Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1317259 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Contemporary,Easter,Praise & Worship,Religious. 22 pages. Cher & Gene Klosner #905919. Published by Cher & Gene Klosner (A0.1317259). Contemporary setting of Psalm 4. Responsorial Psalm, paraphrased refrain and verses.Official Liturgical text: “Lord, let your face shine on us.� Or “Lord, let your face shine on me.� Use for 3rd Sunday of Easter, Year B (east3B) and the three weekday masses listed below,or any opening/closing, especially for: Lent 2CEaster 3B, 6COrdinary Time 3A, 20A, 23C, 27ATuesday of the 10th Week in Ordinary Time (I) (ord10TuI)Tuesday of the 10th Week in Ordinary Time (II) (ord10TuII)Saturday of the 26th Week in Ordinary Time (II) (ord26SaII)Baccalaureate/GraduationThemes:Face Shine on Us/Darkness into Light/Lamplight/Shelter/Safe/Seeking/God's Wonders/Call on God/God Listens/Hear My Prayer/Love of God/JoyScriptural Passages:Num 6:25; Ps 4:2-9; Ps 18:28; Ps 27:1, 4, 7-8; Ps 31:16; Ps 67:1; Ps 80:3, 7, 19; Ps 119:135. This PDF contains the following versions: - Full Score (for director, piano accompanist) - P/G/V (for piano accompanist, vocalist) - Lead Sheet (for lead tenor, guitar accompanist, piano chorders - similar to fake books) - Tenor Lead + SATB (for choir members) - Assembly (for director, worship aid makers)...with descriptions and tips for the director and musiciansAvailable separately in Lead Sheet and PGV formats and Full Octavo Package.www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosner.

C Instrument - Level 2 - Digital Download SKU: A0.1317267 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Contemporary,Easter,Praise & Worship,Religious. Lead Sheet / Fake Book. 8 pages. Cher & Gene Klosner #905927. Published by Cher & Gene Klosner (A0.1317267). Contemporary setting of Psalm 4. Responsorial Psalm, paraphrased refrain and verses.Official Liturgical text: “Lord, let your face shine on us.� Or “Lord, let your face shine on me.� Use for 3rd Sunday of Easter, Year B (east3B) and the three weekday masses listed below,or any opening/closing, especially for: Lent 2CEaster 3B, 6COrdinary Time 3A, 20A, 23C, 27ATuesday of the 10th Week in Ordinary Time (I) (ord10TuI)Tuesday of the 10th Week in Ordinary Time (II) (ord10TuII)Saturday of the 26th Week in Ordinary Time (II) (ord26SaII)Baccalaureate/GraduationThemes:Face Shine on Us/Darkness into Light/Lamplight/Shelter/Safe/Seeking/God's Wonders/Call on God/God Listens/Hear My Prayer/Love of God/JoyScriptural Passages:Num 6:25; Ps 4:2-9; Ps 18:28; Ps 27:1, 4, 7-8; Ps 31:16; Ps 67:1; Ps 80:3, 7, 19; Ps 119:135. This PDF contains the following versions: - Lead Sheet (for lead tenor, guitar accompanist, piano chorders - similar to fake books) - Assembly (for director, worship aid makers)...with descriptions and tips for the director and musiciansAvailable separately in Lead Sheet and PGV formats and Full Octavo Package.www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosner.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1317262 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 10 pages. Cher & Gene Klosner #905922. Published by Cher & Gene Klosner (A0.1317262). Contemporary setting of Psalm 4. Responsorial Psalm, paraphrased refrain and verses.Official Liturgical text: “Lord, let your face shine on us.� Or “Lord, let your face shine on me.� Use for 3rd Sunday of Easter, Year B (east3B) and the three weekday masses listed below,or any opening/closing, especially for: Lent 2CEaster 3B, 6COrdinary Time 3A, 20A, 23C, 27ATuesday of the 10th Week in Ordinary Time (I) (ord10TuI)Tuesday of the 10th Week in Ordinary Time (II) (ord10TuII)Saturday of the 26th Week in Ordinary Time (II) (ord26SaII)Baccalaureate/GraduationThemes:Face Shine on Us/Darkness into Light/Lamplight/Shelter/Safe/Seeking/God's Wonders/Call on God/God Listens/Hear My Prayer/Love of God/JoyScriptural Passages:Num 6:25; Ps 4:2-9; Ps 18:28; Ps 27:1, 4, 7-8; Ps 31:16; Ps 67:1; Ps 80:3, 7, 19; Ps 119:135. This PDF contains the following versions: - P/G/V (for piano accompanist, vocalist) - Assembly (for director, worship aid makers)...with descriptions and tips for the director and musiciansAvailable separately in Lead Sheet and PGV formats and Full Octavo Package.www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosner.

