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Trumpet Quintet - Level 3 - Digital Download SKU: A0.1172033 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 110 pages. Regis Bookshar #772277. Published by Regis Bookshar (A0.1172033). Heroic Music - A Suite of Twelve Marches (Complete) - Georg Philipp Telemann - Trumpet Quintet - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or with this selection, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library but this complete set of all twelve would be fabulous. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compoositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after reading through them, making them much easier for most high school students.This selection, Heroic Music - A Suite of Twelve Marches (Complete), is arranged for a Trumpet Quintet. There is also a version which includes a Timpani on some of the movements, if you prefer. The twelve movements are as follows: No.   1. La Majeste (associated with Dignity); No.   2. La Grace (associated with Grace); No.   3. La Vaillance (associated with Bravery): No.   4. La Tranquillite (associated with Composure); No.   5. L'Armement (associated with Rearmament); No.   6. L'Amour (associated with Love); No.   7. La Vigilance (associated with (Alertness); No.   8. La Gaillardise (associated with Abandon); No.   9. La Douceur (associated with Gentleness); No. 10. La Generosite (associated with Magnanimity); No. 11. L'Esperance (associated with Hope); and No. 12. La Rejouissance (associated with Joy). Included are complete scores for each movement and a complete set of parts (110 pages). To hear what they sound like, please look for each individual selection. (I was not able to download the large mp3 of all twelve.)These selections are readily available for Trumpet Quintets and Brass Quintets. Please take the time to look for other versions of these compositions. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
Heroic Music - A Suite of Twelve Marches (Complete) (Trumpet Quintet)
Ensemble de Trompettes

$112.00 106.7 € Ensemble de Trompettes PDF SheetMusicPlus

Guitar - Advanced - Digital Download SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
Pulso de la vida
Guitare

$5.95 5.67 € Guitare PDF SheetMusicPlus

Guitar,Instrumental Duet,Ukulele - Level 3 - Digital Download SKU: A0.1423182 By Erik Satie. By Erik Satie. Arranged by Brent C Robitaille. 20th Century,Classical,Contemporary,Contest,Festival,Wedding. 13 pages. Brent C Robitaille #1004504. Published by Brent C Robitaille (A0.1423182). The gentle strings of a guitar and ukulele entwine in a mesmerizing duet of Erik Satie's Gymnopédie No. 1. The guitar's resonant tones tuned to Open D (DADF#AD) provide a rich foundation for the ukulele's harmonious blend that evokes a sense of tranquillity and contemplation. Together, these instruments breathe new life into Satie's minimalist masterpiece, their melodic dialogue inviting listeners on a journey of introspection and emotional resonance.  Includes Ukulele and Guitar Tablature and Notes, score and parts and sample audio track available at the arrangers' website: https://brentrobitaille.com
Gymnopédia No. 1
Erik Satie
$7.99 7.61 € PDF SheetMusicPlus

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1257261 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Patriotic,Traditional. Octavo. 11 pages. Colin Kirkpatrick Publications #850592. Published by Colin Kirkpatrick Publications (A0.1257261). Here’s a new SSA choir arrangement of that ever-popular American folksong Shenandoah.  The original song probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. These traders exchanged weapons and tools for animal furs, especially beaver pelts. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: evidently an individual of commanding presence who lived for over a hundred years.  Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SSA arrangement for choir and piano is conceived for boy choir or girl choir and within easy technical reach of amateur or school choirs. The top soprano note is high F on the treble staff and the other parts fall well within the usual choral range. Each section of the choir takes the melody at some point. With a running time of 04:00 this piece is enjoyable to sing and hear. It’s an essential addition to your choir’s repertoire.
Oh Shenandoah (SSA choir and piano)
Chorale 3 parties

