis introduced the song in that musical. This version (in the key of Bb) is similiar to the version we published about a year ago (in the key of C) and features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!

Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802654 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 12 pages. Peet du Toit #6200345. Published by Peet du Toit (A0.802654). First of May is a song by the Bee Gees with lead vocals by Barry Gibb, released as a single from their 1969 double album Odessa. The song was first recorded in Atlantic Studios in New York and was continued in IBC Studios, London. Barry said in the booklet with Tales from the Brothers Gibb that the title of the song came from the birthday of his dog, Barnaby. Maurice recalled the session in which that song came about. Barry and I were sitting at the piano, he said, And I started playing the chords, and Barry started singing, 'When I was small and Christmas trees were tall' and I started singing along with it. We put a demo down with a vocal and we kept the piano track. Went back to England, and went into IBC Studios in London, added onto that piano track and Barry's vocal stayed on as well. We had a choir and an orchestra all on this one piano. This song was initially taped in demo form in New York City on 16 August 1968.The orchestral arrangement from maestro Bill Shepherd was featured on the second chorus. The song starts with a piano on the first verse and chorus. Shepherd's orchestra was featured in second verse and second chorus. After singing the second chorus, the singer repeated the first verse. The music was stopped when he sings don't ask me why, but time has passed us by, Someone else moved in from far away.It was quite a challenge to arrange such subtle music for a brass quintet. I am very pleased with the result though. Enjoy!

Piano and voice (solo and 4-part chorus) - Digital Download SKU: LV.13793 Composed by E. P. Christy. African Americans, Portraits, Musical instruments, Dancing, Couples, Monkeys, Slave trade, Courtship & love, Marriage proposals, Banjos, Sleeping, Dreaming, Ethnic stereotypes, Dialects. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13793). Ethiopian Melodies. Julius' Bride [contains reference to the song Jennie Git Your Hoe Cake Done]. Arranged & Partly Composed By E.P. Christy. Published 1848 by William Vanderbeek, 479 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and 4-part chorus) instrumentation. Subject headings for this piece include African Americans, Portraits, Musical instruments, Dancing, Couples, Monkeys, Slave trade, Courtship & love, Marriage proposals, Banjos, Sleeping, Dreaming, Ethnic stereotypes, Dialects. First line reads When I liv'd way down in ole Virginia, I bought a culored [sic] gal for a guinea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano Solo - Level 3 - Digital Download SKU: A0.1021972 Composed by Brendon G.M.C. Holden. Broadway,Children,Jazz,Latin,Musical/Show. Score. 5 pages. Brendon Holden #6275111. Published by Brendon Holden (A0.1021972). Happy is written for a Behind a Night Sky production. Credit to my wonderful Pal Paige, such a good inspiration, thank you Paige.  The song is extremely simple to play, written in B Major, and easy to remember. Happy is Published in the Book Behind the Night Sky: Finding Run Personal Computer PBR, by Brendon Holden. As the word Happy, the song sounds as a happy melody, and that is what I used it for, I recommend using it for such.

Piano and voice - Digital Download SKU: LV.18649 Composed by Tom Leamore. Arranged by Harry Petersen. Clothing & dress--kilts, Cartoons, Winter, Seasons, Soldiers, Guards, Immigrants--Ireland. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18649). It's All Right in the Summer. Written, Composed By Tom Leamore. Music Arranged by Harry Petersen. Published 1902 by Charles Sheard & Co., Anglo-American Music Publishers, 196 Shaftesbury Avenue, W.C. in London. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Clothing & dress--kilts, Cartoons, Winter, Seasons, Soldiers, Guards, Immigrants--Ireland. First line reads Twelve months ago I had no work and I did't know what to do.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Brass Ensemble - Level 2 - Digital Download SKU: A0.931338 Composed by Antonio Vivaldi. Arranged by Alessandro Macrì. Baroque,Easter,Sacred. Score and parts. 21 pages. Music Macri Editions #6858985. Published by Music Macri Editions (A0.931338). Ritroviamo le donne dove le abbiamo lasciate la sera del Venerdì. Eccole all’alba del primo giorno della settimana. Ci accompagnano i racconti evangelici di Matteo, Giovanni e Luca. La musica cambia. Il silenzio del Venerdì lascia posto a una melodia che unisce malinconia e speranza. È la musica che Antonio Vivaldi immagina nella sua Sinfonia al Santo Sepolcro.Dopo aver percorso le tappe di Gesù verso Gerusalemme, dopo aver rivissuto la Passione e dopo aver intrapreso la Via Crucis percorriamo ora le tappe della Via Lucis attraverso gli incontri di Gesù Risorto con i suoi discepoli.Un angelo del Signore, sceso dal cielo, si avvicinò, rotolò la pietra e si pose a sedere su di essa. Il suo aspetto era come folgore e il suo vestito bianco come neve. Per lo spavento che ebbero di lui, le guardie furono scosse e rimasero come morte. L’angelo disse alle donne: «Voi non abbiate paura! So che cercate Gesù, il crocifisso. Non è qui. È risorto, infatti, come aveva detto; venite, guardate il luogo dove era stato deposto».

