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Bass Guitar - Level 4 - Digital Download SKU: A0.941997 By Sheryl Crow. By Charles Hardin and Norman Petty. Arranged by Daniel Roberts. Contemporary. Score. 17 pages. Daniel P Roberts #6736965. Published by Daniel P Roberts (A0.941997). Grateful Dead -Not fade Away, Goin' Down the road feeling bad Grateful Dead 'Skull & Roses' (1971)liveBASS note for note with TABI wanna tell you how it's gonna beYou're gonna give your love to meI wanna love you night and dayYou know my love not fade awayYou know my love not fade awayNot fade awayMy love is bigger than a CadillacI try to show you but you drive me backYour love for me has got to be realYou're gonna know just how I feelOur love is real, not fade awayNot fade awayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing where the climate suits my clothesI'm going where the climate suits my clothesGoing where the climate suits my clothesDon't wanna be treated this-a way Going down the road feeling badWell I'm, going down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing where the water tastes like wineWell I'm, going where the water tastes like wineGoing where the water tastes like wineI don't wanna be treated this-a wayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayWell I'm, going down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a way
Not Fade Away
Basse electrique
Sheryl Crow
$4.99 4.3 € Basse electrique PDF SheetMusicPlus

Bass Guitar - Level 4 - Digital Download SKU: A0.941995 By The Grateful Dead. By Robert Hunter. Arranged by Daniel Roberts. Rock. Score. 17 pages. Daniel P Roberts #6736963. Published by Daniel P Roberts (A0.941995). Grateful Dead -Not fade Away, Goin' Down the road feeling bad Grateful Dead 'Skull & Roses' (1971)liveBASS note for note with TABI wanna tell you how it's gonna beYou're gonna give your love to meI wanna love you night and dayYou know my love not fade awayYou know my love not fade awayNot fade awayMy love is bigger than a CadillacI try to show you but you drive me backYour love for me has got to be realYou're gonna know just how I feelOur love is real, not fade awayNot fade awayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing where the climate suits my clothesI'm going where the climate suits my clothesGoing where the climate suits my clothesDon't wanna be treated this-a way Going down the road feeling badWell I'm, going down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing where the water tastes like wineWell I'm, going where the water tastes like wineGoing where the water tastes like wineI don't wanna be treated this-a wayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayWell I'm, going down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a way
Goin' Down The Road Feeling Bad
Basse electrique
The Grateful Dead
$4.99 4.3 € Basse electrique PDF SheetMusicPlus

Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1315325 Composed by Hans Zimmer. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,Film/TV. Individual part. 8 pages. Anna Lapwood #904071. Published by Anna Lapwood (A0.1315325). Over the past couple of years I have written a number of film music transcriptions on and for the organ of the Royal Albert Hall in London. While the transcriptions are written with this organ in mind, often calling for specific colours such as the bass drum, carillons or tubular bells, they are adaptable on a number of different instruments and I’ve loved tweaking them in order to play them on organs all across the world. I hope you enjoy playing them as much as I’ve enjoyed writing them! When I was a teenager, my dad and brother would often choose the films we’d watch. When they chose Pirates of the Caribbean I was a bit sceptical at first because I thought it might be too scary, but I quickly fell in love with the film and its soundtrack – it became my favourite film series and I ended up listening to the soundtrack almost every day on the walk to and from school. In the films, the character of Davy Jones plays an iconic organ on his ship, the Flying Dutchman – I think it’s one of the most well-known organ references in contemporary cinema, and so it is one of my most requested pieces. I I also love the fact that Hans Zimmer includes a little nod to Bach’s Toccata in D minor, another piece which sits at the top of my request list. In the film, the start and end of this piece is played by a musical locket, perfectly replicated by the Celeste stop on the organ, although if a Celeste stop isn’t available then a soft 8’ flute would do the job!  - Anna Lapwood.
Davy Jones
Orgue

