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Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - Digital Download SKU: A0.808939 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classical. Score and parts. 32 pages. Preludio s.r.l. #5712611. Published by Preludio s.r.l. (A0.808939). The over 550 harpsichord sonatas by Domenico Scarlatti constitute one of the highest peaks of 18th century instrumental music. Despite being structured in a single movement, based on a theme and divided into two parts with a refrain, his sonatas have been shown to be pieces of remarkable originality. Their style is authentic and very bright, revealing a truly innovative and creative spirit with extremely daring and unconventional dissonances and modulations. The manifold contaminations come from the musical universe of that time: from the concert to the cantata, from the popular elements to the Spanish dance rhythms. Various sounds are recalled through the spontaneous, evocative and natural timbre of the harpsichord: from the orchestral ones to those of two other famous pinch instruments, such as the guitar and the harp.The greatest researcher on Domenico Scarlatti, Ralph Kirkpatrick, claimed: «Despite being a composer for harpsichord, and although almost all his compositions are conceived for the harpsichord language, his musical skills, more important than the sound effect, can be enhanced on any instrument».This aspect is aptly reflected in the harp versions of Scarlatti’s sonatas, which are primarily a way to show how the harp can represent the spirit and the playfulness of these compositions. Apparently, this instrument is one of the most suitable to capture the purity of the musical textures of these sonatas and their perfect balance between musical mathematics and feelings. Moreover, the didactic purposes of these adaptations are notable, since the player is faced with fast scales, double stops, repeated notes, broken octaves, complex arpeggios, embellishments and other unusual passages pervaded by a virtuoso language.By carefully selecting every single sonata and choosing the most suitable fingerings to highlight key phrases, Fabrizio Aiello has carried out a praiseworthy work which plays a crucial role in enriching the harp repertoire.Susanna Bertuccioli
Eight Sonata for Harp
carefully selecting every single sonata and choosing the most suitable fingerings to highlight key phrases, Fabrizio Aiello has carried out a praiseworthy work which plays a crucial role in enriching the harp repertoire

Susanna Bertuccioli


$18.99 18.43 € PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.965762 By Ruelle. By Maggie Eckford and Matt Bronleewe. Arranged by K.L.Phillips. Contemporary,Pop,Wedding. Score and part. 10 pages. K L Phillips #571454. Published by K L Phillips (A0.965762). Arranged for solo viola with piano accompaniment, this piece is a beautiful choice for bridal processionals. It also would provide a lovely backdrop for unity celebrations or would work well for cocktail hour music. This arrangement stays true to Ruelle's original and includes 2 verses, the pre-chorus, chorus, bridge and ending. I Get to Love You is a great addition to the musician's gig list. Sheet music includes the piano accompaniment score and individual viola part. Performance time - 4:00.
I Get To Love You
Alto, Piano
Ruelle
$4.99 4.84 € Alto, Piano PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.958455 Composed by Wolfgang Amadeus Mozart. Arranged by Joseph Dillon Ford. 20th Century. Score. 2 pages. David Warin Solomons2 #3689621. Published by David Warin Solomons2 (A0.958455). The Cadenza to the First Movement of W. A. Mozart's Piano Concerto No. 24 in C Minor, K. 491, was composed in 1975 for Dillon Ford's personal use as soloist in performances at Florida International University. Since no Mozart cadenza survives for this, perhaps the most romantic of all the Mozart concertos, he consciously set out to create his own cadenza in a kind of hybrid style that is as much redolent of the Viennese Ländler as it is of the Brahms waltzes. Nor did he hesitate to introduce such stylistically advanced features as the concluding double trills, which are virtually unknown in Mozart's keyboard compositions. He believes the result is a concise but effective classico-romantic cadenza in quasi-improvisatory style well suited to its original purpose. He offers it to the pianist who is seeking musically engaging material that has as yet been little heard during public performances of what is perhaps Mozart's greatest contribution to the piano concerto genre.
Cadenza to the First Movement of W. A. Mozart's Piano Concerto No. 24 in C Minor, K. 491 - piano sol
Piano seul

$3.00 2.91 € Piano seul PDF SheetMusicPlus






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