Piano Solo - Digital Download SKU: A0.928405 Composed by Noah Fire. Contemporary. Score. 5 pages. Noah Fire #6115683. Published by Noah Fire (A0.928405). In Search of Lost Time  This is really not a good time for this virus to show up. Not when I'm 68 years old. Couldn’t it have arrived ten years ago before I became                                     elderly?   I can make myself ten years younger. (Maybe twelve or fifteen. Why stop at ten?) My mother did that   during the war. After she said we were safe they couldn't get to us because of the ocean.   Now six feet                                                apart no ocean protects us. Too bad we didn't learn to                  breathe under water.   I watch television wonder why people are standing so close to each other. I walk in zigzags. My ponytail pulls at the strings of the mask                                                             suffocating me.   At night I check the doors. But who will sneak in now? The                                                                              virus is the only one                                                                        out and about.   How old will                                                   my grandchildren be when I hold them again? Will the youngest be surprised to see we have bodies attached to our heads that we don’t live                                                                   on a.

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1084042 Composed by George Frideric Handel. Arranged by Jon Raybould. Baroque,Classical. Score. 2 pages. Jon Raybould Music #688264. Published by Jon Raybould Music (A0.1084042). When I was in my heydays of teaching flute and I used to have fun by taking classical pieces and popifying them by making backing tracks and adding bass and drums... my pupils used to love it... This is my poppy arrangement of Handel's La Réjouissance from his Music for the Royal Fireworks. This is the sheet music for TWO FLUTES ONLY but also available is the same arrangement for TWO FLUTES and PIANO. The Backing Track and Performance Track are free to download. See the YouTube video description for the link.

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1084044 Composed by George Frideric Handel. Arranged by Jon Raybould. Baroque,Classical. Score. 7 pages. Jon Raybould Music #688269. Published by Jon Raybould Music (A0.1084044). When I was in my heydays of teaching flute and I used to have fun by taking classical pieces and popifying them by making backing tracks and adding bass and drums... my pupils used to love it... This is my poppy arrangement of Handel's La Réjouissance from his Music for the Royal Fireworks. This is the sheet music for TWO FLUTES AND PIANO but also available is the same arrangement for TWO FLUTES only. The Backing Track and Performance Track are free to download. See the YouTube video description for the link.

Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.� Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,� and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,� which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?� This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor� for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,� in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.

Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #5743663. Published by Moni Bergo (A0.1012747). Music and song composed by meVampire's dance I live between two worlds Between trash and slums This is a dream or reality ? The lie or the truth?  While I wait for sunsets I look at the sun and horizons And breathe freedom and my immortality  Desire for the infinite, Who has not ever tried ? That need to know that the stronger we are Invincible and powerful without the burden of age Over the centuries and the millennia Always gorgeous 20 years old  And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night  And then dance The senses amplified sharp teeth let's see who can stop us  around the fire like wolves, red eyes, a bit 'fierce,  we move in packs, invisible and fast , we are thieves thoughts ,so forgotten who you were  or roots or ties ,no land limits  And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night  And then dance The senses amplified sharp teeth let's see who can stop us  The mania destroys Hunger afflicts us But it will not be the food that will satisfy Torments and regrets, sad feelings, Nightime falling erase them We are shadows at night ,The heart that no beats We languid slaves the Voodoo rituals The pale faces, The ambiguous smiles Put the cross, you will not need  Strange characters So wild and free ,But  in this society ,Nothing scarier ago  I donate my blood every day  to The state or the government the Vampires are we ,There are monsters and vultures Those imprisoned vampires, In the faded pages  Elegant, charming, So beautiful and in high places and in they I recognize that mania that is also mine My hunger to know ,With food can not be satisfied  And then dance ,And crossing that border Now there is an end to what I can imagine And then dance, I sad renegade I lost soul, Who do not know who to give my heart  And then dance ,If you are not anyone ,If you lost in the journey You can not find a post to be filled      Look in the mirror  You can see my reflection? This is a dream or reality? The lie or the truth?                                                                  Monica Bergo

Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - Digital Download SKU: A0.934204 Composed by Mark Zanter. Contemporary. Score and parts. 24 pages. MJIC Music Publishing (ASCAP) #3130833. Published by MJIC Music Publishing (ASCAP) (A0.934204). Elemental Spiral is the result of some of my recent work linking elemental aspects of esoteric. The work begins with an electronic prelude, and moves to the instrumental portion at about 4:00.healing and vibration (sound). The concept of matter and form being integrally connected and influenced/formed by sound has been studied since ancient times, and myths from various world cultures mention gods or beings that could manifest form from matter through their voice. Recent work by Hans Jenny verifies the connection between sound and form (see Cymatics).Similarly, the power of music to affect response in individuals is a popular subject of ancient and modern writers. My interest in the work stems from observing how people react to my music, in which I believe certain thoughts and feelings are somehow encoded, transmitted and received during performance. My research stems from a desire to increase my own awareness of sound, its affect, and to connect this to my art. The integration of dance with the music creates a visual relationship that marries the sound and its intention.Elemental Spiral maps elemental associations (earth, water, fire, and air) to the musical context in a deliberate fashion. At this stage my associations are fairly literal, and various qualities (i.e. earth=slow, fire=energetic, air=fast frenetic) are mapped directly onto musical material. The associations become richer when one state changes to another or comes into being (water->air, becoming earth etc.) and when various qualities are mixed (air-pitch with earth rhythm etc.).The intended effect is an overall balancing of the musical structure with desirable or pleasing proportions (the age old compositional question). This balancing is well known to all of us, for instance-elementally-much of Beethoven’s music moves between water and fire elements (mapping of speed and pitch), and the tempos of symphonic movements fast-slow-med. fast-fast is an affirmation that a balance of tempi and musical content is found to be pleasing.I express my deepest gratitude to Donald Laney who choreographed the dance for this work. He was somehow able to convert my musings into movement and in the process far exceeded my expectations. Special thanks also to the WV Commission on the Arts and the NEA whose support made the creation of this work possible.Elemental Spiral is suitable for advanced performers.Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com

C Instrument - Level 1 - Digital Download SKU: A0.1500599 By Don Moen. By Don Moen. Arranged by Don Moen. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1076684. Published by Steven See (A0.1500599). I love You, LordOh, Your mercy never fails meAll my days, I've been held in Your handsFrom the moment that I wake upUntil I lay my headOh, I will sing of the goodness of GodAnd all my life You have been faithfulAnd all my life You have been so, so goodWith every breath that I am ableOh, I will sing of the goodness of GodI love Your voiceYou have led me through the fireAnd in darkest night You are close like no otherI've known You as a FatherI've known You as a FriendAnd I have lived in the goodness of God, yeahAnd all my life You have been faithful, ohAnd all my life You have been so, so goodWith every breath that I am ableOh, I will sing of the goodness of God, yeah'Cause Your goodness is running after, it's running after meYour goodness is running after, it's running after meWith my life laid down, I'm surrendered nowI give You everything'Cause Your goodness is running after, it's running after me, oh-oh'Cause Your goodness is running after, it's running after meYour goodness is running after, it's running after meWith my life laid down, I'm surrendered nowI give You everything'Cause Your goodness is running after, it keeps running after meAnd all my life You have been faithfulAnd all my life You have been so, so goodWith every breath that I am ableOh, I'm gonna sing of the goodness of GodI'm gonna sing, I'm gonna singOh, 'cause'Cause all my life You have been faithfulAnd all my life You have been so, so goodWith every breath that I am ableOh, I'm gonna sing of the goodness of GodOh, I'm gonna sing of the goodness of GodWe love You for thatOne for all my days.

C Instrument - Level 4 - Digital Download SKU: A0.1381059 Composed by Al Jacobs and Don Raye. Arranged by John Fries. 20th Century,Christian,Historic,Patriotic. Lead Sheet / Fake Book. 1 pages. John Fries #965778. Published by John Fries (A0.1381059). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thank you, John. This Is My Country is an American patriotic song composed in 1940. The lyrics are by Don Raye and the music is by Al Jacobs. Fred Waring and His Pennsylvanians were the first to record the song, in 1942. The song has played at the end of Walt Disney World and Disneyland fireworks shows.

Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.977003 Composed by Keith Moss (b.1982). 20th Century,Contemporary. 39 pages. Keith Moss #3480965. Published by Keith Moss (A0.977003). The trio was written in 2012 for the first Stefans Grové Composition Competition.  The brief was to write for any trio combination. Based on the poem by Gerard Manley Hopkings, As Kingfishers catch fire, Dragonflies draw flame, the imagery derived from the poem was the driving force behind the piece. Set in three movements I shifted the slow movement to the end. This was the first piece that explored the possibilities I set out to find regarding augmented triads and their resolutions.The first movement explores these possibilities but the difficulty lay in producing all three triadic resolutions with only three instruments simultaneously.  The piece became an exercise in restraint.  The second movement followed as a scherzo where arpegiated figures helped to flesh out the harmonic structures I was seeking.  The final movement is a free-form canon of sorts putting the active preceding movements to rest. The piece subsequently won the First Prize in the competition and was awarded in early 2013.

Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included)  This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation:  pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes  (Sample here begins with extra measure)  Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life.  Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html  Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.