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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis Theodossiou #3213759. Published by Panagiotis Theodossiou (A0.886684). Egomia, Concert Monologues, for Wind Quintet (2009)Ι. Stasis I, Lento, come un recitativo II. Stasis II, L ‘istesso tempo, molto ritmicoIII. Stasis III, Passacaglia Ritmica, L ‘istesso tempo, grave    A work of free serialism, composed on the ritual of the Egomia, a very famous litany of the Eastern Orthodox Church which takes place on Holly Friday.   It consist of 3 parts, 3 Stasis, according to the traditional ritual. The unaccompanied monologues of the 1st Stasis lead to the virtuosic dialogues of the 2nd and to the general fortissimo tutti of the 3d. The work has a version with narration on the prototype text of the traditional ritual.    It was written on November 2009 for the Q innegal Wind Quintet which gave the premier at the German Evangelic Church in Athens next year and is dedicated to composer’s stepmother, Eleni, who died after the completion of the work. The 3d part has also a dedication to Olivier Messiaen, on the musical style of whom there are intentional references. https://www.youtube.com/watch?v=4BNVUEHBdhg
Egomia, for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$20.00 19.41 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Bass Clarinet,Cello,Guitar,Oboe,Percussion,Piano,Violin - Digital Download SKU: A0.1070871 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards. Full Performance. Duration 619. Carmelo Mantione #5889423. Published by Carmelo Mantione (A0.1070871). Live recording: Daniela Carlino -Syrah ensemble, Palermo 2017Parte Terza: il sogno come evasione dalla precarietà della vita L'ultima  parte è la più complessa della composizione ed è basata su un testo di Guido Gozzano: La via del rifugio . Si tratta di una poesia molto articolata che offre parecchi spunti quasi teatrali: il poeta si trova disteso a terra, nella campagna piemontese, mentre due bambine, nipoti, figlie della sorella, giocano cantando un'antica filastrocca. Il poeta alterna le sue riflessioni sulla vita e sulle grandi domande dell'esistenza ai versi di questa filastrocca e alla descrizione dei giochi delle bambine, i girotondi e la cattura di una farfalla, che tanto coinvolge le piccole. Al fine di rendere meglio la teatralità del brano l'autore ha affidato il testo della filastrocca a due voci infantili e le riflessioni del poeta alla voce di soprano (con l'eccezione di qualche frammento di quest'ultimo tipo recitato dalle bambine stesse). La struttura del testo, con ritorni frequenti di alcune brevi strofe, ha suggerito una forma musicale che si avvicina al tradizionale rondò, in cui in particolare un refrain ritorna in maniera sempre nuova alternandosi a vari episodi. La melodia della filastrocca, elaborazione di una tipica melodia tradizionale è il refrain  principale e viene sempre variato nella combinazione delle due voci e degli strumenti, e nell'armonizzazione. Un altro episodio frequente, anch'esso rivisitato nei vari ritorni, è quello del primo intervento dell'autore: socchiusi gli occhi sto seduto sul trifoglio, e vedo un quatrifoglio che non raccoglierò, nelle sue  varianti testuali. Il brano vuole anche essere anche una sintesi dei precedenti (Parte Prima e Seconda), riproponendo riferimenti importanti ai temi principali uditi, ma anche a frammenti secondari, che compaiono all'interno del tessuto musicale per suggerire  stati d'animo o immagini simili a quelle originarie del brano da cui sono state estrapolate o comunque servono a mettere i brani a confronto e creare delle correlazioni musicali e concettuali.
Limes (CM 2017) Parte terza: il sogno come evasione dalla precarietà della vita

$1.99 1.93 € PDF SheetMusicPlus

Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817159 Composed by Herbert L. Clarke. Arranged by Charles Decker. 20th Century,Chamber,Historic,Pop. 32 pages. Charles Decker Music Press #6056663. Published by Charles Decker Music Press (A0.817159). This solo feature for a quintet's trumpeter or cornetist is from the Golden Age of concert bands at the turn of the 20th century composed by legendary Sousa Band soloist Hebert L. Clarke. Clarke's impressive setting of Carnival of Venice remains the most frequently performed version of the theme and variations cornet solo first made famous by Arban. To contrast the cornet soloist's pyrotechnics is a humorous trombone and tuba accompaniment that enlivens the listening experience. A flugelhorn/trumpet alternate part is provided for the horn part. The sound file is an actual brass quintet performance of the entire arrangement and not a computer playback of the score. If looking for more trumpet solo features with brass quintet see Charles Decker Music Press SMP editions of Sasche Concertino for Eb Cornet of 1871, and opera arias by Puccini Che Gelida Manina from La Boheme, Verdi Caro Nome from Rigoletto and Rossini Non Piu Mesta from Cinderella. Use this link to Kendor Music to see my trumpet feature brass quintet arrangements of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.    For more Charles Decker brass quintet publications use these links Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
Carnival of Venice for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$13.95 13.54 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
Claude Debussy: Sérénade for violin and piano
Violon et Piano

