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Concert band - Grade 2 - Digital Download SKU: IZ.CBW196 Composed by Judith Katz. Score and Parts. 58 pages. Imagine Music - Digital #CBW196. Published by Imagine Music - Digital (IZ.CBW196). 9 x 12 in inches.As an ardent fan of film, I have found myself increasingly attracted to full-fledged scores for cinema. No matter if it's an arrangement of a specific piece, or an original composition, I find myself wanting to view a movie merely for the score.When I was growing up, Westerns were a ubiquitous genre in Hollywood. In addition, New York City had a number of television stations that offered them as well. What all of these films and television programs had in common was, that they always had a strong, catchy and folksy theme. Prime examples were the themes to Bonanza, Wyatt Earp, Wanted Dead or Alive, etc.I wrote The Opening of The West with the goal of having some catchy, folksy and iconic themes that people would remember. I would like to think that this could eventually become an iconic western score.
The Opening of the West
Orchestre d'harmonie

$70.00 61.38 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Digital Download SKU: A0.937494 Composed by Miguel Matamoros. Arranged by Jan Thalman. Contemporary. 23 pages. Jan Thalman #6439553. Published by Jan Thalman (A0.937494). Son de la loma es una pieza compuesta por el cubano Miguel Matamoros, alrededor de 1945. Es una melodía muy conocida en ritmo de son, sin embargo, esta versión para cuarteto de saxofones está escrita para que se interprete en ritmo de samba. La samba es una danza brasileña de origen africano.En caso de no utilizar la percusión:- Los primeros 3 compases de la introducción deben eliminarse. Se empieza, entonces en el compás 4- El solo de percusión en el compás 91 debe ser omitido.- Letra G no se toca. De manera que, del compás 122 se pasa al compás 4.La parte percusión es opcional, puede incorporarla a los saxofones si así lo prefiere.Son de la lomaThis piece was composed by the Cuban musician Miguel Matamoros around 1945. The tune was originally written with a Son rhythm, however, in this version for a saxophone quartet the rhythm is Samba, a Brazilian dance.The use of percussion is optional. If it is not used, the player should follow these recomendations:-  The first three measures of the introduction must be eliminated to start in measure four.-  The percussion solo in measure 91 must be omitted-  Letter G is not played, as a result, the player must move on from measure 122 tomeasure 4.The use of percussion is optional.
Son De La Loma
Flûte, Hautbois, Clarinette, Basson

$14.00 12.28 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Concert band - Grade 1 - Digital Download SKU: IZ.CBS1613-S Composed by Marsha Chusmir Shapiro. Score. 19 pages. Imagine Music - Digital #CBS1613-S. Published by Imagine Music - Digital (IZ.CBS1613-S). 9 x 12 in inches.Composer's NotesFor several years I taught at a private Catholic school, the Bascillica School of St. Paul. I was exposed to some beautiful melodies from the weekly Masses, including one I particularly remembered, but which was under copyright. So I decided to create a similar modal line and open the composition as if it were being sung in a church. I play the French horn which is why I chose that voice to express the theme. The variations which followed were to begin as historically simple, but move toward a more contemporary sound. I have always loved the percussive sound of Vaclav Nelhybell's music and that is what I intended for the ending.
St. Paul
Orchestre d'harmonie

$10.00 8.77 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Grade 1 - Digital Download SKU: IZ.CBS1613 Composed by Marsha Chusmir Shapiro. Score and Parts. 57 pages. Imagine Music - Digital #CBS1613. Published by Imagine Music - Digital (IZ.CBS1613). 9 x 12 in inches.Composer's NotesFor several years I taught at a private Catholic school, the Bascillica School of St. Paul. I was exposed to some beautiful melodies from the weekly Masses, including one I particularly remembered, but which was under copyright. So I decided to create a similar modal line and open the composition as if it were being sung in a church. I play the French horn which is why I chose that voice to express the theme. The variations which followed were to begin as historically simple, but move toward a more contemporary sound. I have always loved the percussive sound of Vaclav Nelhybell's music and that is what I intended for the ending.
St. Paul
Orchestre d'harmonie

$40.00 35.08 € Orchestre d'harmonie PDF SheetMusicPlus






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