Easy Piano - Level 3 - Digital Download SKU: A0.821288 Composed by Giacomo Puccini. Arranged by Judith. L. Maggs. 19th Century,Classical,Opera,Romantic Period. Score. 2 pages. Maggs #6035635. Published by Maggs (A0.821288). This lovely aria from Puccini's opera Gianni Schicchi is a favorite of sopranos. This intermediate level piano version is transposed to the key of G major, down from the original Ab major, and uses eighth note arpeggios to replace the 16th note ones in the original. But it retains the lovely simplicity of the song. It could be used as a simpler accompaniment for a vocalist. (If played on a keyboard - it will work on a 5 octave or larger keyboard - it would be easy to transpose it back up to the original key.)

Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.

Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.924085 Composed by Dominic McGonigal. 21st Century,Classical,Contemporary. 52 pages. C8 Music #5990715. Published by C8 Music (A0.924085). Hall Of Mirrors has three short movements played without a break (although they could be played separately if desired). The opening fast movement has a minimalist feel with the recorders dancing around each other. The central slow movement is a beautiful long tune, arching over a pulsing accompaniment. The final movement is a fast fugue, full of energy, with stretto, augmentation and inversion. It ends with a short reference to the slow movement melody. It is best suited to professional or advanced amateur players, although it sounds harder than it actually is to play. It is scored for 8 recorders - 2 soprano, 2 alto, 2 tenor and 2 bass. 7'10 www.dominicmcgonigal.com.

Clarinet - Digital Download SKU: IZ.9780976508106 Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music - Digital (IZ.9780976508106). 9 x 12 in inches.Squeak Big teaches aspiring clarinetists the fundamentals necessary for success on the instrument through conceptual development and practical exercises. It will undoubtedly become an important resource for aspiring clarinetists and educators worldwide.For years, Dr. Paglialonga has helped his students improve by creating exercises and explanations to address fundamental playing issues. These materials circulated throughout the clarinet community, leading to numerous requests for materials to address other specific problems. Squeak Big answers those requests, making these materials available to a wider audience in a simple, easy-to-use format.Squeak Big is filled with healthy, concise, no-nonsense advice, as well as some great tips and tricks. I would recommend it to anyone wanting to advance their relationship with the clarinet. (Samuel Caviezel - Associate Principal Clarinet, Philadelphia Orchestra) Squeak Big is a wonderful resource for student and teacher alike. In it, Dr. Paglialonga provides helpful insights on clarinet playing from the fundamentals of producing a beautiful sound to hints on practicing in real life situations. His methodical approach helps to demystify clarinet playing and is geared towards helping improve both technique and musicianship. A must-have for any clarinetist's library! (Benjamin Lulich - Principal Clarinet, Cleveland Orchestra) Squeak Big is full of useful information. I highly recommend it to anyone who's looking for practical ways to become a better clarinetist! (Alexander Fiterstein - Prominent International Soloist) I would recommend Squeak Big to anyone wanting to improve or better understand the fundamentals of sound clarinet playing. (Carey Bell - Principal Clarinet, San Francisco Symphony) Phillip Paglialonga has written a thoughtful and detailed treatise on playing the clarinet. He communicates from a thorough knowledge of the instrument and its workings. This volume is a valuable reference for teachers and performers alike, replete with numerous practical suggestions and exercises. If only every clarinet player could digest the information Dr. Paglialonga sets forth herein, good solid foundations would be formed and bad habits easily prevented. (John Bruce Yeh - Assistant Principal Clarinet, Chicago Symphony) Squeak Big provides valuable advice for players at every stage of development, with easy practical methods, useful exercises, and even a bit of historical context. I've already been able to incorporate many of these ideas, not only into my teaching, but also into my own playing! (Ralph Skiano - Principal Clarinet, Detroit Symphony) Squeak Big is excellent and I'm sure it will be of great value to many players. Phillip Paglialonga explains so many of the fundamentals in a very clear, concise way. Bravo! (Larry Guy - Prominent Pedagogue).

