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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.755253 Composed by Sy Brandon. 20th Century,Concert,Contemporary. 21 pages. Sy Brandon #3602975. Published by Sy Brandon (A0.755253). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet.I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness.II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality.III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement.IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation.V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds.VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction.VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound.VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
Emoticons III for Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$14.99 12.9 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
Legacy for Chamber Orchestra
Orchestre de chambre

$40.00 34.42 € Orchestre de chambre PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.755261 Composed by Sy Brandon. 20th Century,Contemporary. 46 pages. Sy Brandon #3604157. Published by Sy Brandon (A0.755261). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet. I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness. II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality. III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement. IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation. V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds. VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction. VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound. VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
Emoticons III for Reed Quintet

$14.99 12.9 € PDF SheetMusicPlus

Small Ensemble Cello,Piano,Voice - Level 4 - Digital Download SKU: A0.905709 Composed by African-American Spiritual, Wallace Willis. Arranged by Brandon Haynes. Concert,Sacred,Spiritual. Score and parts. 10 pages. Brandon Haynes #4602675. Published by Brandon Haynes (A0.905709). Swing Low, Sweet Chariot is a spiritual associated with Choctaw freedman slave, Wallace Willis in the old Indian Territory in what is now Choctaw County, near the County seat of Hugo, Oklahoma sometime after 1865. It is believed that the sight of the Red River, by which the slave was laboring, reminded him of the Jordan River and of the prophet Elijah being taken to heaven by a chariot, a biblical reference found in 2 Kings 2:11. This arrangement is written for Medium Voice, piano accompaniment, and cello obbligato. It incorporates remnants of another spiritual, Over My Head the mixes well with the text of Swing Low. This arrangement also incorporates a new melody to create a bridge-like section for If you get there before I do.
Swing Low, Sweet Chariot (Over My Head)

$5.50 4.73 € PDF SheetMusicPlus

Vibraphone Solo - Level 5 - Digital Download SKU: A0.1201734 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Multicultural,World. Individual part. 6 pages. Brandon Nelson #800350. Published by Brandon Nelson (A0.1201734). The Dhammapada (or “Path to Virtueâ€) is a compilation of concise yet profound teachings on the basic values and ethics of Buddhism. Often using down-to-earth imagery to illustrate its points, these ancient texts transcend the limitations of time, tradition, and culture to express the great wisdom and compassion that Gautama Buddha himself originally taught.The five movements of this piece are musical paintings of particularly vivid teachings found in the Dhamapada. Each is a meditation on both the literal image and the underlying philosophy of the chosen verse. In the Buddhist tradition of detaching from one’s ego, I chose to apply chance techniques to assist in making many important musical decisions, including rhythm and form.Namaste.
Dhammapada (for solo prepared vibraphone)
Vibraphone

$10.99 9.46 € Vibraphone PDF SheetMusicPlus

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755140 Composed by Sy Brandon. 20th Century,Contemporary,Multicultural,World. Individual part. 20 pages. Sy Brandon #3406013. Published by Sy Brandon (A0.755140). A free mp3 file of the pre-recorded sounds for this composition is available at https://www.dropbox.com/s/pkqxbtnymb6iknu/lan_na_thai_prs.mp3?dl=0 Lan Na Thai was composed during 2008 at the request of Dr. Andy Wen for a performance at the 2009 World Saxophone Congress in Bangkok, Thailand. The composition is in three movements with each titled after a different period in Thailand history. The piece is loosely programmatic as it tries to capture the general mood of each era, rather than specific events. I. Sukhothai (The Dawn of Happiness) This movement reflects the ideal state, a land of plenty, and is peaceful. II. Ayutthaya This movement reflects a period of wealth that is characterized by wars with Burma. III. The Chakri Dynasty This movement reflects the more hectic pace of modern society where Thailand moves from an absolute monarchy to a constitutional monarchy. Folk music of Thailand is built on a seven-note scale of equal intervals. The fourth and seventh notes of this scale are often used only for ornamental purposes. In order to approximate this scale, a pentatonic scale is used as it is like a major scale with the fourth and seventh tones removed. The pre-recorded sounds approximate some of the instruments traditionally used in Thai folk music.
Lan Na Thai for Alto Saxophone and Pre-recorded Sounds
Saxophone Alto

$7.99 6.87 € Saxophone Alto PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1398409 Composed by Traditional Spiritual. Arranged by Brandon Haynes. Spiritual. Score. 7 pages. Brandon Haynes #981685. Published by Brandon Haynes (A0.1398409). Arranged for Cimarron Opera's 54th Annual Festival of Spirituals. De Blin' Man Stood On De Road and Cried is an African American Spiritual with biblical commentary of the story of Bartimaeus and its relation to the human experience of African American slavery.  Typically, this spiritual is sung and performed in major mode. However, to add more poignancy to the text, I have set it in minor-mode until the final verse going from Eb-minor to C-major briefly and ending in A-minor. It is for high-voice and piano accompaniment.
De Blin' Man Stood on de Road an' Cried
Piano, Voix

$5.50 4.73 € Piano, Voix PDF SheetMusicPlus

Cello,Piano - Digital Download SKU: A0.1271861 Composed by C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #864211. Published by Brandon C Stanley (A0.1271861). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo cello and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Cello (English)Violoncelle (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo cello alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
Violoncelle, Piano

$4.99 4.29 € Violoncelle, Piano PDF SheetMusicPlus

B-Flat Clarinet,Piano - Digital Download SKU: A0.1258491 Composed by C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #851746. Published by Brandon C Stanley (A0.1258491). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo Bb clarinet and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Clarinet in Bb (English)Clarinette sib (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo Bb clarinet alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
Clarinette et Piano

$4.99 4.29 € Clarinette et Piano PDF SheetMusicPlus






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