Concert Band - Digital Download SKU: AX.00-PC-0016170_TX1 B-flat Tenor Saxophone. Arranged by Robert Sheldon. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016170_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016170_TX1). UPC: 038081274522.Some of the most popular Christmas selections of all time are included in this delightful arrangement, A Most Wonderful Christmas. Robert Sheldon has included Winter Wonderland, I'll Be Home for Christmas, Santa Claus Is Comin' to Town, Have Yourself a Merry Little Christmas, and It's the Most Wonderful Time of the Year in this very tasteful setting for band. Solo opportunities abound and are cross-cued to allow your best players to shine, while the swing sections and jazz inspired ballads will have your audience tapping their feet and singing these tunes long after the concert is over. This is certain to become a repertoire standard for bands year after year! (7:40).

Concert Band - Digital Download SKU: AX.00-PC-0016170_TMP Timpani. Arranged by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016170_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016170_TMP). UPC: 038081274522.Some of the most popular Christmas selections of all time are included in this delightful arrangement, A Most Wonderful Christmas. Robert Sheldon has included Winter Wonderland, I'll Be Home for Christmas, Santa Claus Is Comin' to Town, Have Yourself a Merry Little Christmas, and It's the Most Wonderful Time of the Year in this very tasteful setting for band. Solo opportunities abound and are cross-cued to allow your best players to shine, while the swing sections and jazz inspired ballads will have your audience tapping their feet and singing these tunes long after the concert is over. This is certain to become a repertoire standard for bands year after year! (7:40).

Concert Band - Digital Download SKU: AX.00-PC-0016170_PC2 2nd Percussion. Arranged by Robert Sheldon. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016170_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016170_PC2). UPC: 038081274522.Some of the most popular Christmas selections of all time are included in this delightful arrangement, A Most Wonderful Christmas. Robert Sheldon has included Winter Wonderland, I'll Be Home for Christmas, Santa Claus Is Comin' to Town, Have Yourself a Merry Little Christmas, and It's the Most Wonderful Time of the Year in this very tasteful setting for band. Solo opportunities abound and are cross-cued to allow your best players to shine, while the swing sections and jazz inspired ballads will have your audience tapping their feet and singing these tunes long after the concert is over. This is certain to become a repertoire standard for bands year after year! (7:40).

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1337748 Composed by Jerry Bock and Sheldon Harnick. Arranged by James Haynor. Broadway,Musical/Show,Pop. 9 pages. James Haynor #923494. Published by James Haynor (A0.1337748). Fiddler on the Roof is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein. The beautiful Sabbath Prayer is from Act I.Scored here for Brass Quintet, “ Sabbath Prayer “ adds a delightful addition to any concert. Although Flugelhorns are called for , trumpets may of course be substituted.Duration - 3:46.

Concert Band - Level 5 - Digital Download SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #686377. Published by Jeff Tyzik/Macaroni Music (A0.1082229). Three Latin Dances was composed for the Eastman Wind Ensemble at the request of Mark Scatterday in September of 2018. In the past twenty years, Mark has been very instrumental in encouraging me to compose wind music. I am grateful for the many wind ensemble projects and recordings we have collaborated on including IMAGES, our CD that was released in October 2018. I've always been attracted to the music of great Latin composers including de Falla, Gimenez, Chapi, Piazzolla, Ginastera, Lacuona and many others. In this short suite, I used three different popular Latin dance forms. The first dance section is based on the Danzón, a Cuban dance that is slow, formal and elegant. The Danzón transitions into a Cha Cha, another Cuban dance that is a medium tempo rhythmic dance that I first experienced during my student days at Eastman when I played in local Latin bands. After a brief recap of the Danzón another transition evolves into a Malambo, an Argentine dance that is exciting, up tempo and whose roots can be traced back to the 1600s. As one might imagine, the percussion section is very busy and featured throughout from the elegant and lyrical introduction to the exciting finish. As an alumni of the EWE under Donald Hunsberger, it is an honor to have this preeminent Eastman ensemble premiere this new suite with Mark Scatterday conducting at Severance Hall in Cleveland on May 7, 2019.