Piano Solo - Level 5 - Digital Download SKU: A0.1504747 Composed by Johann Sebastian Bach. Arranged by Thomas Ling. Baroque,Classical,Instructional. Score. 11 pages. Thomas Swee Chin #1080174. Published by Thomas Swee Chin (A0.1504747). Capriccio on the Departure of a Beloved Brother, BWV 992 is an early keyboard work by Johann Sebastian Bach, composed in 1704 when Bach was still a teenager. It is considered one of his few programmatic compositions, telling a specific story through music. The piece was likely written to bid farewell to Bach’s brother, Johann Jacob, who was leaving to serve as an oboist in the military.Structure and Programmatic Elements:The Capriccio is divided into six short movements, each with a descriptive title, narrating the emotional journey of the departure:Arioso: Adagio – A friend tries to dissuade him from leavingA gentle, expressive movement representing a friend’s attempt to persuade Johann Jacob to stay.Andante – They picture the dangers that may befall himThis section evokes the imagined dangers and perils of travel, characterized by ominous, foreboding musical gestures.Adagissimo – A lament of the friendsA sorrowful, slow lament, capturing the grief and sadness of those bidding farewell to the brother.Aria di Postiglione – The postillion’s horn is heardThis movement imitates the sound of a post horn, as if signaling the brother’s imminent departure by coach, a common mode of travel in that period.Fuga all’imitazione della cornetta di postiglioneA lively fugue that continues the imitation of the post horn, showcasing Bach’s contrapuntal skills even at this young age.Aria – The friends’ farewellThe final movement brings the capriccio to a touching close as the friends say their last goodbye.Style and Significance:Musical Innovation: While Bach is typically known for abstract works, this early piece is unique for its use of vivid musical storytelling. Each movement serves a narrative function, making it one of the earliest examples of program music, where the music is designed to evoke specific images or emotions outside of purely musical ideas.Youthful Playfulness: The Capriccio reveals the young Bach’s ability to blend humor, drama, and emotion. It also shows his developing mastery of counterpoint, which would later define his mature works.Historical Context: Bach composed this piece at the beginning of his career, before his major positions in Weimar, Köthen, or Leipzig, making it an important insight into his early stylistic development.This capriccio is an expressive and inventive work that balances emotional depth with technical brilliance. It stands out as a unique, personal piece within Bach’s extensive oeuvre, reflecting both a sense of farewell and a joyful exploration of musical ideas.

Brass Ensemble - Level 5 - Digital Download SKU: A0.1005635 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Baroque. Score and parts. 42 pages. Rudy Volkmann #6038789. Published by Rudy Volkmann (A0.1005635). This arrangement of one of the Baroque period's most famous pieces is not for the faint-hearted.  It's a difficult piece, probably for graduate students, but a great tour-de-force for a brass section when it's put together.  And it's doable.  All the long lines are split between different players, and even when everyone is in for a long phrase there are little catch-breath openings for everyone.  But it's a long blow - not many rests for anyone.  If you're looking for a real showpiece for your brass section, this is it.

Cello,Piano - Level 5 - Digital Download SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. SalutConcert #6272207. Published by SalutConcert (A0.1013561). DREAM OF LOVE -Duo for Cello & PianoA true work of art, fantastically beautiful and perfect,that reaches the maximum point of the sense of Love.                                                               Lord of the Violin -Mstro. Graf Mourja / RussiaThe work Dream of Love, originally written for Piano Solo and titled by the composer Liszt Liebestraum No.3, relives in the XXI century its intense romance in the version of a loving Duo, starring by Cello and Piano, created by Victoria Foust.It represents a dialogue that leads to discovering the meaning of Love in all its expressions.Preserving the passionate romantic atmosphere, this Duo version demands great technical and musical professional ease for both instruments, in order to achieve a complete and transcendent musical experience for both the soloists and their audience.The cello part has a mature technical exigency that requires a high-performance flight to reach the door of the spiritual, of the metaphysical, proposed in this arrangement for duo. - Mr. J. Hennessey Brown / Brown Music Agency / UKApart from offering a virtuous sample for each interpreter, it also provides a very effective tool to discover the world of chamber music and develop a greater sensitivity for each soloist and the duo itself.Approximately 5 minutes long, the composition, accompanied by an original poem, written by its author and translated into two languages ​​(Spanish and English), invites you to discover the dimensions of Love through a musical journey that leads to the union of all senses.Love…Are you a necessity or a luxury?A truth or an illusion?Love…Are you just a Dream? To complete the enjoyment of this beautiful musical gem, Victoria Foust has created the Videoclip Dream of Love - a love story, starring by music, Lipizzan imperial horses and the exuberant nature of southern Chile.A beauty from a fairy tale, turned into reality, that invites you to see it indefinitely. - Mstro. Peter Guth / Strauss Orchestra / Viennahttps://youtu.be/jLWxkmg_Ld0 To musically unite the Love Story part of the VideoClip with it Credits part, the creator has specially composed a new piece of music There was once - a fantasy about Liszt's melodies, which fuses classical piano with Latin-American rhythms and jazz touches, interacting with saxophone, cello and percussion.https://youtu.be/i-_gWb1u-zABoth works are also part of the CD Pulse of the Life with the compositions by Victoria Foust.https://www.victoriafoust.com/cd-pulso-de-la-vida/More details about the Project of the Videoclip Dream of Love can be found here:https://www.victoriafoust.com/sueno-de-amor/I very much wish that you can enjoy this musical arrangement and I will be very grateful if you could share with me your experiences related to this work.Music with Love,VictoRia Â·      www.victoriafoust.com·      https://www.youtube.com/channel/UC6sgzGtmZ0WluhJkz_pmrRQ·      Facebook: https://www.facebook.com/victoria.foust.581·      Instagram: https://www.instagram.com/pianistvictoriafoust·      Linkedin: https://www.linkedin.com/in/victoria-foust-3a268859/·      Wikipedia: https://es.m.wikipedia.org/wiki/Victoria_Foust It is published under Label SalutConcertwww.salutconcert.com   

