Easy Piano - Level 2 - Digital Download SKU: A0.1273491 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score. 3 pages. Milanov #865627. Published by Milanov (A0.1273491). What Was I Made For? From Barbie by Billie Eilish for piano. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Piano,Tuba - Level 2 - Digital Download SKU: A0.1273347 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865500. Published by Milanov (A0.1273347). What Was I Made For? From Barbie by Billie Eilish for tuba and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Flute,Piano - Level 2 - Digital Download SKU: A0.1273313 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865465. Published by Milanov (A0.1273313). What Was I Made For? From Barbie by Billie Eilish for flute and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1273306 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865457. Published by Milanov (A0.1273306). What Was I Made For? From Barbie by Billie Eilish for string bass. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Flute,Piano - Level 2 - Digital Download SKU: A0.1273310 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865462. Published by Milanov (A0.1273310). What Was I Made For? From Barbie by Billie Eilish for flute and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1273352 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865505. Published by Milanov (A0.1273352). What Was I Made For? From Barbie by Billie Eilish for string bass and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Piano,Viola - Level 2 - Digital Download SKU: A0.1273331 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865484. Published by Milanov (A0.1273331). What Was I Made For? From Barbie by Billie Eilish for viola and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

Cello Solo - Level 2 - Digital Download SKU: A0.1273295 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865445. Published by Milanov (A0.1273295). What Was I Made For? From Barbie by Billie Eilish for cello. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

C Instrument - Level 4 - Digital Download SKU: A0.1487434 By Perry Como. By Al Stillman and Robert Allen. Arranged by John Fries. 20th Century,Christmas,Holiday,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #1064381. Published by John Fries (A0.1487434). TYPE JOHN FRIES IN THE SEAQRCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. (There's No Place Like) Home for the Holidays is a 1954 song commonly associated with the Christmas and holiday season. The lyrics detail the joys of being in your home community during the holidays and give examples of how some people will travel long distances to be with their loved ones. The music was composed by Robert Allen, with the lyrics written by Al Stillman. The best-known recordings of Home for the Holidays were made by Perry Como, who recorded the song twice, both times accompanied by Mitchell Ayres' Orchestra and the Ray Charles Singers. Perhaps the most iconic version of the song, other than the original Perry Como version, is the Carpenters’ recording on their 1984 LP release, An Old Fashioned Christmas.

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop  of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second  and third verses are Christ's answers, based on scripture. References are:Vs. 2  Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3  Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.

Guitar - Intermediate - Digital Download SKU: M0.30898EB Improvising, Lines & Phrases. Jazz. E-book. 121 pages. Mel Bay Publications - Digital Sheet Music #30898EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30898EB). ISBN 9781513455136. 8.75x11.75 inches.The Hip Guitar Lines book is a window and a gateway into learning and applying advanced jazz vocabulary on the guitar. It is intended to be a resource that a jazz guitarist of any level can use to take another step. Each line is laid out clearly with its application and TAB fingering.If you have wanted to know the secret lines that the Master musicians know...if you have been looking for a way to grow your ears and musical vocabulary.... if you have wondered how to take a musical leap....this is your moment. The key to rapid and amazing musical growth is in your hands. Now, go to work and have fun. I wrote this book for you. I am here to help.

By The Jackson 5 and Michael Jackson. By Bob West, Hal Davis, Berry Gordy, and Willie Hutch. Arranged by Roger Emerson. Choral. Concert, Pop. 10 pages. Duration 240. Published by Hal Leonard - Digital Sheet Music (HX.134519). - - Concert,Pop - Hal Leonard - Digital Sheet Music

By The Jackson 5 and Michael Jackson. By Bob West, Hal Davis, Berry Gordy, and Willie Hutch. Arranged by Audrey Snyder. Choral. Concert, Inspirational, Oldies, Pop. 11 pages. Duration 195. Published by Hal Leonard - Digital Sheet Music (HX.136841). - - Concert,Inspirational,Oldies,Pop - Hal Leonard - Digital Sheet Music

Choral Choir (SATB) - Digital Download SKU: A0.818363 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Christian,Sacred. Octavo. 31 pages. Stephen R Dalrymple #6668473. Published by Stephen R Dalrymple (A0.818363). The Claims of the Son 4: I Am the Gate of the Sheep ♫ original song for SATB choir and piano ♫ by Stephen R Dalrymple ♫ based on John 10 ♫ This collection of songs focuses on the Claims of Jesus Christ based on the “I Am’s of the Gospel of John.♫ The claim “I Am the Gate� is based from the construction of the ancient sheepfold. The sheepfold often had no physical gate. The shepherd would bring the sheep back to the fold after a day searching for food and water. He would sleep in the doorway of the fold, becoming the actual gate. A wild animal would have to attack him to be able to get to the sheep. A thief would likely go over the wall to steal a sheep. ♫ music © 2022 Stephen R Dalrymple ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This.pdf file includes 1) full score 2) SATB choir parts on 2 staves 3) full score for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).

Choral Choir,Choral (SSA) - Level 2 - Digital Download SKU: A0.522050 Composed by Colin Kirkpatrick. Christmas. 12 pages. Colin Kirkpatrick Publications #4607915. Published by Colin Kirkpatrick Publications (A0.522050). This is a lively arrangement based on the traditional text. The joyful main theme is in 7/8 time and divides into two plus two plus three. It might sound tricky but singers will soon get to feel the rhythm and become completely at home in this time signature. It’s scored for SSA choir with keyboard accompaniment. In the middle section, sopranos are divisi and there are opportunities for solos though they are optional. Audiences and singers alike are sure to enjoy this joyful music and the keyboard part is fairly straightforward. It would be a great addition to your Christmas concert or service. If you like this choral piece, you might also be interested in the other Colin Kirkpatrick Nativity Anthems in this SSA series (also available for SATB):  And a Star is Shining in the East, See this Little Town, In the Bleak Mid-winter, While Shepherds Watched their Flocks by Night, Sing! For a Boy has been Born and Rejoice and Sing on Christmas Morn.  In the audio recording, soprano 1 is played by flute, soprano 2 by oboe and alto by clarinet (Duration: 02:24)