Piano Solo - Level 5 - Digital Download SKU: A0.958689 Composed by Juan Carlos Cortés A. 20th Century,Instructional,Multicultural,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #5721393. Published by Juan Carlos Cortés Aguirre (A0.958689). Serie de 12 composiciones de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién lo compuso e inquietud de quién lo estudie. Se reitera siempre en todas las composiciones de esta serie, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach; más bien, al componer en este estilo se rinde un tributo de eterna gratitud y admiración por la majestuosidad y Perfeccion de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia.Series of 12 free-character compositions that do not intend to fit into the orthodox and pure style of the Baroque, but rather use these musical elements as simple playful exercises to delight those who composed it and the concern of those who study it. It is always reiterated in all the compositions in this series, that: Although it may seem so, it is not about emulating the great Juan Sebastián Bach; rather, when composing in this style a tribute of eternal gratitude and admiration for the majesty and Perfection of his work, as many musicians in the world have done throughout history.

Violin II - Digital Download SKU: S9.Q2745 Music from the last movement of the Ninth Symphony L'Hymne Européen. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: separate part. Downloadable, Individual part. Duration 2' 15. Schott Music - Digital #Q2745. Published by Schott Music - Digital (S9.Q2745). The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house.

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998998 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio Tudurí. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310905. Published by Antonio Tuduri (A0.998998). Händel's Opera pieces - Voice 3 for CelloFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1    Violin, flute, oboe or clarinet.Voice 2    Violin, viola, flute, oboe or clarinet.Voice3    Violin, viola, cello, bassoon, flute, oboe or clarinet.  They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1.    L’ultimo ballo (Alceste)2.    Menuet (Almira )3.    Final Gavotte of act I (Arianna in Creta)4.    Overture Mussette (Alcina)5.    Overture Andante (Berenice)6.    Gavotte7.    Symphony of act III (Xerxes)8.    Il primo ballo (Alceste )9.    3d movement of overtura (Arianna in Creta)10.    3d movement overture (Ottone Re di Germania)11.    Menuet I of organ concerto HWV 308 .12.    Menuet II of òrgan concerto HWV 30813.    Final Chorus (Lucio Cornelio Silla)14.    Final Chorus ( Siroe Re di Persia)15.    Overture menuet (Alcina)16.    Menuet I of organ concerto HWV 310 17.    Duetto Il vostro maggio (Rinaldo)18.    Overture menuet of acte I (Arminio)19.    Act II Symphony (Arminio)20.    Act III Symphony (Deidamia)21.    Act I Symphony (Giustino).22.    Passacaglia.23.    Menuet from Tamerlano24.    Scene 3 prelude (Agrippina)25.    Act I Symphony (Xerxes)26.    Overture 3d movement (Faramondo).27.    Scene 3 act II (Teseo - Arianna in Creta)

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998992 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio Tudurí. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310881. Published by Antonio Tuduri (A0.998992). Händel's Opera pieces - Voice 2 for violinThis score include the full score with the five parts grouped in 3 voicesFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1    Violin, flute, oboe or clarinet.Voice 2    Violin, viola, flute, oboe or clarinet.Voice3    Violin, viola, cello, bassoon, flute, oboe or clarinet.  They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1.    L’ultimo ballo (Alceste)2.    Menuet (Almira )3.    Final Gavotte of act I (Arianna in Creta)4.    Overture Mussette (Alcina)5.    Overture Andante (Berenice)6.    Gavotte7.    Symphony of act III (Xerxes)8.    Il primo ballo (Alceste )9.    3d movement of overtura (Arianna in Creta)10.    3d movement overture (Ottone Re di Germania)11.    Menuet I of organ concerto HWV 308 .12.    Menuet II of òrgan concerto HWV 30813.    Final Chorus (Lucio Cornelio Silla)14.    Final Chorus ( Siroe Re di Persia)15.    Overture menuet (Alcina)16.    Menuet I of organ concerto HWV 310 17.    Duetto Il vostro maggio (Rinaldo)18.    Overture menuet of acte I (Arminio)19.    Act II Symphony (Arminio)20.    Act III Symphony (Deidamia)21.    Act I Symphony (Giustino).22.    Passacaglia.23.    Menuet from Tamerlano24.    Scene 3 prelude (Agrippina)25.    Act I Symphony (Xerxes)26.    Overture 3d movement (Faramondo).27.    Scene 3 act II (Teseo - Arianna in Creta)

Piano Solo - Level 5 - Digital Download SKU: A0.958685 Composed by Juan Carlos Cortés A. Concert,Instructional,Standards,World. Score. 3 pages. Juan Carlos Cortés Aguirre #5721375. Published by Juan Carlos Cortés Aguirre (A0.958685). Serie de 12 composiciones de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién lo compuso e inquietud de quién lo estudie. Se reitera siempre en todas las composiciones de esta serie, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach; más bien, al componer en este estilo se rinde un tributo de eterna gratitud y admiración por la majestuosidad y Perfeccion de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia.Series of 12 free-character compositions that do not intend to fit into the orthodox and pure style of the Baroque, but rather use these musical elements as simple playful exercises to delight those who composed it and the concern of those who study it. It is always reiterated in all the compositions in this series, that: Although it may seem so, it is not about emulating the great Juan Sebastián Bach; rather, when composing in this style a tribute of eternal gratitude and admiration for the majesty and Perfection of his work, as many musicians in the world have done throughout history.

