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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1366026 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Christian,Contemporary,Religious. 13 pages. Ken Medema Music #950379. Published by Ken Medema Music (A0.1366026). Is There a Place for DreamingIs there a place for dreamingIn the corners of your mind…In a world where dreams are broken,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free. Do you dream of another countryWhere there is no push and shove…where the rich don’t rule and the poor are fed,And the only law is love,And a neighbor is a neighbor, And there is trust and loyalty?Come dreaming with me, dreaming with me,Admission is free. When I was a boy, I used to daydream a lot,And they told me that it would not last;Wouldn’t have time for such a waste of my mind,When my life started moving fast.Now that I’m grown, I find that life with no dreamIs a hell I refuse to bear.If it’s alright, I want to open my mindAnd see if my dreams are still there. Is there a place for dreamingIn the corners of your mind…In a world where dreams are broken ,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free.
A Place for Dreaming
Chorale SATB
Ken Medema
$1.99 1.72 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.819481 Composed by Sara Garrard. Contemporary,Folk,Patriotic,World. Octavo. 7 pages. Sara Garrard #6092459. Published by Sara Garrard (A0.819481). SATB unaccompanied | Duration: 2m30 | Difficulty: Moderate (needing good breath support) with rehearsal piano.Texts by Robert Louis Stevenson (1850-1894) A setting of two separate texts appearing on Stevenson's memorial in St. Giles Cathedral. The first part is flowing, irregular, folk-like; the second a solemn but joyful hymn.  This could be either a concert piece or used in a ceremony of remembrance.  2019 Give us grace and strength to forbear and to persevere. Give us courage and gaiety, and the quiet mind. Spare to us our friends, soften to us our enemies. Bless us, if it may be, in all our innocent endeavours. If it may not, give us the strength to encounter that which is to come, that we may be brave in peril, constant in tribulation, temperate in wrath, and in all changes of fortune, and down to the gates of death, loyal and loving to one another.Under the wide and starry sky,Dig the grave and let me lie.Glad did I live and gladly die,And I laid me down with a will.This be the verse you grave for me:Here he lies where he longed to be;Home is the sailor, home from sea,And the hunter home from the hill.Robert Louis Stevenson, Scotland, prayer, thanksgiving, memorial, funeral, remembrance, folk, anthem.The youtube link is to a piano version of the second half of this piece beginning: Under the wide and starry sky
Stevenson Prayer and Epitaph (Give us grace)
Chorale SATB

$4.25 3.67 € Chorale SATB PDF SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.1350480 Composed by Val Burton and Will Jason. Arranged by Christopher J. Malin. 20th Century,Contemporary,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #935289. Published by Christopher J. Malin (A0.1350480). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful melody. I think this one will make you a cut above the rest! A challenging but fullfilling piece of jazz music. This piece makes you stand out as a solo jazz guitarist of all idioms. This is for the chord expert. There are 44 different chords in this piece! Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This was on of Nat King Cole's signature pieces.I love this tune! Hope you will too.
Penthouse Serenade
Guitare

$4.99 4.3 € Guitare PDF SheetMusicPlus

Tpt. Pft - Easy - Digital Download SKU: F2.FM419 Composed by Paul Kelly. Trumpet and Piano. Score and part. 13 pages. Forton Music - Digital #FM419. Published by Forton Music - Digital (F2.FM419). ISBN 9790570483181.Three jazz inflected pop pieces for beginning to intermediate players. Rockin' Downtown: This piece harks back to early jazz rock. Don't swing the rhythm - play them straight. Play the opening statement aggressively, a bit brash. The middle section should be a little more playful. Give the closing two bars some 'shake' in the tone if you can. The Real And Only Blues: This should be played sweet and mournful, with a gentle swing to the rhythms. Treat each line as if it were a sentence, maybe even write words to go with it so that you have something to say with each phrase. Cart Full Of Monkeys: This is whimsical pop, unpredictable, like monkey behaviour. Don't be a complete slave to the tied rhythms in the opening and closing musical statements - use them more as a starting point for playfulness.
Rock, Blues and a Cartload of Monkeys
Trompette, Piano

$9.95 8.58 € Trompette, Piano PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.553105 Composed by Erik Satie. Arranged by Scott Camp. 20th Century,Concert,Contemporary,Standards,Wedding. Score. 3 pages. Scott Camp #4625347. Published by Scott Camp (A0.553105). Beautiful.Iconic.Enigmatic.I suppose this piece by Erik Satie has always touched the heartstrings of listeners. The harmonic language anticipates many sonorities that have become essential to later popular and jazz piano.  Is this an example of a one hit wonder?  It is undeniably famous, as evidenced by its continued use as background music for television ads of high end luxury goods. I often wonder what Satie eventually thought of this piece. This Gymnopedie is obviously his best known work, so I wonder if it also stands out as having generated the most revenue for Satie. If so, why didn't he replicate its success? Did he understand what he himself had created?  So many questions... I guess I'll have to ask Alexa.
Gymnopedie No. 1 (Satie)
Piano seul

