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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553962 Composed by Gabriel Pierne. Arranged by Ray Thompson. 20th Century,Children,Concert,Graduation,Romantic Period. 64 pages. RayThompsonMusic #6370067. Published by RayThompsonMusic (A0.553962). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short  pieces: originally written for piano, and later transcribed by him, for small orchestra (English Translation: Album for my little friends (Children)Movts are:Pastorale FarandoleLa Veillée de l'ange gardien (The vigil of the Guardian Angel)Petite gavotteChanson d'autrefois (Song of olden times)Marche des petits soldats de plomb (March of the Lead Soldiers)The pastorale is the version arranged by Pierné, all other 5 mats are mine.Alternative bb and F horns are provided.
Pierné: Album pour mes Petits Amis Op.14 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$14.95 12.54 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792665 Composed by Jeff Reynolds. Arranged by Cherry Classics Music. Christian,Jewish,Sacred. Score and parts. 24 pages. Gordon Cherry #5320113. Published by Gordon Cherry (A0.792665). Here is a description of the Four Psalms for Four Trombones by Jeff Reynolds. Musical settings of The Psalms of David are a staple in the Compline world, and are indeed the musical nut of Compline. I composed these in modes for a choir of men, with countertenors and text, and thought these settings would be a soothing repast for the trombone world; maybe not for the 1st player. The lack of stems and meter is a way to get away from the rhythmic feel of western music and into the lumpy, arhythmic, text driven zone of chant. There are only 3 basic note lengths: a larger white note is a whole note; a smaller white note is a half note surrogate; and a black note is a quarter note. Be not anxious to get to the new phrase. Taking time for breaths is a good thing. Psalm 130 is a Penitential Psalm, with music in the acerbic style of Igor Stravinsky after the 2nd trombone solo from the Russian Easter of Korsakov.  Mr. Reynolds has written settings for Psalms 4, 91 Qui habitat, 130 De profundis and 103. The Psalms are appropriate for moderately advanced to intermediate level performers.
Four Psalms for Four Trombones

$27.50 23.07 € PDF SheetMusicPlus

Violin and piano - advanced to difficult - Digital Download SKU: S9.Q24049 Three Poems. Composed by Szymanowsky. This edition: Sheet music. Violin Library. Downloadable. Op. 30. Schott Music - Digital #Q24049. Published by Schott Music - Digital (S9.Q24049). Karol Szymanowski (1882–1932) is regarded as one of the most important Polish composers since Chopin. He received his formative musical training in Warsaw where he lived for many years and was also director of the Conservatoire and Music Academy. His compositional oeuvre comprises a large variety of styles: Szymanowski first leaned towards Chopin and Scriabin, then studied Richard Strauss and Igor Stravinsky, finally finding a style in which he combined impressionist and expressionist, partly even atonal moments. His 'Mythes' for violin and piano from 1915 fell in a transitional period: in the period of turning away from late German Romanticism. They are expressive miniatures full of tonal refinement and impressionist charm and, thanks to their accessible virtuosity, perfect effective performance pieces.
Mythes
Violon et Piano

$25.99 21.81 € Violon et Piano PDF SheetMusicPlus


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