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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet

$4.99 4.33 € PDF SheetMusicPlus

Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.1370273 By Stephen DeCesare. By Stephen DeCesare, Hans L. Hassler. Arranged by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 7 pages. Exultet Music #954649. Published by Exultet Music (A0.1370273). A tender and sensitive melody that accompanies the introspective and prayerful text by John Watts is combined with the traditional, moving melody of O Sacred Head, Surrounded. Scored for a Unison choir with Piano accompaniment. Accessible and appropriate for any church or concert setting. Used especially during Palm Sunday, Holy Week, and Good Friday.  An accompaniment track is also available.
Alas! And Did My Savior Bleed (with "O Sacred Head, Surrounded") (Unison choir)
Chorale Unison
Stephen DeCesare
$3.99 3.47 € Chorale Unison PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)

$19.95 17.33 € PDF SheetMusicPlus

Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.1370295 By Stephen DeCesare. By Stephen DeCesare, Hans L. Hassler. Arranged by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 10 pages. Exultet Music #954671. Published by Exultet Music (A0.1370295). A tender and sensitive melody that accompanies the introspective and prayerful text by John Watts is combined with the traditional, moving melody of O Sacred Head, Surrounded. Scored as a duet for a Tenor and Bass solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Used especially during Palm Sunday, Holy Week, and Good Friday.  An accompaniment track is also available.
Alas! And Did My Savior Bleed (with "O Sacred Head, Surrounded") (Duet for Tenor and Bass solo)
Voix duo, Piano
Stephen DeCesare
$4.99 4.33 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1370288 By Stephen DeCesare. By Stephen DeCesare, Hans L. Hassler. Arranged by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 10 pages. Exultet Music #954664. Published by Exultet Music (A0.1370288). A tender and sensitive melody that accompanies the introspective and prayerful text by John Watts is combined with the traditional, moving melody of O Sacred Head, Surrounded. Scored as a duet for a Soprano and an Alto solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Used especially during Palm Sunday, Holy Week, and Good Friday.  An accompaniment track is also available.
Alas! And Did My Savior Bleed (with "O Sacred Head, Surrounded") (Duet for Soprano and Alto solo)
Voix duo, Piano
Stephen DeCesare
$4.99 4.33 € Voix duo, Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370296 By Stephen DeCesare. By Stephen DeCesare, Hans L. Hassler. Arranged by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. Score. 7 pages. Exultet Music #954672. Published by Exultet Music (A0.1370296). A tender and sensitive melody that accompanies the introspective and prayerful text by John Watts is combined with the traditional, moving melody of O Sacred Head, Surrounded. Scored for a Vocal solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Used especially during Palm Sunday, Holy Week, and Good Friday.  A rehearsal track and an accompaniment track are also available.
Alas! And Did My Savior Bleed (with "O Sacred Head, Surrounded") (Vocal solo)
Piano, Voix
Stephen DeCesare
$4.99 4.33 € Piano, Voix PDF SheetMusicPlus

Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1370271 By Stephen DeCesare. By Stephen DeCesare, Hans L. Hassler. Arranged by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 10 pages. Exultet Music #954647. Published by Exultet Music (A0.1370271). A tender and sensitive melody that accompanies the introspective and prayerful text by John Watts is combined with the traditional, moving melody of O Sacred Head, Surrounded. Scored for a 2-part choir (Soprano and Tenor) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Used especially during Palm Sunday, Holy Week, and Good Friday.  An accompaniment track is also available.
Alas! And Did My Savior Bleed (with "O Sacred Head, Surrounded") (2-part choir - (Soprano and Tenor)
Chorale 2 parties
Stephen DeCesare
$3.99 3.47 € Chorale 2 parties PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1296413 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Ragtime. 18 pages. RayThompsonMusic #886629. Published by RayThompsonMusic (A0.1296413). Arranged wind dectet(double wind quintet)/bassParade is a ballet with music by Erik Satie and a one-act scenario by Jean Cocteau.The ballet was composed 1916–1917 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917 at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet. This movement Ragtime also known as Rag-Time du Paquebot (Ragtime of the Packet Steamer/Steampacket) would later be adapted for piano solo, and attained considerable success as a separate piano piece.It fits the wind dectet well, and should be played lightly.Please check out  the rest of my Satie arrangements for varying instrument combinations :3 Gymnopédies and 3 Gnossiennes. (Sold separately and as collections).
Satie: Parade - Rag-Time du Paquebot - wind dectet/bass

$14.95 12.98 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1370287 By Stephen DeCesare. By Stephen DeCesare, Hans L. Hassler. Arranged by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. Score. 8 pages. Exultet Music #954663. Published by Exultet Music (A0.1370287). A tender and sensitive melody that accompanies the introspective and prayerful text by John Watts is combined with the traditional, moving melody of O Sacred Head, Surrounded. Scored for a Vocal Quartet (SATB) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Used especially during Palm Sunday, Holy Week, and Good Friday.  An accompaniment track is also available.
Alas! And Did My Savior Bleed (with "O Sacred Head, Surrounded") (Vocal Quartet - (SATB)
Piano, Voix
Stephen DeCesare
$12.99 11.28 € Piano, Voix PDF SheetMusicPlus

A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)

$19.95 17.33 € PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet

$14.95 12.98 € PDF SheetMusicPlus






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