Piano Solo - Level 3 - Digital Download SKU: A0.761914 Composed by Louis Landon. Concert,Instructional,Jazz,Latin,Standards. Score. 7 pages. Landon Creative, Inc. #6326189. Published by Landon Creative, Inc. (A0.761914). Casco Viejo is another single from the upcoming Panama Piano album. Casco Viejo is Spanish for Old Quarter. This area reminded me of the French Quarter in New Orleans architecturally. It is well known for its dining and nightlife scene with cocktail lounges, rooftop bars, and global restaurants. Approaching this song musically, I connected with the music of the old dance halls of Cuba. The music is definitely old school Latin. I felt like I was channeling that type of music with this song.The Panama Piano album was released on July 10, 2020. 

Piano Solo - Level 2 - Digital Download SKU: A0.761917 Composed by Louis Landon. Concert,Contemporary,Instructional,Latin,Standards. Score. 5 pages. Landon Creative, Inc. #6326199. Published by Landon Creative, Inc. (A0.761917). Pelicans is a single from the Panama Piano album. It was inspired by a pelican that I videoed when I was walking along the Amador Causeway in Panama City. That pelican inspired this song. I watched as he flew and dove for fish. He made it look so easy. This song reminds me of Satie's Gymnopedie because of its simplicity and waltz feel. The Panama Piano album was released on July 10, 2020.

Piano Solo - Level 5 - Digital Download SKU: A0.778655 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Gospel,Jazz,Sacred,Spiritual. Score. 5 pages. Don Hodell Chilcote #1910305. Published by Don Hodell Chilcote (A0.778655). Helping Hand is for piano solo or ensemble. 4 page arrangement is challenging but not overly so, and well worth the effort to learn. Similar to hymn writing by the greats, Mark Hayes, Bill Wolaver, Mary McDonald, John Carter, Llyod Larson, and Larry Shackley in todays church pianist marketplace. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.

Choir,Piano - Digital Download SKU: A0.1069629 Composed by Winfield S. Weeden. Arranged by Richard Donn. Contemporary,Sacred,Traditional. Accompaniment. Duration 202. Cartecay River Music Publishing #4830637. Published by Cartecay River Music Publishing (A0.1069629). ALL TO JESUS is a beautiful setting of the beloved 19th century hymn, I Surrender All.  This easy SATB arrangement features an original refrain and unique, lush harmonies.  The magnificent piano accompaniment offers a passionate and dramatic vehicle for this intensely personal text; and the sweeping triplets give it a feeling of breadth and constant flow.  An optional soprano solo (medium voice) occurs at the beginning and near the conclusion of the piece.  Verse 2 offers a wonderful opportunity to feature your tenors and basses.  This anthem will be loved by choir and congregation alike.  The score is available through SheetMusicPlus.com and SheetMusicDirect.com. Preview more titles on YouTube.com at Richard Donn Music for Worship.