Concert Band - Level 4 - Digital Download SKU: A0.1325806 Composed by Julian Work. Arranged by R. Anderson Collinsworth. 20th Century,Classical,Contest,Festival. 83 pages. R. Anderson Collinsworth #908720. Published by R. Anderson Collinsworth (A0.1325806). Autumn Walk is a miniature tone poem that reverberates Work’s compositional style, imbued with rich tonal harmonies, lyrical melodic ideas, and sensitive orchestrations that radiate with imaginative tone color. It was composed in 1958, and was a notable addition among the repertoire recorded by Frederick Fennell and the Eastman Wind Ensemble for the American Concert Band Masterpieces album in 1959 (Mercury Records MG-50220). Autumn Walk is, in its own right, a marvelous composition, but listening to the 1959 EWE recording, one notices a remarkable difference from the published score, including additional passages that sound organically conceived. In his discography of Fennell’s recordings entitled Ffortissimo, Roger Rickson simply noted the work was recorded with “FF edits.� However, it has been recently revealed that it was Donald Hunsberger, then a graduate student and member of the EWE, who was responsible for adding the enhancements heard on the EWE recording. Shortly before his death in November 2023, Hunsberger stated “FF and I were discussing the piece after a rehearsal (I did a lot of rehearsing for him that year as he was away doing President of CBDNA) concerning some of the thinness of sound… I had just spent 4 years with the Marine Band in Washington, playing trombone and serving as resident arranger. I had been trying to upgrade the band's sound, experimenting with all kinds of orchestration, and told FF that I would work over the score and enrich it in various ways.�This revised edition incorporates the additional passages conceived by Hunsberger and reconciles minor errors and other orchestrational aspects.

Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.782252 By Pentatonix. By Audra Mae, Kevin Olusola, and Kirstin Maldonado. Arranged by James Haynor. Contemporary. Score and parts. 16 pages. James Haynor #4266071. Published by James Haynor (A0.782252). PTX vocal percussionist Kevin Olusola describes Take Me Home as a Boyz II Men-meets-Toto song: I was thinking, oh how do you write a song that kind of combines both of what they do? He brought the idea to Kirsten Maldonado, the group's soprano, and with the help of singer-songwriter Audra Mae. We just wanted it to be five-part harmony, really simple; just an easy melody that people could understand, he explains. Scored here for Trombone Quintet, the hymn-like nature of the piece is revealed. Duration 3:05

Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.

Piano Solo - Digital Download SKU: A0.976842 Composed by Monica Bergo. Contemporary. Score. 7 pages. Monica Bergo #3236667. Published by Monica Bergo (A0.976842). 2017 Holiday Contest Entry                                                 L’AMORE STERILE   Eravamo così giovani Senza niente per cui vivere Strade vuote e senza fine Lì ,davanti a noi   Se mi chiedevano :cosa farai da grande? Mi mettevo a ridere Perché era già una gran fortuna sopravvivere Gli anni davanti a me, un’agonia terribile   Tu che mi dicevi :Sai,  andrebbe meglio se c’è lei E piano piano si insinuò nei giorni miei   Ed era sempre lì A consolare ed asciugare le mie lacrime Con i  suoi brividi lei mi faceva credere Di essere unica e speciale Così forte e eccezionale senza mai capire che   L’amore sterile che ci avvolgeva tutti quanti in caldi bozzoli per trasformarci poi in farfalle senza scrupoli ma quanto vive una farfalla, solo un giorno e morirà L’amore sterile Non mi abbandona neanche oggi che son libera Da quelle tue catene che ora più non stridono Rimane il  senso di oppressione invisibile prigione intorno a me   Ogni giorno ti cercavo Ogni notte ti sognavo Eri antidoto e veleno dentro me Le tue finte sensazioni quelle astratte percezioni non capisco più se amo lei o te   La notte insieme a  te, io mi agitavo in preda a incubi terribili Ma senza te le ore sono interminabili L’amore sterile che inghiotte, ti fagocita e ti abbatte Prenditi l’anima E in cambio lasci cicatrici incancellabili Come tatuaggi , che rimangono indelebili L’amore sterile  mi copre come polvere   Niente più da poter perdere Nulla più da poter vendere Hai riempito con il vuoto il mondo mio   Porte chiuse e solitudine Più nessuno a cui rivolgersi Ti amo ancora eppure voglio smettere   L’amore sterile Mi porta a vivere in bilico su un baratro Come funambolo, costantemente in bilico Non c’è un inizio, né una fine Io che ripeto tutto bene Perché fingo anche con me   No, non sono ormai più giovane No, non credo più alle favole So abbracciarmi anche da sola E così continuerò…………..                                                                                 Monica Bergo