$12.95 12.57 € Violon et Piano PDF SheetMusicPlus

Piano,Trumpet - Level 5 - Digital Download SKU: A0.973263 Composed by Lynn L. Petersen. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 24 pages. Lynn L. Petersen #6886191. Published by Lynn L. Petersen (A0.973263). Glory of the West was commissioned by Dr. Zach Buie and premiered at the College of Southern Idaho on March 3, 2020.  Dr. Buie requested a new work connected with or inspired by the Mountain West region.  The inspiration for this piece was the song MONTANA, which I first heard at a memorial service, a great favorite of the gentleman who had passed.  The song was composed in 1910 and later adopted as Montana's state song.  Glory of the West is in three sections.  The first, marked Rolling Along, conveys optimism and wide-open spaces.  The middle Adagio section features a descending stepwise melody followed by a soaring ascending line, reminiscent of melodic contours in the refrain of the song.  The final section, marked Playfully, begins with fragments of a lively and rhythmically irregular motive, and woven throughout are echoes of the ascending lines from the previous section.  The score contains the Piano and C Trumpet parts in concert pitch, and a part for B-flat Trumpet is provided as an alternate.
Glory of the West
Trompette, Piano

$10.99 10.66 € Trompette, Piano PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1120181 By Rafael Gordon Pino. By Ramón Zarzoso. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #721499. Published by Juan Carlos Cortés Aguirre (A0.1120181). Transcripción para piano solo por: JUAN CARLOS CORT�S A. Ramón Zarzoso nació en Valencia el 12 de Octubre de 1899, falleció el 29 de Octubre de 1988 a los 89 años en Buenos Aires, Argentina. Autor , compositor , maestro de musica. Recorrio los 5 continentes , autor y compositor de peliculas con Lolita Torres, Rocio Jurado, Pedrito Rico, El Niño De Utrera, Lola Flores, Salvador Valverde, Imperio Argentina, Miguel de Molina, Carmen Sevilla, Paquita Rico entre otros. Casado tuvo una hija y dos nietos. Reconocido como ciudadano ilustre de la ciudad Argentina. Dedico su vida a la musica. Haciendo 700 obras musicales, como El Sombrero , Coimbra divina , Castillito de arena entre otras. Sus restos se encuentran en el panteon de actores del cementerio chacarita (Panteon Sadaic). El letrista, escritor y autor Rafael Gordon Pino, no tiene una fecha de nacimiento registrada, solo aparece el año de fallecimiento en 1958, según La Biblioteca Nacional de España. Texto: El Sombrero. Pasodoble por: Rafael Gordon Pino y Ramón Zarzoso Aguilar. Introducción: Siempre ha sido el sombrero cordobés, por su gracia y su majeza el soberano, pues toreros, flamencos y cales, lo lucieron con el aire más gitano. Lagartijo, Frascuelo, Machaquito y Espartero, con orgullo lo llevaron...Este clásico sombrero. Interludio: El sombrero... El sombrero de ala ancha con que adorno mi cabeza. Yo lo llevo...Y con él voy orgulloso, pregonando su majeza. Y no hay otro...Más castizo y español, ni que iguale su belleza, porque los rayos del sol, bautizaron su majeza. Interludio: Cuando voy a los toros en Jerez, luzco yo con alegría mi sombrero. Y a mi paso se escuchan los olé y me aplauden mucho más que a los toreros. Y si voy con mi jaca muy flamenca al tentaero soy el rey de la fiesta, con mi clásico sombrero. Interludio: El sombrero. El sombrero de ala ancha con que adorno mi cabeza, yo lo llevo...Y con él voy orgulloso pregonando su majeza. Y no hay otro...Más castizo y español, ni que iguale su belleza, porque los rayos del sol... Bautizaron su majeza.
El Sombrero. Pasodoble por: Rafael Gordon Pino y Ramón Zarzoso.
Piano seul
Rafael Gordon Pino
$7.99 7.75 € Piano seul PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1367608 Composed by Leo Delibes. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. 20 pages. John A. Dempsey #951982. Published by John A. Dempsey (A0.1367608). Léo Delibes' celebrated aria Flower Duet (from Lakmé) sparkles and flows in a luminous romantic sax quartet for soprano sax, alto sax, tenor sax and baritone sax.  Recommended for concerts and recitals, this arrangement also shines as wedding music (e.g. a prelude, unity candle accompaniment, a bridal march, bridesmaid processional or a recessional).  16 pages of music (that includes the score and separate two-page parts for each sax).  Concert Key: Eb major.
Flower Duet (Sax Quartet: SATB)
Quatuor de Saxophones: 4 saxophones