Piano Solo - Level 3 - Digital Download SKU: A0.1031420 Composed by Chrystal Cottrell. Christmas,Contemporary,Instructional,Wedding. Score. 7 pages. Chrystal Cottrell #6137159. Published by Chrystal Cottrell (A0.1031420). About Soar: Soar has many useful elements perfect for private piano lessons. It contains the following: Arpeggios A Neo Classical Sound It is much like an exercise, keeping all fingers busy. It contains a fermata for dramatic pause. It uses a wide range of dynamics and phrasing. Composer’s note to you: Please freely use rubato and legato, dynamics and phrasing to make Soar uniquely expressive, as only you can. As you play through the piece, see if you can hear the seashore. Listen for the constant ebb and flow of the ocean. Listen to the seagulls clumsily taking flight, then climbing higher and higher. Hear them crooning high above as the waves crash below. Notice the peaceful surroundings as they fly off into the sunset. I hope you enjoy Soar, and it helps you grow as a musician. With warm thoughts for your safety and happiness, Chrystal Cottrell

Piano Solo - Level 2 - Digital Download SKU: A0.1416906 Composed by Lyra Davidica. Arranged by Amanda Tero. Christian,Easter,Holiday,Religious,Sacred. Score. 9 pages. Amanda Tero #998498. Published by Amanda Tero (A0.1416906). Mark any Sunday, including Easter, with this lively Christ the Lord is Risen Today piano solo for early intermediate players. It features an energetic left hand, some syncopation, and a brisk tempo, making it a crowd-pleaser.This piano solo of Christ the Lord is Risen Today is designed for students who want pieces with easy patterns that sound great. The left hand features mostly open 5ths with a few other intervals or single notes woven in tastefully. The right hand carries the melody as single notes, with a few 3rds and 5ths.It is arranged in an exciting, driving style that some may categorize as rock.For church services, recitals, and Easter music events, Christ the Lord is Risen Today early intermediate piano sheet music solo will capture the listeners and cause them to celebrate.Similar in level to most Level 2-3 piano curricula and ABRSM Level 2-3.The basic format of Christ the Lord is Risen Today early intermediate piano solo is: introduction, verse, interlude, verse, interlude, verse, ending. Features 3 complete verses.5 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In Christ the Lord is Risen Today Early Intermediate Piano Solo Sheet Music Key of C major Time signature: 4/4 with a few 2/4 measures Tempo: exciting, fast Note values: half notes, dotted quarter notes, quarter notes, eighth notes Note reading: right hand treble clef G3 to D6, left hand bass clef C2 to C4 Hand crossings Ledger lines (up to 2 lines) Ties for syncopation Left hand predominantly open 5ths Right hand predominantly single-note melody (4 measures of 3rds) Accidentals Glissando Staccatos Practice Tips for Christ the Lord is Risen Today Early Intermediate Piano Solo Sheet Music The temptation may be to take this piece too quickly, but remind the student to play it at a tempo they can keep up with. The rests and staccatos are very important in this arrangement. Be sure the student has complete silence and doesn’t hold notes over the rests and has a nice, sharp staccato.If the student struggles with the syncopation in measures 35-38, I have found it beneficial to draw straight lines between the staves to show where the RH and LH interplay.

