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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1043850 Composed by Ludwig van Beethoven. Arranged by G L Harvey. Classical,Contest,Festival,Instructional,Romantic Period,Wedding. 28 pages. G L Harvey #648539. Published by G L Harvey (A0.1043850). This haunting piece of music from Beethoven's 7th Symphony has been carefully abridged and arranged for a standard Wind Quintet (Flute, Oboe, Clarinet, Horn in F and Bassoon). It is sympathetic to the original music and should be easily accessible for intermediate to advanced players. Alternative parts for Horn and Bassoon are also included for non standard ensembles on Tenor Horn in Eb and Bass Clarinet respectively. There is also an optional percussion part on Timpani (A & E) that can easily be played on old fashioned hand tuned instruments, and will lend a bit more gravitas to any performance. The piece is very musically satisfying to play and will sit well on any concert or recital programme. The duration of the piece is about 4:50 minutes. The PDF is 28 pages long (A4 portrait) containing a full score and parts. Printing guidance - Score (pages1-13 print A4 double sided), all parts p14-28 (with the exception of Timpani p28) are designed to fit 2 x A4 pages on A3). Look out for other similar works and arrangements by the same publisher.
2nd Movement from Beethoven Symphony No.7 for Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$17.99 15.44 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1044039 Composed by Ludwig van Beethoven. Arranged by G L Harvey. Classical,Contest,Festival,Instructional,Romantic Period,Wedding. 24 pages. G L Harvey #648757. Published by G L Harvey (A0.1044039). This haunting piece of music from Beethoven's 7th Symphony has been carefully abridged and arranged for Saxophone Quintet, scored for Soprano, 2 Altos, Tenor and Baritone Saxophone. It is sympathetic to the original music and should be easily accessible for intermediate to advanced players. There is also an optional percussion part on Timpani (Bb and F) that can easily be played on old fashioned hand tuned instruments, and will lend a bit more gravitas to any performance. The piece is very musically satisfying to play and will sit well on any concert or recital programme. The duration of the piece is about 4:50 minutes. The PDF is 24 pages long (A4 portrait) containing a full score and parts. Printing guidance - Score (pages1-13 print A4 double sided), all parts p14-24 (with the exception of Timpani p24) are designed to fit 2 x A4 pages on A3). Look out for other similar works and arrangements by the same publisher.
2nd Movement from Beethoven Symphony No.7 for Saxophone Quintet
Quintette de Saxophone: 5 saxophones

$17.99 15.44 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.1043406 Composed by Ludwig van Beethoven. Arranged by G L Harvey. Classical,Contest,Festival,Instructional,Romantic Period,Traditional. Score and parts. 45 pages. G L Harvey #648082. Published by G L Harvey (A0.1043406). This haunting piece of music from Beethoven's 7th Symphony has been abridged and carefully arranged for Brass Quintet. It is sympathetic to the original music and should be easily accessible for intermediate to advanced players. Parts are also included for non standard Brass Band instruments such as Tenor Horn in Eb, Euph/Trom in treble clef, plus Eb and Bb Bass also in treble clef. All parts are written with consideration of typical range and technique. Some ensembles might prefer to opt for Trumpet 1 in Eb rather than 2 trumpets in Bb. There is also an optional percussion part on Timpani (G & D) that can easily be played on old fashioned hand tuned instruments, and will lend a bit more gravitas to any performance. The piece is very musically satisfying to play and will sit well on any concert or recital programme. The duration of the piece is about 4:50 minutes. The PDF is 45 pages long (A4 portrait) containing a full score and parts. Printing guidance - Score (pages1-24 print A4 double sided), all parts p25-45 (with the exception of Timpani p45) are designed to fit 2 x A4 pages on A3). Look out for other similar works and arrangements by the same publisher.
2nd Movement from Beethoven Symphony No.7 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$17.99 15.44 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.958751 Composed by Nicanor Velásquez Ortiz y Darío Garzón Charry. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6141271. Published by Juan Carlos Cortés Aguirre (A0.958751). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la versión del dueto Garzón y Collazos integrado por Darío Garzón Charry, primera voz y guitarra (Girardot, el 9 de enero de 1915 - 21 de marzo de 1986) y Eduardo Collazos Varón, segunda voz y tiple (Ibagué el 13 de octubre de 1916 - 23 de noviembre de 1977).Texto:Las lavanderas(Guabina) Por:Nicanor Velásquez Ortiz y Darío Garzón CharryINTRODUCCIÓN:Sentadas junto a la orilla, de la límpida quebrada,ya terminan la jornada, porque la ropa les brilla.Son las pobres lavanderas, que lavan del mundo a solas,los pecados que las olas, extienden por las riveras. (BIS)Chas, Chis, Chis, Chas.Va la tarde repitiendo, el agua sigue corriendo,el agua sigue corriendo, y el jabón no lava más. (BIS)INTERLUDIO:Sigue lavando, lavando, ¡oh! lavandera ignorada;sigue lavando y lavando, hasta entrar la oscuridad.Que por más agua en la quebrada, no limpiarás estas manchas.No limpiarás estas manchas, de la triste humanidad. (BIS)Chas, Chis, Chis, Chas.Va la tarde repitiendo, el agua sigue corriendo,el agua sigue corriendo, y el jabón no lava más.
Las lavanderas Guabina por: Nicanor Velásquez Ortiz y Darío Garzón Charry
Piano seul

