Small Ensemble - Level 5 - Digital Download SKU: A0.1088423 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 18 pages. Antonio Gervasoni #692688. Published by Antonio Gervasoni (A0.1088423). Single-movement work for string trio. I've been practicing meditation for several years and if I had to choose a particular word to describe what I experience, that word would be drifting. After relaxing, my mind begins to wander. Fragments of images, thoughts and sounds flash through my mind, like fast zapping on a TV. Everything is blurry, but every now and then an image takes shape and for a moment I see all kinds of things: people, landscapes, animals, etc.; sometimes I hear a voice that speaks to me; I've even listened to music, like tuning in to a radio station for a few seconds (and when I say listen I mean it; it's not like remembering a song, it's exactly like listening to it). This is known in neuroscience as the hypnagogic state, in which hallucinations often occur. I decided to draw on this kind of experience to write Drifting. It's organized in three sections, with no break between them: relaxing, flowing and being.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016682_TN3 3rd Trombone. Composed by Gordon Goodwin. Funk; Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016682_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016682_TN3). UPC: 038081344454.It's funky with all the Big Phat Band attributes, and it's fairly tough to play, but hey, it's Gordon and you know it will be a hot chart . . . if you have the horses. The opening lick for piano is really hot. The rhythm section will stay busy and it includes an auxiliary percussion part. Solo space is for alto, tenor, bari, trumpet and trombone. Open with this chart! (4:55) This title is available in SmartMusic.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1389294 By The 1975. By Adam Hann, George Daniel, Matthew Healy, and Ross MacDonald. Arranged by Mario Stallbaumer. Pop,Rock. Score. 6 pages. Mario Stallbaumer #972841. Published by Mario Stallbaumer (A0.1389294). With this sheet music, you can play Somebody Else by The 1975 on piano!It's an accurate, carefully created piano arrangement of the full song.  Somebody Else is a song from The 1975's second studio album I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It.It became their most successful song, receiving a gold certification in Australia and the US, platinum in the UK, and more than 500 million streams on Spotify!Somebody Else is a beautiful ballad, and it makes for a fantastic piano cover!If you want to see more of my work, you can visit my YouTube channel!

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).       Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,� published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.� One announced, “You can’t play in our yard.� The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.       The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.� But “in sweet dreams of childhood� we still remember the controversy of the yard.       This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary� then transitions to ¾ for the remainder of the piece.       Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.       Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).

Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.801051 Composed by Connie Boss. Children. 3 pages. Connie Boss #4292419. Published by Connie Boss (A0.801051). This is a song about a little Train called Max. He was small but fast and if he tried really hard he could make it up the hill. It shows a valuable lesson about not giving up but trying your best. I wrote this song to sing for my daycare kids and grand kids. They have always loved it. It is in simple piano with the bass clef representing the rhythm of the train going down the tracks. It also includes guitar chords.

String quartet - intermediate - Digital Download SKU: S9.Q7119 As Ludwig van Beethoven could (possibly) have composed it. Composed by Ludwig van Beethoven and Wolfgang Birtel. This edition: score and parts. Downloadable, Score and parts. Duration 13 minutes. Schott Music - Digital #Q7119. Published by Schott Music - Digital (S9.Q7119). What do Beethoven and the children's song Fuchs Du hast die Gans gestohlen have in common? Nothing, strictly speaking. Although the song was written as early as 1824 (and theoretically, Beethoven could have known it), it has not left deep marks on his oeuvre. But what if he had known it? Wolfgang Birtel pursued this question and, in reply to it, conceived a symphony for string quartet: behind each movement is an original symphony by Beethoven (spiced with quotes from other works). The children's song appears as the main theme in the final movement of Symphony No. 1, in the famous funeral march of Eroica, fate knocks at the door (of the goose house) in remembrance of Symphony No. 5, and the work ends with Ode to the Roast Goose (Symphony No. 9). A funny and cleverly arranged collage, a performing and listening pleasure in the footsteps of Beethoven.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016682_T3 3rd B-flat Trumpet. Composed by Gordon Goodwin. Funk; Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016682_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016682_T3). UPC: 038081344454.It's funky with all the Big Phat Band attributes, and it's fairly tough to play, but hey, it's Gordon and you know it will be a hot chart . . . if you have the horses. The opening lick for piano is really hot. The rhythm section will stay busy and it includes an auxiliary percussion part. Solo space is for alto, tenor, bari, trumpet and trombone. Open with this chart! (4:55) This title is available in SmartMusic.