Ocarina - Level 4 - Digital Download SKU: A0.1384505 By Emiliano Bernagozzi. By Wilh POPP. Arranged by Emiliano Bernagozzi. 19th Century,20th Century,Classical,Contest,Festival,Instructional. Score. 9 pages. Emiliano Bernagozzi #968776. Published by Emiliano Bernagozzi (A0.1384505). Wilhelm Albrecht Otto Popp è stato un compositore e flautista tedesco. Usò anche il nome francesizzato Guillaume Popp e lo pseudonimo Henry Alberti. La popolarità delle composizioni, degli arrangiamenti e degli esercizi di Wilhelm Popp non è mai diminuita e deriva dalla sua capacità di scrivere in stile concertistico romantico tenendo conto delle possibilità tecniche di alunni e dilettanti. Russisches Zigeunerlied op. 462/2, stampato per la prima volta nel 1896, ne è l'esempio migliore. Ideale per lezioni, concerti degli alunni o per concorsi. Anche la trascrizione per Ocarina e pianoforte di Emiliano Bernagozzi mantiene lo spirito virtuosistico e allo stesso tempo didattico della versione originale.

Brass Quintet E-Flat Cornet,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817120 Composed by Sasche. Arranged by Charles Decker. 19th Century,Chamber,Contest,Festival,Romantic Period. 50 pages. Charles Decker Music Press #3544309. Published by Charles Decker Music Press (A0.817120). This Americana brass band era two-movement virtuoso solo for E-flat cornet or trumpet from 1871 features a quintet trumpeter accompanied by traditional brass band instruments B-flat cornet, E-flat alto horn, baritone/euphonium and tuba. Included is alternate B-flat cornet for the E-flat solo cornet, alternate B-flat cornet for E-flat alto horn, alternate F horn for E-flat alto horn, and trombone can substitute for baritone/euphonium. The sound file is an actual brass quintet performance of the entire arrangement and not a computer playback of the score. If looking for more trumpet solo features with brass quintet see Charles Decker Music Press SMP editions of Clarke’s Carnival of Venice and opera arias by Puccini Che Gelida Manina from La Boheme, Verdi Caro Nome from Rigoletto and Rossini Non Piu Mesta from Cinderella. Use this link to Kendor Music  to see my trumpet feature brass quintet publications of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet . See more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet publications use these links to Kendor Music and Cherry Classics Music to see listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

Full Orchestra - Level 5 - Digital Download SKU: A0.886725 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Score and parts. 102 pages. Panagiotis Theodossiou #4822057. Published by Panagiotis Theodossiou (A0.886725). Fantasia Concertante, for cello and large orchestra op.27 (2004).  The almost traditionally tonic idiom of the work is a turning point for the composer’s thinking to more simple forms and easy to comprehend musical language. The tempos (Maestoso con moto – Poco meno mosso – L’ istesso tempo ma espressivo e tranquillo – Lento – Tempo primo) and the overall character is one of a romantic concerto. It is dedicated to Manos Hatzidakis and composer believes that it has something from him and his music.

Piano Solo - Level 5 - Digital Download SKU: A0.958692 Composed by Juan Carlos Cortés A. 20th Century,Concert,Instructional,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #5721401. Published by Juan Carlos Cortés Aguirre (A0.958692). Serie de 12 composiciones de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién lo compuso e inquietud de quién lo estudie. Se reitera siempre en todas las composiciones de esta serie, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach; más bien, al componer en este estilo se rinde un tributo de eterna gratitud y admiración por la majestuosidad y Perfeccion de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia.Series of 12 free-character compositions that do not intend to fit into the orthodox and pure style of the Baroque, but rather use these musical elements as simple playful exercises to delight those who composed it and the concern of those who study it. It is always reiterated in all the compositions in this series, that: Although it may seem so, it is not about emulating the great Juan Sebastián Bach; rather, when composing in this style a tribute of eternal gratitude and admiration for the majesty and Perfection of his work, as many musicians in the world have done throughout history.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.1033228 Composed by Leander L. Pickett. Arranged by Samuel Rodrigues Ferreira. Christian,Praise & Worship,Spiritual. Score and parts. 38 pages. Samuel Rodrigues Ferreira #6211527. Published by Samuel Rodrigues Ferreira (A0.1033228). Arranjo para falar com minha alma querida orquestra de Jesus