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.782253 By Pentatonix. By Audra Mae, Kevin Olusola, and Kirstin Maldonado. Arranged by James Haynor. Contemporary. 16 pages. James Haynor #4266109. Published by James Haynor (A0.782253). PTX vocal percussionist Kevin Olusola describes Take Me Home as a Boyz II Men-meets-Toto song: I was thinking, oh how do you write a song that kind of combines both of what they do? He brought the idea to Kirsten Maldonado, the group's soprano, and with the help of singer-songwriter Audra Mae. We just wanted it to be five-part harmony, really simple; just an easy melody that people could understand, he explains. Scored here for Clarinet Quintet, the hymn-like nature of the piece is revealed. Duration 3:05

Chamber Orchestra - Level 3 - Digital Download SKU: A0.931476 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 5 pages. Pubblicato da Nicola Marasco #3868799. Published by Pubblicato da Nicola Marasco (A0.931476). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»

Clarinet,Drum Set,Euphonium,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1476112 By Kevser Selimova i ?or?e Žel?eski. By Macedonian Folk Song. Arranged by Zoran Radanovic. Contest,Festival,Folk,Multicultural,Traditional,Wedding,World. 32 pages. Zoran Radanovic #1053635. Published by Zoran Radanovic (A0.1476112). This very famous macedonian folk song arrangement is for brass band (with 10 set of parts : 2 Bb trumpets, 2 trombones, tuba, 2 euphoniums, tenor sax, Bb clarinet and drumset) in 7/8 rythm with chords, dynamics and bigger sheet music for easy reading. In arrangement in second part tuba plays solo and than tenor sax with Bb clarinet too.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802541 Composed by Theo Bonheur. Arranged by Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #5771659. Published by Peet du Toit (A0.802541). Theo Bonheur is a pseudonym of Thomas Edward Bulch. For other works by this composer see the pseudonyms: Arthur Godfrey, Eugene Lacosta, Arthur Laski, Godfrey Parker, Henri Laski, Pat Cooney, Carl Volti, Charles Le Thiere.This Australian composer spent his life as a music publisher, with agents across the globe - in particular the USA. He was publishing brass band journals etc., hence this piece for organ. I am beginning to wonder whether it was the organ composition first, or whether it was transcribed from the brass band score to an organ reduction... .