$11.99 11.64 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Small Ensemble Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.524745 Composed by Leo Delibes. Arranged by John A. Dempsey. Concert,Opera,Romantic Period,Wedding,World. Score and parts. 18 pages. John A. Dempsey #6273903. Published by John A. Dempsey (A0.524745). Léo Delibes' celebrated aria Flower Duet (from Lakmé) sparkles and flows in a luminous romantic quartet for flute, violin, viola and cello.  Recommended for concerts and recitals, this arrangement also shines as wedding music (e.g. a prelude, unity candle music, a bridesmaid processional, a bridal march or a wedding recessional).  14 pages of music (that includes the score and separate two-page pullout parts for each instrument).  Key: C major.
Flower Duet (Quartet for Flute, Violin, Viola and Cello)

$11.99 11.64 € PDF SheetMusicPlus

String Quartet String Quartet,Violin - Level 3 - Digital Download SKU: A0.524815 Composed by Leo Delibes. Arranged by John A. Dempsey. Concert,Opera,Romantic Period,Wedding,World. Score and parts. 18 pages. John A. Dempsey #6356201. Published by John A. Dempsey (A0.524815). Léo Delibes' celebrated aria Flower Duet (from Lakmé) sparkles and flows in a luminous romantic violin quartet.  Recommended for concerts and recitals, this arrangement also shines as wedding music (e.g. a prelude, unity candle accompaniment, a bridal march, bridesmaid processional or a recessional).  14 pages of music (that includes the score and separate two-page pullout parts).  Key: C major 
Flower Duet (Violin Quartet)
Quatuor à cordes: 4 violons

$11.99 11.64 € Quatuor à cordes: 4 violons PDF SheetMusicPlus

Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1220639 Composed by Leo Delibes. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. 20 pages. John A. Dempsey #816978. Published by John A. Dempsey (A0.1220639). Léo Delibes' celebrated aria Flower Duet (from Lakmé) sparkles and flows in a luminous romantic brass quartet for two Bb trumpets, horn in F and trombone.  Recommended for concerts and recitals, this arrangement also shines as wedding music (e.g. a prelude, unity candle accompaniment, a bridal march, bridesmaid processional or a recessional).  16 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, French horn and trombone).  Concert Key: Eb major.
Flower Duet (Brass Quartet): Two Trumpets, Horn in F and Trombone
Quatuor de Cuivres: 2 trompettes, Cor, trombone

$12.99 12.61 € Quatuor de Cuivres: 2 trompettes, Cor, trombone PDF SheetMusicPlus

Viola Solo - Level 3 - Digital Download SKU: A0.1189410 By Viola Solo Wedding Collection. By Various including Bach, Handel, Vivaldi, etc. Arranged by Sherry Lewis. Baroque,Classical,Romantic Period,Wedding. Individual part. 36 pages. Sherry Lewis Publishing #789046. Published by Sherry Lewis Publishing (A0.1189410). Viola Solo Wedding CollectionThe following 20 pieces are included in this collection:Air from Water Music, G.F. HandelAir on the G String, J.S. BachArrival of the Queen of Sheba, G.F. HandelAve Maria, Bach-GounodAve Maria, F. SchubertBridal Chorus, R. WagnerCanon in D, J. PachelbelGloria, A. VivaldiHornpipe from Water Music, G.F. HandelJesu, Joy of Man’s Desiring, J.S. BachLa Rejouissance, G.F. HandelLarghetto, G.F. HandelMarch from the Marriage of Figaro, W.A. MozartOde To Joy, L. van BeethovenOn Wings of Song, F. MendelssohnRondeau, J.J. MouretSpring, 1st Mov., A. VivaldiTrumpet Tune, H. PurcellTrumpet Voluntary, J. ClarkeWedding March, F. Mendelssohn.
SOLO VIOLA WEDDING COLLECTION FOR VIOLA SOLO OF 20 SELECTIONS
Alto seul
Viola Solo Wedding Collection
$19.50 18.92 € Alto seul PDF SheetMusicPlus






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