$7.99 6.86 € Piano seul PDF SheetMusicPlus

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1030299 Composed by Traditional Melody. Arranged by César del Caño. 20th Century,A Cappella,Classical. Octavo. 5 pages. Cesar del Cano #6358089. Published by Cesar del Cano (A0.1030299). ·· Polyphonic a cappella work for three mixed voices (S, A, T/B) with divisi.· Approximate duration: 2:30· Pages (5): Cover (1), Score (2, 3, 4), Lyrics (5). Original lyrics (in Galician Languaje), translation (Spanish & English) and other details. This last page also contains various links which can be accessed from the pdf edition.· A video-score from YouTube is attached.·[ENG]Camiña Don Sancho is a so-called border romancillo, from Galicia (Spain), popularized in the 14th century through minstrels, and which constitute poetic documents of the history and intrahistory of two opposing communities (Christian and Muslim). It talks about more or less true facts and famous historical figures belonging to the common history of León and Galicia (former independent kingdoms, currently Spanish autonomous communities).In it, once again, the figure of King Don Sancho appears linked to the myth of the young captive in the Iberian peninsular Muslim territory, and whom he is preparing to liberate. The original melody is built in the Phrygian mode, one of the medieval musical modes, on which this polyphonic version is also made, finally taking it to the point of the so-called gypsy and Arabic scales; hence its title: Frixia (in Galician languaje)[ESP]Camiña Don Sancho es un romancillo de los llamados fronterizos, popularizados en el S. XIV a través de los juglares, y que constituyen documentos poéticos de la historia e intrahistoria de dos comunidades enfrentadas (la cristiana y la musulmana). Habla de hechos más o menos verídicos y de personajes pertenecientes a la historia común de León y Galicia.En él, una vez más, aparece la figura del Rey Don Sancho ligada al mito de la joven cautiva en el territorio musulmán peninsular, y a quien él se dispone a liberar.La melodía original está construida en modo frigio, uno de los modos musicales medievales, sobre el que está realizada también esta versión polifónica, llevándola finalmente al punto de las llamadas escalas gitana y arábiga; de ahí su título.·Composer data:Website: https://www.cesardelcano.comFacebook: https://www.facebook.com/cesardelcano.espYouTube: https://www.youtube.com/playlist?list=PLr9iLxVNyr-9eBzCd-zlZE_Iyxavn_WhT·
Frixia ("Camiña Don Sancho")
Chorale 3 parties