$2.25 2.14 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510172 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,R & B,Rock. Octavo. 11 pages. Glyn Lehmann #3542459. Published by Glyn Lehmann (A0.510172). The final song from SPACE RACE - a song-cycle celebrating the 50th anniversary of the moon landing on 20 July 1969. Other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and The Children of the World (July 1969). More information at https://glynlehmann.com/Space-RaceThe Apollo 11 mission was the culmination of years of dedication and experimentation in the attempt to land a man on the moon. This song traces the tense journey back home to Earth made by the Apollo 11 astronauts as they leave the moon's surface - ultimately returning as heroes. The subdued drama of the verses climaxes with the gospel-influenced triumph of the choruses.https://youtu.be/oAUjyzccdhMApollo 11 (Homecoming)Words by Phil Cummings, Music by Glyn LehmannVerse 1Time to leave Tranquillity BaseFor the finish line the end of the raceMoon-dusted suits, deep black skiesOn a dark horizon see Earth riseA cargo of rocks, soil and dustStrapped in the module, feel the thrustChorus 1 After days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home Verse 2The module falls, the angle is rightAnd the heat shield is burning brightInterludeRadio silence into the atmosphereNo voice of calm, no voices to hear Those that wait on the groundHold their breath, don’t make a soundThen from the silence a voice is clearCalling for the world to hearControl room erupts with shouts and cheersHigh in the sky the module appearsChorus 2This is the homecoming, this the homecomingThose brave men are coming, coming homeAfter days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home CodaHome, they were homeOur homeLyrics © 2018 Phil Cummings
Apollo 11 (Homecoming)
Chorale SATB

$2.50 2.38 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1255595 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Patriotic,Traditional. Octavo. 11 pages. Colin Kirkpatrick Publications #849108. Published by Colin Kirkpatrick Publications (A0.1255595). Here’s a new arrangement of that ever-popular American folksong Shenandoah.  The original song probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. These traders exchanged weapons and tools for animal furs, especially beaver pelts. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries.  In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. John Shenandoah was a real person: evidently an individual of commanding presence who lived for over a hundred years.  Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SATB arrangement for choir and piano is within easy technical reach of most amateur choirs. The top soprano note is G just above the treble staff. The highest alto note is the C above middle C and the tenor and bass parts fall well within the usual choral range. Each section of the choir takes the melody at some point. With a running time of 04:00 this piece is enjoyable to sing and hear. It’s an essential addition to your choir’s repertoire.
Oh Shenandoah (SATB choir and piano)
Chorale SATB

$2.35 2.24 € Chorale SATB PDF SheetMusicPlus

SATB choir and optional keyboard - Medium - Digital Download SKU: MQ.8008-E Composed by Frank Pesci. 21st Century, Communion. Octavo. 7 pages. Duration 4 minutes, 46 seconds. E. C. Schirmer Music Company - Digital #8008-E. Published by E. C. Schirmer Music Company - Digital (MQ.8008-E). English.The text is taken from the ending of The Prayer of St. Bonaventure. The composer combines this contemplative prayer with an a cappella setting, rich with harmonic movement. Duration: 4:46Be Thou alone ever my hope, my entire confidence, my riches, my delight, my pleasure, my joy, my rest and tranquillity, my peace, my sweetness, my food, my refreshment, my refuge, my help, my wisdom, my portion, my possession, my treasure; in Whom may my mind and my heart be ever fixed and firm and rooted immovably. Amen.-St. Bonaventure (Translator unknown).
Be Thou alone (Downloadable)
Chorale SATB

$2.25 2.14 € Chorale SATB PDF SheetMusicPlus

Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533421 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913647. Published by Musik Fabrik Music Publishing (A0.533421). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Eb major Duration: aprox. 3 minutes 30 secondsHolà! qu’on m’apporte ma coupe,Et qu’on appelle mes amis!Si vous m’en croyez, de tous nos soucisNous allons chasser la hideuse troupe!Il faut nous égayer morbleu!Que dites-vous du vin d’Espagne?Réchauffons vite à son doux feuNos coeurs que le froid gagne!Refrain:À moi, ma coupe, à moi, chère maîtresse!Au nectar qui jaillit de ton sein généreuxLaisse-moi noyer la tristesse,Ah! donne-moi l’ivresseQui rend heureux!Jadis, oui, j'ai fait la folieDe croire à de tendres serments!Quels rêves deçus! quels affreux tourments!Par bonheur, un jour, tout cela s’oublie.Hein? qui donc parle ici d’amour?Au diable! la trompeuse flamme!Ma coupe m’aime, et sans détourC’est une rude femme!
Ange Flégier: Ma coupe for baritone voice and piano
Voix Baryton, Piano

$10.35 9.86 € Voix Baryton, Piano PDF SheetMusicPlus


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