$5.99 5.17 € Orgue PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. Score. 5 pages. Thomas Gunther Music Productions #912057. Published by Thomas Gunther Music Productions (A0.1323881). Solo Piano Arrangement By Thomas GuntherSanta Claus Is Coming To Town is another one of my favorite Christmas songs. For some reason I love playing it in a bluesy style, with some jazz voicings. The bridge is more in stride piano style.About The ArrangementThe arrangement includes different stylistic elements found in more traditional popular piano music. It definitely has a bluesy vibe, but also shows elements of jazz and stride piano.When it comes to the form I extended it by adding an intro that comes back in-between sections in form of an interlude. There is also an outro. About The Sheet MusicThe sheet music is basically a transcription of my recording. It contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. My Arranging WorkflowI have different approaches for creating solo piano arrangements of songs. The one I took here is as follows. First I come up with different ideas, try them out, and after a while settle on those I like best. Once I practiced and internalized those ideas I press record and hope for the best. Before the final version is done, I record myself many times over. This gives me the opportunity to improve upon each version until I have one that I feel comfortable with.Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. This way you get a better understanding about the phrasing and the rhythmic feel.You may want to spend a little time just vamping a few bars to get into the groove. When that feels good move on to different sections.The bridge is different in feel because it is based on stride piano rather than blues. Stride piano features big jumps in the left hand and big intervals between the outer notes (up to a 10th). Should you have difficulty in playing those big intervals (smaller hands will make this hard) you may roll the notes and use the sustain pedal.Is This Arrangement For You?This solo piano arrangement is for every pianist who would like to try playing Santa Claus Is Comin' To Town in a more bluesy-jazzy style. Dependent on what your specialty is musically speaking, you made benefit from it in different ways. Here are some examples.Classical PianistsIf you are a classical pianist who rarely listens to jazz and blues music, this arrangement might be a great way to dip your feed into more contemporary genres and styles like blues and jazz. This said, it might be quite challenging. Not from a technical point of view, but from a musical point of view. For example, swung eighth notes and accents and phrasing in blues and jazz are somewhat contrary to classical music. It's gonna be a great learning experience for sure!Jazz PianistsShould you be a jazz musician or blues musician, you may not necessarily want to play the arrangement as written note for note. Instead, you might just fall in love with some of my ideas and create your own arrangement based on those.This goes especially for the solo section. You can play my solo or use it as inspiration for your own solo. Of course experiences blues and jazz musicians will prefer to make up their own solo.I truly hope you have fun playing this arrangement! Yes.
Santa Claus Is Comin' To Town
Piano seul
Michael Buble
$5.99 5.17 € Piano seul PDF SheetMusicPlus

Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe,  edited by Wilhelm Rust.  The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying.  The Arrangement is relatively easy to perform, also appropriate for beginners.  It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
Gottes Zeit ist die allerbeste Zeit - For String Orquestra

$10.99 9.48 € PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1493291 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #1069949. Published by Kevin G. Pace (A0.1493291). A beautiful, lilting, Christmas lullaby (hymn).  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Hush, my baby, infant Lord, you will be worshiped and adored.When I think of what will be, Father watches privately. Though I am your mother now, you will teach the world how sharing love with grace for all is your holy, sacred call.Love for all is your callSpreading through the world; this is your call.Hush, my baby born this night, sleeping beneath star's Christmas lights. As you take each mortal breath, Father watches 'til your death. Though I am your mother now, you will teach the world how sharing love has always been very, very deep within.Love within now begins spreading through the world; Let love begin.
Mary's Christmas Lullaby, a sacred Christmas hymn
Chorale SATB

$2.99 2.58 € Chorale SATB PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1504196 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 6 pages. Kevin G. Pace #1079650. Published by Kevin G. Pace (A0.1504196). A beautiful, lilting, Christmas lullaby for vocal solo.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Hush, my baby, infant Lord, you will be worshiped and adored.When I think of what will be, Father watches privately. Though I am your mother now, you will teach the world how sharing love with grace for all is your holy, sacred call.Love for all is your callSpreading through the world; this is your call.Hush, my baby born this night, sleeping beneath star's Christmas lights. As you take each mortal breath, Father watches 'til your death. Though I am your mother now, you will teach the world how sharing love has always been very, very deep within.Love within now begins spreading through the world; Let love begin.
Mary's Christmas Lullaby, vocal solo
Piano, Voix