Mixed choir - intermediate - Digital Download SKU: S9.Q19826 Alles Vergängliche ist nur ein Gleichnis. Composed by Harald Genzmer. This edition: choral score. Schott Choral Music. Downloadable, choral score. Duration 1 minute and 15 seconds. Schott Music - Digital #Q19826. Published by Schott Music - Digital (S9.Q19826). Erst kurze Zeit vor seinem Tod schrieb Genzmer ein Werk für gemischten Chor a cappella über die berühmten Schlussverse aus Goethes Faust. Er widerstand der naheliegenden Versuchung einer übertrieben wirkenden Überhöhung und schuf eine ganz lapidare, knappe Komposition (Sehr ruhig) von nur wenigen Takten Länge: Das Ewigweibliche zieht uns hinan.

Piano Solo - Level 4 - Digital Download SKU: A0.1109666 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 3 pages. Juan Carlos Cortés Aguirre #712016. Published by Juan Carlos Cortés Aguirre (A0.1109666). Composición original en La menor por: JUAN CARLOS CORTÉS A. Composición (Ricercare) de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in A minor by: JUAN CARLOS CORTES A. Composition (Ricercare) of a free nature that does not intend to fit into the orthodox and pure style of the Baroque or Renaissance, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...

Composed by L. H. Redner. Arranged by Cindy A. Maher. Advent,Christian,Christmas,Hol iday,Religious. Score. 8 pages. Cindy A. Maher #909170. Published by Cindy A. Maher

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 pages. Marco Borsoi #3512071. Published by Marco Borsoi (A0.904849). Strano il mio destino è un brano musicale della cantautrice italiana Giorgia, 3º classificato al Festival di Sanremo 1996. Il pezzo è contenuto nell'album Strano il mio destino (Live & studio 95/96). Autori del brano sono Giorgia e Maurizio Fabrizio. Questa armonizzazione originale per coro misto SATB e pianoforte, esalta ancor più le caratteristiche melodiche e armoniche del brano, rendendolo ancora più unico e magico. Il brano parla di una donna che riflette su una storia passata. Una storia che lei stessa ha voluto o dovuto chiudere, ma non certo senza rimpianti; Che donna sarò, se non sei con me e se ti amerò ancora e di più …. E pensa: Strano il mio destino che mi porta qui … ; un destino che la costringe, per qualche motivo, a riflettere sul suo passato, riportandola al momento in cui ha deciso di andarsene via in silenzio. Un destino che, ancora oggi, la sorprende a ripensare a quell’amore ma senza indicarle una nuova strada dove poter andare, perché, anche se tutto quell’amore, io l’ho spazzato via…, fa male non pensare a te. Nel ritornello, emerge una speranza (sottolineata dall’apertura della melodia): Io non ti perderò, oltre il tempo e le distanze andrò…; speranza che viene confermata nell’ultima strofa: È chiaro il mio destino … io ti raggiungerò, quando la ragazza capisce anche che non tutto dipende da lei: proverò a gridare e forse sentirai, la mia voce che ti chiama, se vuoi.. E la speranza, divenuta certezza, ritorna con la ripetizione, enfatizzata dallo slancio melodico, della frase conclusiva … per non lasciati più. --------------- Strano il mio Destino is a piece of music by the Italian singer-songwriter Giorgia, 3rd at the Sanremo Festival 1996. The piece is on the album Strano il mio destino (Live & studio 95/96). Authors of the song are Giorgia and Maurizio Fabrizio.This original harmonization for mixed SATB choir and piano, enhances even more the melodic and harmonic characteristics of the piece, making it even more unique and magical. The song is about a woman who reflects on a past story. A story that she herself wanted or had to close, but certainly not without regrets; What a woman I will be, if you are not with me and if I will love you more and more.... And she thinks: Strange is my fate, that brings me here…; a fate that compels her, for some reason, to reflect on her past, bringing her back to the moment in which she decided to leave away in silence. A destiny that, even today, surprises her to rethink about that love but without indicating a new way to go, because, even if all that love, I have swept it away ..., it hurts not to think about you. In the refrain, a hope emerges (underlined by the opening of the melody): I will not lose you, beyond time and distance I will go ...; hope that is confirmed in the last stanza: It is clear my destiny ... I will reach you, when the girl also understands that not everything depends on her: I will try to shout and maybe you will hear, my voice calling you, if you want . And hope, become certainty, returns with the repetition, emphasized by the melodic impetus, of the concluding sentence ... not to leave you, anymore.

Piano Solo - Level 2 - Digital Download SKU: A0.1109660 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 1 pages. Juan Carlos Cortés Aguirre #712000. Published by Juan Carlos Cortés Aguirre (A0.1109660). Composición original por: JUAN CARLOS CORTÉS A. Composición de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition by: JUAN CARLOS CORTES A. Composition of a free character that does not intend to fit into the orthodox and pure style of the baroque, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...