Double Bass ad lib. - intermediate - Digital Download SKU: S9.Q10807 As Ludwig van Beethoven could (possibly) have composed it. Composed by Ludwig van Beethoven and Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Duration 13 minutes. Schott Music - Digital #Q10807. Published by Schott Music - Digital (S9.Q10807). What do Beethoven and the children's song Fuchs Du hast die Gans gestohlen have in common? Nothing, strictly speaking. Although the song was written as early as 1824 (and theoretically, Beethoven could have known it), it has not left deep marks on his oeuvre. But what if he had known it? Wolfgang Birtel pursued this question and, in reply to it, conceived a symphony for string quartet: behind each movement is an original symphony by Beethoven (spiced with quotes from other works). The children's song appears as the main theme in the final movement of Symphony No. 1, in the famous funeral march of Eroica, fate knocks at the door (of the goose house) in remembrance of Symphony No. 5, and the work ends with Ode to the Roast Goose (Symphony No. 9). A funny and cleverly arranged collage, a performing and listening pleasure in the footsteps of Beethoven.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1402429 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Religious,Sacred,Spiritual. Score. 7 pages. Anastace #985647. Published by Anastace (A0.1402429). Written for the comfort of believers and as a perfect hymn to bring peace to the troubled and calm to the restless, this song is simple and easy for congregations and beginner choirs to pick up easily to sing along with right away. It is a good song selection for both every day church services to sad occasions such as funerals or other loss. In the dark, stormy times in our lives, Peace, Be Still will bring comfort and uplifting inspiration to those who hear it or sing it, since it is based strongly on the words of Christ Who spoke to the storm, calming the waves and also the hearts of His followers. The file includes the complete score, as well as piano and vocal separately for your printing convenience - it will save a few pages on everyone's music stand or piano!This version is in the same key as the original recording and has a vocal range of C4-G4 for a moderately low voice. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Lead Sheet in C MajorChoral Version in C Major with all vocal parts to match recordingPiano Vocal in F Major for higher range voice [F4-C5]For other formats including large print, a different key to match a soloist's preferred range, or piano solo, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!

B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1105619 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicultural,Traditional,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #708836. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1105619). If you're a beginner or looking to enhance your musical skills or looking to add Treble Clef, this book is just what you need. It features well-known tunes including For He's A Jolly Good Fellow and Happy Birthday, and is packed with an impressive collection of easy-to-learn melodies and duets that make reading and playing the TREBLE clef a breeze.The book is designed specifically for beginners, with each page containing useful teaching points, guidance notes for both teachers and students, a note value chart, the Circle of Fifths for major keys, scales, easy technical exercises, and an alphabetical index of tunes.It's perfect for teacher-student play-along and is available in 10 different versions for all Western musical instruments, allowing for unison or octave play.ENDORSEMENTS.  Professional musician Keith Walker highly recommends this book, wishing he had it 50 years ago. It's popular among elementary school instrumentalists and teachers because of its simplicity and versatility, as it can be played on any instrument.This book is a great source of inspiration and motivation for people of all ages and classrooms.A must-have for beginner instrumentalists of all ages.

Piano - Digital Download SKU: A0.1066752 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 355. THEMIS KOUTRAS #5195065. Published by THEMIS KOUTRAS (A0.1066752). This a song in parable inspired by the holy spirit and a PROMISE of GOD that it is a prophesy song that we will progress to the space mission even to reach beyond the universe and creating new world up there as finishing the work GOD began to do to other worlds is that it is a sign up there he left it unfinished work he finished earth so to see how determined planet earth is to learn of him and take after the real true GOD rather then false gods to see if we will finish off those worlds up there in order to transport life there from here declairing these new worlds will then be part of planet earth the space mission today has the ability power to do this and I beleive one day they will do this it has a final meaning that the space ships will mean we will travel without tecknolodgy it be that the nick name space ship is given by me for the name of the holy spirit because his beyond all powerful I know in parable because he will accend us up high without a space ship as he already has for me for I been in the always given eternal life I have now returned back hewre the moment I left in time and space ye true ye I have been everywhere up there by the power of the holy spirit as he accended me up high in the always

Guitar - Level 2 - Digital Download SKU: A0.986097 Composed by Maja Roedenbeck, Joachim Ribbentrop. Arranged by Maja Roedenbeck, Joachim Ribbentrop. Blues. Guitar Tab. 5 pages. Maja Roedenbeck #6264997. Published by Maja Roedenbeck (A0.986097). For this fingerstyle blues piece we took GuitarNick 's Blues #2 and extended it into a blues duo suitable for guitar lessons. I never get tired of the light and happy swing it's got to it! It makes you forget all your troubles. Our version of the piece consists of three parts: a blues theme with a second melody and two different solo parts with a simple blues accompaniment. We play them in the following order: blues theme & melody, solo #1, blues theme & melody, solo #2. But you could as well play: blues theme & melody, solo #1, solo #2, blues theme & melody as a grand finale. Play around a little and come up with your own version! If you are only interested in the blues theme guitar tab, get it for free at GuitarNick's channel. Or choose our extended duo version with extra melody, first and second solo which you can listen to on Youtube.

Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.1194263 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Contemporary. 22 pages. Lisa L Ochoco #793636. Published by Lisa L Ochoco (A0.1194263). If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.Scored for flute quartet - 4 C or 3 C and alto.This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!Duration: 2 minutes.

Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.

Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003