$5.99 5.17 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #965725. Published by jbQ Media (A0.1380997). Piano/vocal arrangement of Twice On SundayGrade 3 pop for alto voice and pianoThis compelling song is a reminiscence of a long, successful marriage, which would work especially well at a wedding anniversary celebration.Composed by Jon Burr, with lyrics by Cheryl Prazak, with vocal on the video and mp3 by Samantha Jane. The lyric is: Just your smile, was when our love began.Don’t know how it happened, it wasn’t in my planKnowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday.When I looked into your eyes, I saw something more than blue,My reflection in your eyes told me you saw something, too.Knowing now what I didn’t know way back thenWould I do it all again?Every day of the week and twice on Sunday.Would I take you again, to be my dearest friend?My buddy and my love right through until the end,Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday..At first I didn't know, I was very unsurewhen you asked for my hand, I felt so insecureTook it on faith, somehow I just knewit could work out getting married to youFrom the moment when we danced, when I put my trust in you,Magic came into my heart, I knew our love would stay true.Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on SundayEvery day of the week and twice on Sundayon Sundayon Sunday  
Twice on Sunday
Piano, Voix
Cheryl Prazak
$4.99 4.3 € Piano, Voix PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.976834 Composed by Monica Bergo. Children,Christmas,Spiritual. Score. 4 pages. Monica Bergo #3235417. Published by Monica Bergo (A0.976834). 2017 Holiday Contest Entry  AN ANGEL HIPPIE It was there abandoned sad not fly more Around us mud and horror If you seek love there is not... Come here, close to me, you're scared , I know, here the faith will not save you But you can fly away I do not understand why dirty your beautiful colors down here . I'm here is because I was looking for you , just here where it all began I'm here to appease the evil that Christmas gives birth to you.... Search , search in the past face  everything that has been destroy all ghosts Defeat your fears remove dark areas walk all the way returns, with me close , at that time now passed , are you ready? now we fly you and I. Around us screams and greyness Tell me where is the love ... you feel it too ? Today is Christmas but here there is no peace away from here, away from here I want my reality I open my eyes and you are not there more as I try to grab your memory that disappears in my hands I have your feather….. Monica Bergo                            
Un angelo hippie
Piano seul

$3.99 3.44 € Piano seul PDF SheetMusicPlus

Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). Hélas madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. Hélas madame, celle que j’ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je viv’ray aultr’ n’aymeray que vous. Hélas, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que l’on scairoit finer, Mais cil que j’ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point d’avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; S’il est ainsi, j’ayray ailleurs chasser. Hellas, ma dame, et n’en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
Variations on hélas madame for flute quartet (mp3)
Quatuor de Flûtes : 4 flûtes
Budapest Scoring
$4.50 3.88 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Violin - Level 3 - Digital Download SKU: A0.1371183 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Religious,Sacred. 96 pages. Connie Boss #955435. Published by Connie Boss (A0.1371183). This book has 9 songs for Lent and Easter for duet or trio vocalists. There are optional instrumental parts for either flute or violin or cello. All have parts included in the book. All have piano accompaniment as well.  There are a variety of songs with mostly songs in the public domain that I have arranged with different intros, etc. I do have an original song included as well as my version of The Lord's Prayer lyrics with a melody I composed.You can purchase this here as an instant download, but I will also have this in book for on Amazon and JW Pepper. (I am currently working on it so if it's not there, it should be soon)I can only list one song on the mp3, but I will be making a YouTube video of everything. You can also search on here for each individual song and you can at least hear the computer mp3. I am working on getting vocals recorded so they will be on the YouTube when I'm finished. Questions or requests email cdboss@cvalley.netThe list of songs are:1.        At the Lamb’s High Feast - Easter2.        Ave Maria - Easter3.        Celtic Easter Alleluia - Easter4.        O Sacred Head Now Wounded – Lent, Palm Sunday, Good Friday5.        Our Father (Forgive Us – The Lord’s Prayer) - Lent6.        Pachelbel Canon Easter Version - Easter7.        Persecuted, Then Crucified – Palm Sunday, Good Friday8.        What Wondrous Love is This - Lent9.        You Are Amazing - Lent.
Lent and Easter Choir Book 3 (duets and trios with optional instruments and piano)

$15.00 12.94 € PDF SheetMusicPlus






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