Brass Ensemble - Level 5 - Digital Download SKU: A0.796864 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque. Score and parts. 29 pages. Stephanie Daige #3368125. Published by Stephanie Daige (A0.796864). This little fugue is one of Bach's most famous and beloved keyboard works. Re-imagined for brass quintet, it is a challenging and fun setting for this fugue.  The five instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments.  The timbres of the different instruments add a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these brass instruments, which obviously wasn’t an issue in the original version intended for organ. This piece would be appropriate for advanced high school students, college students,or professionals. It would do well in a chamber music concert, a church, or between acts of a larger ensemble concert,perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals.  I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There is also a version of this piece available for woodwind quintet. Please check out my other arrangements at:http://www.sheetmusicplus.com/publishers/stephanie-daige/6875

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1167912 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Contemporary. 31 pages. Lisa L Ochoco #768268. Published by Lisa L Ochoco (A0.1167912). If you’ve ever seen a funny video on YouTube, Facebook, Tik Tok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at the 2 minute mark.Scored for saxophone choir – 2 sopranos, 2 altos, 2 tenors, and baritone.  There is an optional bass that doubles the baritone.This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!Duration: 2 minutes.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549333 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486247. Published by jmsgu3 (A0.549333). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Small Ensemble Piano,Violin - Level 4 - Digital Download SKU: A0.929243 Composed by Traditional. Arranged by Bob Mathews. Country,Folk,Traditional. Score and parts. 9 pages. Bob Mathews #4362973. Published by Bob Mathews (A0.929243). This is an arrangement of this great contest fiddle tune Sally Johnson.  It is very similar to the old tune Katy Hill.  This is only a suggestion of how to play the song.  There are many ways that you can vary the melody to maki it your own.  If you want to play it the way it is it will work just fine.  You do not have to have piano.  The chords are written above the violin melody so guitar and bass can play with you.  Have fun playing this great old tune!

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016682_BTX E-flat Baritone Saxophone. Composed by Gordon Goodwin. Funk; Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016682_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016682_BTX). UPC: 038081344454.It's funky with all the Big Phat Band attributes, and it's fairly tough to play, but hey, it's Gordon and you know it will be a hot chart . . . if you have the horses. The opening lick for piano is really hot. The rhythm section will stay busy and it includes an auxiliary percussion part. Solo space is for alto, tenor, bari, trumpet and trombone. Open with this chart! (4:55) This title is available in SmartMusic.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1309904 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music: Jon Burr. Arranged by Jon Burr. Country,Folk,Traditional. Score. 17 pages. Cheryl Prazak #899036. Published by Cheryl Prazak (A0.1309904). Cotton-Eyed Texas is a celebration of all good things Texan.Lyrics by Cheryl Prazak, music by Jon Burr Arranging, production and video by Jon Burr (arrangerforhire.com)Lyric:Let me tell you ‘bout a place that’s stood the test of timeOnce it was a country, but now a State of MindTexas is the place I know, it’s special and it’s reallet me share some things it’s got you oughtta see and feelDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We belt it out with Jennings, echo through the hills,rave with Buddy Holly, “ah-hah� with the great Bob Wills.We croon with Kenny Rogers, George Strait and young Clint Black.We dance the Texas two-step to Galveston and backDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its mountains and plains, valleys and bayous.We had cottonfields once where legendary pickers grew,Like Lightnin’ Hopkins, T-Bone, Blind Lemon, Stevie Ray played the bluesBuddy Holly, and Willie Nelson sang their stories tooDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Us Texans like to hunt and shoot, and what we shoot, we eat.When you smell the bar-b-cue, bring a dish ‘n grab a seat.Tex-Mex, tacos, fajitas, enchiladas and red wine!Avocado guacamole suits a Texan just fine!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We have fought to live our way, and we can fight again.When the need presents itself, we only fight to win.We have fought to live our way, we can live no other.If you feel like coming this way, don’t mess with Texas, brother!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its music, Texas has its foodTexas has its history to put you in the moodThe very best way to visit is to travel far and wideone end to the other right through the countrysideDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe