Piano Solo - Level 5 - Digital Download SKU: A0.958688 Composed by Juan Carlos Cortés A. 20th Century,Concert,Instructional,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #5721383. Published by Juan Carlos Cortés Aguirre (A0.958688). Serie de 12 composiciones de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién lo compuso e inquietud de quién lo estudie. Se reitera siempre en todas las composiciones de esta serie, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach; más bien, al componer en este estilo se rinde un tributo de eterna gratitud y admiración por la majestuosidad y Perfeccion de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia.Series of 12 free-character compositions that do not intend to fit into the orthodox and pure style of the Baroque, but rather use these musical elements as simple playful exercises to delight those who composed it and the concern of those who study it. It is always reiterated in all the compositions in this series, that: Although it may seem so, it is not about emulating the great Juan Sebastián Bach; rather, when composing in this style a tribute of eternal gratitude and admiration for the majesty and Perfection of his work, as many musicians in the world have done throughout history.

Piano Solo - Level 5 - Digital Download SKU: A0.1109668 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Folk,Instructional,Latin. Score. 3 pages. Juan Carlos Cortés Aguirre #712023. Published by Juan Carlos Cortés Aguirre (A0.1109668). Composición original en Sol menor por: JUAN CARLOS CORTÉS A. Composición (Antiguo Bunde o Fandango Cienaguero) de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in G minor by: JUAN CARLOS CORTES A. Composition (Old Bunde or Fandango Cienaguero) of a free character that does not intend to fit into the orthodox and pure style of the Baroque or Renaissance, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...

Piano Solo - Level 2 - Digital Download SKU: A0.1109661 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #712006. Published by Juan Carlos Cortés Aguirre (A0.1109661). Composición original en Re Bemol Mayor por: JUAN CARLOS CORTÉS A. Composición de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in D Flat Major by: JUAN CARLOS CORTES A. Composition of a free character that does not intend to fit into the orthodox and pure style of the baroque, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...

Violin - Level 3 - Digital Download SKU: A0.1467004 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 174. David Warin Solomons #1045569. Published by David Warin Solomons (A0.1467004). This is from four plainchants with variations (Times and Seasons) for solo violin.Performed by Daniel Mihai on a Léon Bernardel violin La Duchesse d'Angoulême.Recorded on 27 June 2024 in the Sergiu Celibidache Concert Hall of the National College of Arts Regina Maria Constan?a.The chants are:Morning: Iam lucis orto sidere(Now that the daylight fills the sky)Noon: Rector potens, verax Deus(O Lord of might, O God of truth)Evening version 1 (for Sundays and Feast days)Te lucis ante terminum(Before the ending of the day)Evening version 2 (for weekdays)Te lucis ante terminum(Before the ending of the day).

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998995 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio Tudurí. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310891. Published by Antonio Tuduri (A0.998995). Händel's Opera pieces - Voice 3 for violinFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1    Violin, flute, oboe or clarinet.Voice 2    Violin, viola, flute, oboe or clarinet.Voice3    Violin, viola, cello, bassoon, flute, oboe or clarinet.  They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1.    L’ultimo ballo (Alceste)2.    Menuet (Almira )3.    Final Gavotte of act I (Arianna in Creta)4.    Overture Mussette (Alcina)5.    Overture Andante (Berenice)6.    Gavotte7.    Symphony of act III (Xerxes)8.    Il primo ballo (Alceste )9.    3d movement of overtura (Arianna in Creta)10.    3d movement overture (Ottone Re di Germania)11.    Menuet I of organ concerto HWV 308 .12.    Menuet II of òrgan concerto HWV 30813.    Final Chorus (Lucio Cornelio Silla)14.    Final Chorus ( Siroe Re di Persia)15.    Overture menuet (Alcina)16.    Menuet I of organ concerto HWV 310 17.    Duetto Il vostro maggio (Rinaldo)18.    Overture menuet of acte I (Arminio)19.    Act II Symphony (Arminio)20.    Act III Symphony (Deidamia)21.    Act I Symphony (Giustino).22.    Passacaglia.23.    Menuet from Tamerlano24.    Scene 3 prelude (Agrippina)25.    Act I Symphony (Xerxes)26.    Overture 3d movement (Faramondo).27.    Scene 3 act II (Teseo - Arianna in Creta)

Accordion - Level 3 - Digital Download SKU: A0.904287 By Lars Ek. By Lars Ek. Arranged by Lars Ek. Folk,Multicultural,World. Score. 3 pages. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1910927. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.904287). Lars Ek är en av Sveriges bästa dragspelare, och bland annat känd för sina fina tolkningar av Pietro Frosini, Nisse Lind och även sina egna mer än 100 kompositioner! Lars Ek är från Stockholm och började spela dragspel som 5-åring och ett år senare - 1953 gjorde han radiodebut! TV-debut 1958! Lars arbetar som dragspelare i olika sammanhang, bland annat har han arbetat som lärare, ackompanjatör för ett flertal artister och turnerat mycket i Sverige och utomlands. Han har även turnerat med sin populära Hot-trio och som solodragspelare i Europa, Asien och Nordamerika! Lars har genom åren spelat in flera skivor, som han faktiskt lyckats spegla de gamla dragspelsmästarnas kompositioner! Lars Ek är initiativtagare till Frosinisociety som grundades 1985 och som ska bevara den gamla dragspelsmusiken. Lars är nu ordförande i Internationella Frosinisällskapet och är en av grundarna till The World Accordion Music Expo i Ransäter! Det internationella Frosinisällskapet som han gör genom sajten www.frosinisociety.org ett enormt fint jobb med att främja dragspelens utveckling och popularitet både i Sverige och utomlands. Lars arbetar vid sidan av musiken på artistagenturen Music & Underhållningsskrädderiet AB, som han driver tillsammans med familjen sedan starten 1980.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.

Violin - Level 4 - Digital Download SKU: A0.1467007 By Daniel Mihai. By James Lord Pierpont. Arranged by David Warin Solomons. Christmas,Contemporary. Full Performance. Duration 118. David Warin Solomons #1045572. Published by David Warin Solomons (A0.1467007). Performed by Daniel Mihai on a Léon Bernardel violin La Duchesse d'Angoulême.Recorded on 27 June 2024 in the Sergiu Celibidache Concert Hall of the National College of Arts Regina Maria Constan?a.Based on the Christmas carol by James Lord PierpontStarting in G major, moving over to D minor with various low notes creating a sort of harmony and then going back to G major with even more of the harmonic lower notes.

Piano Solo - Level 3 - Digital Download SKU: A0.958681 Composed by Juan Carlos Cortés A. 20th Century,Concert,Instructional,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #5721353. Published by Juan Carlos Cortés Aguirre (A0.958681). Serie de 12 composiciones de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién lo compuso e inquietud de quién lo estudie. Se reitera siempre en todas las composiciones de esta serie, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach; más bien, al componer en este estilo se rinde un tributo de eterna gratitud y admiración por la majestuosidad y Perfeccion de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia.Series of 12 free-character compositions that do not intend to fit into the orthodox and pure style of the Baroque, but rather use these musical elements as simple playful exercises to delight those who composed it and the concern of those who study it. It is always reiterated in all the compositions in this series, that: Although it may seem so, it is not about emulating the great Juan Sebastián Bach; rather, when composing in this style a tribute of eternal gratitude and admiration for the majesty and Perfection of his work, as many musicians in the world have done throughout history.

Piano Solo - Level 5 - Digital Download SKU: A0.958686 Composed by Juan Carlos Cortés A. 20th Century,Concert,Instructional,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #5721379. Published by Juan Carlos Cortés Aguirre (A0.958686). Serie de 12 composiciones de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién lo compuso e inquietud de quién lo estudie. Se reitera siempre en todas las composiciones de esta serie, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach; más bien, al componer en este estilo se rinde un tributo de eterna gratitud y admiración por la majestuosidad y Perfeccion de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia.Series of 12 free-character compositions that do not intend to fit into the orthodox and pure style of the Baroque, but rather use these musical elements as simple playful exercises to delight those who composed it and the concern of those who study it. It is always reiterated in all the compositions in this series, that: Although it may seem so, it is not about emulating the great Juan Sebastián Bach; rather, when composing in this style a tribute of eternal gratitude and admiration for the majesty and Perfection of his work, as many musicians in the world have done throughout history.

Trumpet Solo - Level 5 - Digital Download SKU: A0.817140 Composed by Franz Joseph Haydn, Johann Nepomuk Hummel, Neruda, and Sasche. Arranged by Charles Decker. Classical,Contest,Festival,Historic,Instructional,Romantic Period. Individual part. 53 pages. Charles Decker Music Press #3905635. Published by Charles Decker Music Press (A0.817140). Now in in one collection are the four famous concertos for E-flat trumpet by Franz Josef Haydn (1796), Johann Nepomuk Hummel (1803), Johann Baptiste Neruda (ca. 1750) and Sasche (1871) that are the core of the trumpet's solo literature edited with dynamics, articulations, and new cadenzas. This essential collection for ambitious trumpeters comes with two sets of solo parts for E-flat trumpet and B-flat trumpet with no piano accompaniment. For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) and Supplemental Practice Approaches for Trumpet, as well as my First Technical Studies for Trumpet  for young students, all with Charles Decker Music Press at Sheet Music Plus. To further expand your solo literature knowledge see my collection at Sheet Music Plus of Three Famous Baroque Works for Two Trumpets which has D, C, piccolo A and B-flat trumpet solo parts for the frequently performed Vivaldi and Manfredini Concertos and Francheschini Sonata. If looking for more trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this like to Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1117161 Composed by Carlos Toro Montoro and Manuel de la Calva Diego. Arranged by Gono Gómez and Nonamé Música. 20th Century,Latin,Pop,Singer/Songwriter,Wedding. 17 pages. Nonamé Música #718739. Published by Nonamé Música (A0.1117161). (English below) La canción del confinamiento por excelencia. Un himno que trasciende generaciones y que sin duda es la canción más bonita, por manida que esté, de los grandes Manuel de la Calva y Carlos Toro Montoro (EL DÚO DIN�MICO). Para quien no lo sepa, también son los autores de la mayoría de canciones de Julio Igesias y del mítico LaLaLa con el que Massiel ganó Eurovisión. Arreglo para cuarteto bastante tradicional: El cello hace todo el rato la línea de bajo y las tres voces superiores se reparten el acompañamiento en upbeat y las dos melodías principales. Sencillo de tocar, perfecto para escuchar. Arreglo en una dos páginas por instrumento para facilitar su interpretación al aire libre. Arcos, digitaciones y matices para poder hacer una buena lectura a primera vista. Más arreglos de Nonamé en nuestro canal: Nonamé Música The confinement song par excellence. A hymn that transcends generations and is undoubtedly the most beautiful song, hackneyed as it may be, by the greats Manuel de la Calva and Carlos Toro Montoro (EL DUO DIN�MICO). For those who don't know, they are also the authors of most of Julio Igesias' songs and the mythical LaLaLa with which Massiel won Eurovision. Arrangement for quite traditional quartet: The cello plays the bass line all the time and the three upper voices share the accompaniment in upbeat and the two main melodies. Simple to play, perfect for listening. Arrangement on only two pages per instrument to facilitate its interpretation outdoors. Bowings and dynamics to facilitate a good sightreading. More Noname Music arrangements on our channel: Noname Music

Piano,Voice - Digital Download SKU: A0.1053192 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Full Performance. Duration 174. Exultet Music #6895223. Published by Exultet Music (A0.1053192). Campaign song for Rhode Island Mayoral candidate - Louis L. Vinagro Jr.

Accordion - Digital Download SKU: A0.1068881 By Lars Ek. By Lars Ek. Folk,Multicultural,World. Full Performance. Duration 171. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1905187. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068881). Lars Ek är en av Sveriges bästa dragspelare, och bland annat känd för sina fina tolkningar av Pietro Frosini, Nisse Lind och även sina egna mer än 100 kompositioner! Lars Ek är från Stockholm och började spela dragspel som 5-åring och ett år senare - 1953 gjorde han radiodebut! TV-debut 1958! Lars arbetar som dragspelare i olika sammanhang, bland annat har han arbetat som lärare, ackompanjatör för ett flertal artister och turnerat mycket i Sverige och utomlands. Han har även turnerat med sin populära Hot-trio och som solodragspelare i Europa, Asien och Nordamerika! Lars har genom åren spelat in flera skivor, som han faktiskt lyckats spegla de gamla dragspelsmästarnas kompositioner! Lars Ek är initiativtagare till Frosinisociety som grundades 1985 och som ska bevara den gamla dragspelsmusiken. Lars är nu ordförande i Internationella Frosinisällskapet och är en av grundarna till The World Accordion Music Expo i Ransäter! Det internationella Frosinisällskapet som han gör genom sajten www.frosinisociety.org ett enormt fint jobb med att främja dragspelens utveckling och popularitet både i Sverige och utomlands. Lars arbetar vid sidan av musiken på artistagenturen Music & Underhållningsskrädderiet AB, som han driver tillsammans med familjen sedan starten 1980.

By Various. Arranged by L. Zaidan. For Flute and Tuba. Duet music. Published by Cimarron Music Press