Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.

Piano Solo - Advanced Intermediate - Digital Download By Francis Lei. Arranged by Jane K (Evgeniya Kozhevnikova). Sheet Music Single. 3 pages. Published by Evgeniya Kozhevnikova

Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.

Piano Trio,String Ensemble Cello,Piano,Violin - Digital Download SKU: A0.952378 Composed by Matthew Greenbaum. Contemporary. Score and parts. 43 pages. American Composers Alliance Inc. #4600597. Published by American Composers Alliance Inc. (A0.952378). Scored for violin, cello and piano - PDF download includes score and parts.

By Aere Greenway. By Frederik Chopin. Arranged by Aere Greenway. Classical,Romantic Period. Score and part. 16 pages. Aere R Greenway #902430. Published by Aere R Greenwa

Piano Solo - Intermediate - Digital Download By Keith Green. Arranged by Michael Ware. Solo Part. 4 pages. Published by MusicWare Press

Piano SKU: HL.8738375 Arr. Fred Bock. Arranged by Fred Bock. Piano Solos. Fred Bock Publications. General Worship, Sacred. 40 pages. Fred Bock Music Company #BG0950. Published by Fred Bock Music Company (HL.8738375). ISBN 9781934596210. UPC: 073999383751. 9.0x12.0x0.109 inches.This collection of the newest CCLI choruses is sure to be a hot item. Titles include: Lord, I Life Your Name on High * More Precious Than Silver * Change My Heart, O God * Let There Be Praise! * Thy Word * Spirit Song * The Lord Is My Light * I Love the Lord * Ah, Lord God * and more.

Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.985943 Composed by Roger Davidson. Jazz,Latin. Score and parts. 2 pages. Musica Universalis Publishing #3018855. Published by Musica Universalis Publishing (A0.985943). From the CD Live at Caffe Vivaldi Volume 3 by Roger DavidsonIn 2012, Soundbrush Records started a regular Wednesday night performance series at the venerable Caffe Vivaldi in New York City’s Greenwich Village. The timeless cafe became their informal home. In 2013 Soundbrush Records began recording these performances. In the Live at Caffe Vivaldi series, Soundbrush Records presents its artists, anchored by pianist, composer, and founder Roger Davidson, captured in the immediacy of live music making.http://soundbrush.com/album/live-at-caffe-vivaldi-vol-3/

Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.985944 Composed by Roger Davidson. Jazz,Latin. Score and parts. 2 pages. Musica Universalis Publishing #3018859. Published by Musica Universalis Publishing (A0.985944). From the CD Live at Caffe Vivaldi Volume 3 by Roger DavidsonIn 2012, Soundbrush Records started a regular Wednesday night performance series at the venerable Caffe Vivaldi in New York City’s Greenwich Village. The timeless cafe became their informal home. In 2013 Soundbrush Records began recording these performances. In the Live at Caffe Vivaldi series, Soundbrush Records presents its artists, anchored by pianist, composer, and founder Roger Davidson, captured in the immediacy of live music making.http://soundbrush.com/album/live-at-caffe-vivaldi-vol-3/

Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.985941 Composed by Roger Davidson. Jazz,Latin. Score and parts. 2 pages. Musica Universalis Publishing #3018847. Published by Musica Universalis Publishing (A0.985941). From the CD Live at Caffe Vivaldi Volume 3 by Roger DavidsonIn 2012, Soundbrush Records started a regular Wednesday night performance series at the venerable Caffe Vivaldi in New York City’s Greenwich Village. The timeless cafe became their informal home. In 2013 Soundbrush Records began recording these performances. In the Live at Caffe Vivaldi series, Soundbrush Records presents its artists, anchored by pianist, composer, and founder Roger Davidson, captured in the immediacy of live music making.http://soundbrush.com/album/live-at-caffe-vivaldi-vol-3/

Piano,Violin - Digital Download SKU: A0.1516059 Composed by Traditional. Arranged by Phyllis Hopper. Christmas,Holiday,Religious. 8 pages. HopSez Productions #1090172. Published by HopSez Productions (A0.1516059). Merry Christmas and get your greenery here!You'll find this a light, whimsical prelude for recital, Winter gathering, or church service. The melody passes between the instruments, allowing each one plenty of opportunity to shine.Included in this medley are: The Holly and the Ivy Greensleeves Sing We Noel Christmas (which is not green, but it weaseled its way into the arrangement, nonetheless) Time: 3:40The music is fairly straightforward and easy follow. History: This piece was arranged to serve as a yuletide prelude during Advent. It has since proven a delightful addition to the Christmas playlist.I'd love to hear from you! Feel free to submit feedback, suggestions and requests to: phroglis@tutanota.com and once you're familiar with the piece, I'm sure others will appreciate it if you leave a review at this site. Thanks!