Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.620725 By Stephen DeCesare. By Stephen DeCesare, Hans L. Hassler. Christian,Lent,Praise & Worship,Sacred,Spiritual. 9 pages. Exultet Music #3436449. Published by Exultet Music (A0.620725). A tender and sensitive melody that accompanies the introspective and prayerful text by John Watts is combined with the traditional, moving melody of O Sacred Head, Surrounded.  Scored for SATB with Piano accompaniment.  Accessible and appropriate for any church or concert setting.  Used especially during Palm Sunday, Holy Week, and Good Friday.

Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!

A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!

Piano Solo - Level 3 - Digital Download SKU: A0.1120116 By Noel Estrada. By Noel Estrada. Arranged by Juan Carlos Cortés Aguirre. Instructional,Latin,Multicultural,Singer/Songwriter,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #721432. Published by Juan Carlos Cortés Aguirre (A0.1120116). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. De la canción criolla El amor del Jibarito, por el compositor puertorriqueño Noel Estrada, basada en la versión original del Trío Vegabajeño. Texto o letra: El Amor del Jibarito Canción criolla por: Noel Estrada INTRODUCCIÓN: Despierta borinqueñita de mi vida, y escucha la canción de nuestro amor, que vengo lleno de ensueños y de ilusiones, porque ayer me entregaste tu corazón. Escucha dulce amor mío mis canciones, en ellas pongo mi alma y mi emoción, el alma del jibarito fuerte y contento, porque mi terruñito cultivo yo. Allí donde brilla la luna se ve mi bohío, en el tengo yo un jardincito de lindos rosales. Y todas las mañanitas, las aves cantan sus madrigales. Y el rubio sol de Borinquen pinta de rosa mis cafetales. INTERLUDIO: Allí en aquel rinconcito tan querido, haremos nuestro nido de ilusión; chiquito pero muy limpio de falsedades, y los dos le daremos gracias a Dios. Qué lindas son mis montañas y praderas, pedazos de mi terruño tropical, en donde la hermosa luna de Puerto Rico, tiende un collar de perlas sobre el palmar. Allí donde brilla la luna se ve mi bohío, en él tengo yo un jardincito de lindos rosales. Y todas las mañanitas, las aves cantan sus madrigales. Y el rubio sol de Borinquen pinta de rosa mis cafetales. Y el rubio sol de Borinquen pinta de rosa…Mis cafetales.

Piano Solo - Level 3 - Digital Download SKU: A0.958820 Composed by Noel Estrada. Arranged by Juan Carlos Cortés A. Concert,Latin,Standards,Traditional. Score. 2 pages. Juan Carlos Cortés Aguirre #6873831. Published by Juan Carlos Cortés Aguirre (A0.958820). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.Basado en la versión original del Trío Vegabajeño.El Amor del JibaritoCanción criolla por: Noel EstradaINTRODUCCIÓN:Despierta borinqueñita de mi vida, y escucha la canción de nuestro amor,que vengo lleno de ensueños y de ilusiones, porque ayer me entregaste tu corazón.Escucha dulce amor mío mis canciones, en ellas pongo mi alma y mi emoción,el alma del jibarito fuerte y contento, porque mi terruñito cultivo yo.Allí donde brilla la luna se ve mi bohío, en el tengo yo un jardincito de lindos rosales.Y todas las mañanitas, las aves cantan sus madrigales.Y el rubio sol de Borinquen pinta de rosa mis cafetales.INTERLUDIO:Allí en aquel rinconcito tan querido, haremos nuestro nido de ilusión;chiquito pero muy limpio de falsedades, y los dos le daremos gracias a Dios.Qué lindas son mis montañas y praderas, pedazos de mi terruño tropical,en donde la hermosa luna de Puerto Rico, tiende un collar de perlas sobre el palmar.Allí donde brilla la luna se ve mi bohío, en él tengo yo un jardincito de lindos rosales.Y todas las mañanitas, las aves cantan sus madrigales.Y el rubio sol de Borinquen pinta de rosa mis cafetales.Y el rubio sol de Borinquen pinta de rosa…Mis cafetales.

Solo Guitar - Level 4 - Digital Download SKU: A0.1019685 Composed by Ivan Lyran. Concert,Contemporary,Graduation,Instructional,Standards. Individual part. 7 pages. Publicado por Ivan Lyran #4800543. Published by Publicado por Ivan Lyran (A0.1019685). É uma homenagem declarada do compositor ao violão, seu amigo e companheiro fiel em muitos momentos bons e ruínas da adolescência, essa amizade perdura até os dias de hoje e certamente perdurará por toda a vida. A peça escrita em três movimentos têm uma mistura de ritmo e lirismo bem distribuídos entre os movimentos. O primeiro deles; Violão companheiro, utiliza um motivo ritual em semicolcheias e colcheias, combinando com rasgueados na maior parte do movimento, além do nosso ritmo mais conhecido, o samba. Já na parte B, encontramos uma melodia um pouco mais lírica, que vai se desenvolvendo até a retomada do tema rítmico inicial. O segundo movimento; Interlúdio, tem um caráter mais romântico, bem cantábile, melodia simples e sucinta que transmite um sentimento de saudade. O terceiro movimento é um Estudo em Mi menor,

Cello,Piano - Level 2 - Digital Download SKU: A0.548655 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408191. Published by jmsgu3 (A0.548655). Jingle Bells arranged for cello & piano with a fancy final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017171_SB String Bass. Composed by Hugh Martin and Ralph Blane. Arranged by Alan Baylock. Jazz; Secular. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017171_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017171_SB). UPC: 038081373850.As recorded by the USAF Airmen of Note and arranged by Alan Baylock in the style of Li'l Darlin', this slow swing is the ideal chart for the holidays. It features no improvised solo but it has a written trumpet melody solo. Lead trumpet range is to written G on top of the staff, and it's technically a very easy chart to play. Another superb Baylock arrangement. (3:02).

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017171_TB1 Tuba. Composed by Hugh Martin and Ralph Blane. Arranged by Alan Baylock. Jazz; Secular. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017171_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017171_TB1). UPC: 038081373850.As recorded by the USAF Airmen of Note and arranged by Alan Baylock in the style of Li'l Darlin', this slow swing is the ideal chart for the holidays. It features no improvised solo but it has a written trumpet melody solo. Lead trumpet range is to written G on top of the staff, and it's technically a very easy chart to play. Another superb Baylock arrangement. (3:02).

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017171_TX1 B-flat Tenor Saxophone. Composed by Hugh Martin and Ralph Blane. Arranged by Alan Baylock. Jazz; Secular. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017171_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017171_TX1). UPC: 038081373850.As recorded by the USAF Airmen of Note and arranged by Alan Baylock in the style of Li'l Darlin', this slow swing is the ideal chart for the holidays. It features no improvised solo but it has a written trumpet melody solo. Lead trumpet range is to written G on top of the staff, and it's technically a very easy chart to play. Another superb Baylock arrangement. (3:02).

Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552826 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408519. Published by jmsgu3 (A0.552826). Jingle Bells arranged for baritone horn (treble clef) and piano. Easy! Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com

SATB choir, Piano (With Optional Chimes, Accompaniment MP3) - Digital Download SKU: LX.15-3859H Arranged by Russell L. Robinson. Educational, Christmas, Holidays & Seasonal, Concert. Octavo. 16 pages. Heritage Music Press #e15/3859H. Published by Heritage Music Press (LX.15-3859H). The traditional carol takes on a fun twist with this energetic setting. With sections of Fa la las, the bouncing 3/4 time signature is felt in one. To enhance the character of this piece, an optional chime part is included in the octavo.

Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017171_BTC1 Baritone T.C.. Composed by Hugh Martin and Ralph Blane. Arranged by Alan Baylock. Jazz; Secular. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017171_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017171_BTC1). UPC: 038081373850.As recorded by the USAF Airmen of Note and arranged by Alan Baylock in the style of Li'l Darlin', this slow swing is the ideal chart for the holidays. It features no improvised solo but it has a written trumpet melody solo. Lead trumpet range is to written G on top of the staff, and it's technically a very easy chart to play. Another superb Baylock arrangement. (3:02).