Piano Solo - Level 4 - Digital Download SKU: A0.947452 Composed by Miriam Daly. Blues,Folk,Standards. Score. 4 pages. Miriam Daly #6687549. Published by Miriam Daly (A0.947452). Reflection Blues is an Advanced Intermediate Blues piano solo, 2 minutes long, with a minor feel in the key of C; with lots of 16th and 16th note triplets nested in 1/8th note triplets.  Don’t be intimidated by all the notes, they fit nicely within hand positions.  I have found although there is a lot of EASY material for boogie learners, and at the other end of the spectrum, complicated transcriptions, I needed to write intermediate pieces for my students to fill the material gap.(Music Cover Photo by Beth Macdonald on Unsplash)https://unsplash.com/photos/-bwLfmGUPCg?utm_source=unsplash&utm_medium=referral&utm_content=...https://www.miriamdaly.com/

Choral Choir (SATB) - Digital Download SKU: A0.828730 Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 pages. Guido Menestrina #1986533. Published by Guido Menestrina (A0.828730). SATB + Piano solo Musica dal dramma (su libretto di Jean-Baptiste Lemoyne) Cristoforo Colombo, 1896. Qui di seguito info sul compositore. n. a Costigliole di Saluzzo (Cuneo-Italia) il 13 maggio 1849; prof. a Lanzo il 23 settemre 1870; m. a Torino il 22 ottobre 1934. Fu accolto da don Bosco nel suo Oratorio di Valdocco (Torino) nel 1864, a 14 anni di età, come allievo falegname. Egli però, già cantore del duomo di Saluzzo, aveva una spiccata inclinazione alla musica, e trovò in don Bosco chi lo comprese e l'assecondò. Sotto la guida del M. De Vecchi poté studiare musica strumentale, armonia e composizione. I suoi progressi furono così rapidi che, fattosi salesiano, divenne il più attivo collaboratore del M. Cagliero, e, allorché questi partì per l'Argentina a capo della prima spedizione di missionari salesiani (1875), a lui fu affidata la direzione della Schola cantorum,e nel 1889 anche della banda musicale dell'Oratorio. Maestro impareggiabile - come attesta un suo ex-allievo, don Alberto Caviglia - trasformò la scuola di canto col suo metodo d'insegnamento, sia nella preparazione della lettura, sia nell'educazione delle voci bianche e nell'addestramento delle masse corali, che giunsero fino a quattrocento voci. Con mezzi così poderosi il M. Dogliani ricondusse in chiesa la musica classica, e la Basilica di Maria Ausiliatrice fu rinomata per le grandiose esecuzioni inappuntabili degli spartiti di Rossini, Cherubini, Haydn, Gounod, Sgambati, Bossi, Tebaldini, Pagella, Perosi, Bottazzo, Ravanello, Mattioli, Donini, giungendo perfino a eseguire la Missa Papae Marcelli del Palestrina, senza accompagnamento (1876), e le classiche composizioni di Vittoria, Lolli, Gabrielli, Orlando di Lasso. La presenza della sua Schola cantorum e della sua banda strumentale fu spesso ambita e richiesta in altre città d'Italia in solenni circostanze, meritando elogi e premi, e perfino a Marsiglia per le feste centenarie di santa Giovanna d'Arco e l'inaugurazione della nuova cattedrale (1894). Il Cagliero - di cui ridusse a stile liturgico le più solenni composizioni - lo invitò in Argentina per portarvi la sua esperienza pratica d'insegnamento, che poi concretò nel celebre Metodo di canto corale, edito varie volte e su cui si formarono generazioni di Pueri cantores. Fu pure compositore di musica sacra e inni d'occasione di ottimo effetto: notevole l'antifona Corona aurea, composta per l'incoronazione dell'effige di Maria Ausiliatrice nel suo santuario (1903). Ma soprattutto egli - seguendo il metodo educativo di don Bosco - seppe fare della scuola di canto e di banda validi strumenti di formazione interiore, educando soprattutto con l'esempio di perfetto religioso, sicché i suoi allievi, per la sua abituale compostezza e inalterabile pazienza, lo tenevano in concetto di santo. Tra essi vi fu pure il celebre tenore Francesco Tamagno; altro suo discepolo affezionatissimo fu Federico Caudana, poi maestro di cappella a Cremona e buon compositore di musica. È da notare che il M. Dogliani, col suo insegnamento e col suo esempio, precorse di un trentennio la riforma della musica sacra fatta da san Pio X col Motu proprio del 1903. (da http://www.coadiutoresalesiano.net/ ) follow the score online on youtube: https://youtu.be/kAj11WStQqc.