$1.99 1.72 € Piano seul PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #915991. Published by Christopher J. Malin (A0.1327985). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington's finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I realise there are 90 versions of this piece. But for the solo jazz guitarist this is the coolest out there! Hand written and tried and true. Sweep the Fmaj.7th and your guitar will get the right feeling of the clarinet line!
Don't Get Around Much Anymore
Guitare

$7.00 6.04 € Guitare PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.749229 By The Beatles. By John Lennon. Arranged by HELEN MARPLE-HORVAT. Rock. Score and parts. 13 pages. Helen Marple-Horvat #5375007. Published by Helen Marple-Horvat (A0.749229). https://www.youtube.com/watch?v=S7pM0WPJtkAReal Love was written by John Lennon and recorded as demo tracks. After his death, the members of the Beatles brought out a version as a single in 1996 which quickly won a gold record and reached number 4 in the UK Charts, and number 11 in USA.Younger players may be more familiar with the Tom Odell cover of this lovely song, chosen as the John Lewis Christmas Advert Music in 2014.Although I arranged this for Capriccio Quartet who play professionally at weddings and other events, I am marketing it for the Intermediate category. The slow speed and easy key for strings make this an enjoyable song for younger players. As usual, most of my double stopping includes an open string, or a note that can be left out if it is easier. The opening cello melody can be dropped an octave without going below the low viola bass notes. Likewise the first violin can drop the octave at bars 24/25 and also at bars 36/37.Take as many bows as make you comfortable. My bowing is only a guide. Perhaps the octave leaps are difficult to slur effectively. I suggest just playing the higher or lower octave as gentle quavers.I hope you have fun playing this song. Send me any recordings, even if just a phone recording, as I particularly love to hear young people play my arrangements! I can be contacted on Facebook or on my Youtube Channel, Helen Marple-Horvat, Songwriter, Arranger and Composer where you will also find all my string quartet arrangements for Sheet Music Plus.Capriccio Quartet will be recording this soon. In the meantime I have only the computer version as a guide.
Real Love
Quatuor à cordes: 2 violons, alto, violoncelle
The Beatles
$20.00 17.25 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1328873 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #916882. Published by Christopher J. Malin (A0.1328873). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the A section in free time, adding improvisation. Then almost like a modern Power Ballad I play the B' section in a strong swing time. I repeat measures 11 to 14 three times! Then, I pull in the reins and slow her down towards the end and improvise freely at the bitter end. I love this tune! Hope you will too.
Solitude
Guitare
40s Instrumental Music
$7.00 6.04 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1348935 By Duke Ellington. By Billy Strayhorn, Duke Ellington, and Johnny Mercer. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. Christopher J. Malin #933670. Published by Christopher J. Malin (A0.1348935). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. I think of this one as Duke Ellington's signature piece. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This is a jazz classic! When I hear or play this song I think of my parents dancing to Satin Doll at Navy Pier in Chicago with the Duke's orchestra! His intro opening lick on the piano to that generation is like Clapton's Layla riff to my generation!I love this tune! Hope you will too.
Satin Doll
Guitare
Duke Ellington
$4.99 4.3 € Guitare PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publications #4729017. Published by Silver Sickle Publications (A0.942058). This witty and extremely fun work to perform by composer Apostolos Paraskevas was conceived after real events. There is a version for Soprano/tenor and Piano and one for guitar as well. Easy to perform and the text was inspired of the following narrative. I Slaughtered an Orange over the Sink... ...and it just sat there…It didn't say a word, not a sound of anguish, not even when my teeth started to tear apart it's flesh little by little... I knew it was a special orange but I couldn't fathom the magnitude of its character…Even when gentle I took it away from its friends there at the top of the kitchen counter, it looked at me almost with a sense of gratitude. Yes, gratitude.! As if it was saying: Thank you! Thank you for helping me to fulfill the purpose of my life…Since I was a little seed I knew I would serve a higher purpose. My sacrifice will help a human to become a healthier mother, doctor, composer, a better scientist. Yes, I think I felt it said…a better composer as well. ...and there I was, sinking my teeth deep inside its flesh and taking all of what it had to offer. It's life, it's substance, it's gratitude for serving a higher purpose. I slaughtered it over the sink, to avoid any evidence of what had happen there. The remaining outer sell, I placed it on the stove top and lighted up with fire, as my mother use to do, to release the heavenly smell and there it was. Evaporated everywhere! I inhale it, It became totally a part of me. Today, I slaughtered an orange over the sink and I didn’t say thank you!   Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece.  He is a voting member of the Recording Academy (Grammys).   After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas.
An Orange for Soprano/Tenor and Piano
Piano, Voix

$8.99 7.75 € Piano, Voix PDF SheetMusicPlus






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