Piano Solo - Level 2 - Digital Download SKU: A0.976863 Composed by Monica Bergo. Children,Contemporary. Score. 4 pages. Monica Bergo #3239639. Published by Monica Bergo (A0.976863). 2017 Holiday Contest Entry                                         IL CANTASTORIE   Troppo simili per stare insieme troppo facile volerti bene così stupidi da non comprendere che per dividerci bastava un attimo. Tu il mio principe ed io regina quel reame sopra una panchina e una squallida stazione piena di persone che trascinano la vita. Pochi denti per poter mangiare quei sacchetti coi tuoi pochi averi t'inventavi una famiglia e poi quella  figlia somigliava tanto  a me   vai musica che puoi spiegare meglio di noi   cantastorie, menestrello balla con me e narra di quel tempo in cui eri bello nel tuo castello nell'incanto del tuo mondo mi perderò e in musica e parole di te racconto e intanto piango C'era una vita fa un cantastorie e la sua (dama)..   (gente) senza pietà che non capisce e tutto inquina fraintende e  sporcherà tutti i miei sogni di regina svaniscono fate con principi e re esplode il nostro reame e ciechi, vedono soltanto in noi la ragazzina ed il barbone   s'infrange la fantasia ti svestono dall'armatura e più un  cavaliere non sei ma un orco di cui aver paura castelli pieni di enormi bugie s'innalzano nel mio reame ci infangano ,ridono tutti di noi dei cavalieri e delle dame   vai, musica se vuoi parlare ancora di lui   e svegliandomi quella mattina fui da sola che triste regina l'incantesimo spezzato e lacrime di vetro su un giornale malandato Io non sono più una ragazzina ma rimango dentro me bambina e ricordo come tu hai saputo trasformare un incubo in un sogno alato Ma in un regno un poco più lontano so che canti in quel tuo modo strano e racconti storie strampalate dove le tue dame un orco porta via   Cantastorie, menestrello io come te in musica e parole racconto un tempo e un po' rimpiango la dolcezza, la purezza e la poesia di un cantastorie stanco che trasformava tutto in incanto..   C'era una vita fa un cantastorie e la sua dama...                                                                                                 Monica Bergo

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1208339 Composed by Juan Guerra González. Chamber,Classical. 78 pages. Juan Carlos Guerra Gonzalez #806446. Published by Juan Carlos Guerra Gonzalez (A0.1208339). *** PARTS INCLUDED ***La obra es un continuo movimiento de ideas que pretenden explorar el drama de la migración vista desde su origen hasta el desenlace. La migración, ya sea regular o irregular, es siempre un drama que conlleva muchas etapas, que para algúnos resultan ser más dramáticas que otros. En “Migrando…� se exploran musicalmente tres etapas: la “expatriación� ó el momento en que se decide salir de la patria; el “desierto� entendido en dos sentidos: como un estado de ánimo y como un lugar (para los que tienen que cruzar un desierto hacia su destino) y finalmente la “acogida�, cuando existe un proceso de aceptación de la nueva realidad sin dejar atrás los orígenes. La misma obra es un viaje migratorio de un espacio sonoro sombrío a uno mas complejo en el último movimiento. I. ExpatriaciónEste movimiento está relacionado a la idea de abandonar la patria ya sea por necesidad, por buscar diferentes oportunidades, reunificación familiar, etc. Un sube y baja de emociones representadas en el ostinato de algunas voces mientras las otras partes hacen referencia a la incertidumbre en la travesía hacia un nuevo destino. II. DesiertoEn este movimiento se explora la vivencia del “desierto� como un estado de ánimo en el cual se suele caer cuando se llega al nuevo destino. El espacio de tiempo de introspección de la nueva realidad. Este movimiento hace referencia también a la dramática historia de una persona que tuvo la gentileza de contarme la historia de su paso a pie por el desierto hacia su destino en EEUU. El estar perdido durante un día cuando el grupo con el que viajaba lo abandonó “a su suerte�. Musicalmente, esta parte es un momento de introspección muy fuerte e íntimo.III. AcogidaEsta parte explora la emoción de llegar a un nuevo lugar y poco a poco construir sueños, enriquecerse con nuevas ideas, culturas y vivencias, la sorpresa de ver lugares nuevos y poder aportar al nuevo destino lo mejor de cada uno sin olvidar las propias raíces. Para esta parte se usó de base un ritmo tradicional Salvadoreño que fué modificado para darle un toque “extranjero� la obra concluye con una referencia a “El Carbonero� entrelazada a unos compases de “The Star Spangled Banner� mezclado con otros elementos simbolizando la unión del origen y un destino. Al final, todos los migrantes nos convertimos en una mezcla de dos (o más) culturas, pero sin olvidar la calidez y la magia de la tierra que nos vió nacer. * Obra ganadora del primer lugar en el concurso de composición “Sonidos de la Diáspora� organizado por el Ministerio de Relaciones Exteriores en El Salvador (2022).