$2.22 1.9 € Chorale 3 parties PDF SheetMusicPlus

Digital Download SKU: A0.1118595 By Arturo Escorza. By Antonio Vivaldi. Arranged by Arturo Escorza. Baroque,Chamber,Classical,Early Music,Opera. 87 pages. Arturo Escorza #720096. Published by Arturo Escorza (A0.1118595). The Vivaldi Album contains the best arias from Vivaldi's operas, made famous by mezzo-soprano Cecilia Bartoli in her celebrated The Vivaldi Album of 1999. In this collection that I bring you, you will find the full scores of the arias: Dell'aura al sussurrar, from Dorilla in Tempe Dopo un'orrida procella, from Griselda Di due rai languir costante, from Foa 28 Qual favellar? ... Andero, Volero, Gridero, from L'Orlando finto pazzo Zeffiretti, che sussurrate, from Foa 28 Alma oppressa, from La Fida Ninfa Sventurata navicella, from il Giustino Sorte, che m'invitasti ... Ho nel petto un cor si forte, from il Giustino Tra le follie ... Siam navi all'onde algenti, from L'Olimpiade Gelido in ogni vena, from Farnace Anch'il mar par che sommerga, from Bajazet Di trombe guerriere, from Teuzzone.
The Vivaldi Album - The most famous arias from Vivaldi's operas - Score Only
Arturo Escorza
$159.00 136.43 € PDF SheetMusicPlus

Guitar (electric) - Beginning - Digital Download SKU: M0.99820BCDSPEB Composed by Mike Christiansen. Rock. First Lessons - Spanish. Spanish. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99820BCDSPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99820BCDSPEB). ISBN 9781619113084. 8.75x11.75 inches.Finalmente, un método que hace que los estudiantes comiencen con lo esencial de la guitarra mientras se enfoca en el material que todo guitarrista de rock debería saber. Los temas incluyen acordes de potencia, escalas de rock, solos de rock, tabulación de lectura y notación estándar, acordes abiertos, patrones de rasgueo y melodías de rock. Diseñada para educar a los estudiantes sobre lo esencial de la guitarra, esta lección hace que el aprendizaje sea divertido. Progresiones de acordes y melodías similares a los clásicos del rock hacen de este texto una necesidad para los aspirantes a guitarristas de rock. El audio en línea que lo acompaña brinda a los estudiantes la oportunidad de escuchar y tocar junto con los profesionales. Incluye acceso a audio en línea.Finally a method that gets students started on the essentials of guitar while focusing on the material every rock guitarist should know. Subjects include power chords, rock scales, rock soloing, reading tab and standard notation, open chords, accompaniment strum patterns, and rock licks. Designed to educate students about guitar essentials, this lesson makes the learning fun. Chord progressions and melodies similar to rock classics make this text a must for aspiring rock guitarists. The accompanying online audio gives students the opportunity and hear and play along with the pros. Includes access to online audio. Written in Spanish only.
Primeras Lecciones Metodo de Guitarra de Rock

$9.99 8.57 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1496298 By Armando Oscar Pacheco. By Alfredo Máximo Soler. 19th Century,20th Century,Broadway,Classical,Comedy,Musical/Show. Score. 133 pages. Editorial Copistas Acuario #1072841. Published by Editorial Copistas Acuario (A0.1496298). Esta obra es claro reflejo de las corrientes arti?sticas que impactaban a los escritores, mu?sicos e intelectuales de la Repu?blica Dominicana a principios del siglo pasado. Por un lado, encontraremos la li?rica caracteri?stica del modernismo latinoamericano impregnado en cada letra del libreto. Desde el nombre de la obra nos hace referencia al si?mbolo ma?s claro de este movimiento, el «azul» coloreado por el gran Dari?o que dejari?a entintado todo el continente. Dentro de la tema?tica y el lenguaje se busca decididamente la refinacio?n aristocra?tica mediante la creacio?n de ima?genes cargadas de flores, adornos, joyas y delicadeza. Por otra parte, en la mu?sica, encontraremos a un compositor consumado dominando de manera holgada el estilo de la zarzuela, la cua?l desde los primeros an?os del siglo XX, habi?a realizado su entrada en la palestra cultural dominicana a trave?s de las diferentes compan?i?as que llegaban principalmente de Italia, Espan?a y Estados Unidos.1 Si bien esta obra esta? escrita originalmente para orquesta, las partes de dicho arreglo se encuentran en parte extraviada. Lo que se presenta aqui? es el score vocal conservado, el cua?l contiene las diferentes voces utilizadas en las canciones, y una reduccio?n para piano de la mu?sica. Asi? mismo, debido a la vinculacio?n de esta obra al municipio de San Pedro de Macori?s, hemos decidido, a trave?s de la visio?n creativa de la ilustradora Ana Gerardino, visualizar el escenario de «La Go?ndola Azul» dentro de una imaginacio?n simbo?lica de las costas de esta localidad.
La Góndola Azul: Fantasía en dos actos
Piano, Voix
Armando Oscar Pacheco
$9.99 8.57 € Piano, Voix PDF SheetMusicPlus

Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - Digital Download SKU: A0.808939 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classical. Score and parts. 32 pages. Preludio s.r.l. #5712611. Published by Preludio s.r.l. (A0.808939). The over 550 harpsichord sonatas by Domenico Scarlatti constitute one of the highest peaks of 18th century instrumental music. Despite being structured in a single movement, based on a theme and divided into two parts with a refrain, his sonatas have been shown to be pieces of remarkable originality. Their style is authentic and very bright, revealing a truly innovative and creative spirit with extremely daring and unconventional dissonances and modulations. The manifold contaminations come from the musical universe of that time: from the concert to the cantata, from the popular elements to the Spanish dance rhythms. Various sounds are recalled through the spontaneous, evocative and natural timbre of the harpsichord: from the orchestral ones to those of two other famous pinch instruments, such as the guitar and the harp.The greatest researcher on Domenico Scarlatti, Ralph Kirkpatrick, claimed: «Despite being a composer for harpsichord, and although almost all his compositions are conceived for the harpsichord language, his musical skills, more important than the sound effect, can be enhanced on any instrument».This aspect is aptly reflected in the harp versions of Scarlatti’s sonatas, which are primarily a way to show how the harp can represent the spirit and the playfulness of these compositions. Apparently, this instrument is one of the most suitable to capture the purity of the musical textures of these sonatas and their perfect balance between musical mathematics and feelings. Moreover, the didactic purposes of these adaptations are notable, since the player is faced with fast scales, double stops, repeated notes, broken octaves, complex arpeggios, embellishments and other unusual passages pervaded by a virtuoso language.By carefully selecting every single sonata and choosing the most suitable fingerings to highlight key phrases, Fabrizio Aiello has carried out a praiseworthy work which plays a crucial role in enriching the harp repertoire.Susanna Bertuccioli
Eight Sonata for Harp
carefully selecting every single sonata and choosing the most suitable fingerings to highlight key phrases, Fabrizio Aiello has carried out a praiseworthy work which plays a crucial role in enriching the harp repertoire

Susanna Bertuccioli


$18.99 16.29 € PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.965762 By Ruelle. By Maggie Eckford and Matt Bronleewe. Arranged by K.L.Phillips. Contemporary,Pop,Wedding. Score and part. 10 pages. K L Phillips #571454. Published by K L Phillips (A0.965762). Arranged for solo viola with piano accompaniment, this piece is a beautiful choice for bridal processionals. It also would provide a lovely backdrop for unity celebrations or would work well for cocktail hour music. This arrangement stays true to Ruelle's original and includes 2 verses, the pre-chorus, chorus, bridge and ending. I Get to Love You is a great addition to the musician's gig list. Sheet music includes the piano accompaniment score and individual viola part. Performance time - 4:00.
I Get To Love You
Alto, Piano
Ruelle
$4.99 4.28 € Alto, Piano PDF SheetMusicPlus






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