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Instrumental Duet Alto Saxophone,Electric Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.977049 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Music #4804179. Published by Distant Engraver Music (A0.977049). Elements of this music can be traced to jazz, blues and classical music, but it’s not really crossover or fusion. It doesn’t sound like jazzy classical music and it certainly isn’t jazz hoping to be serious or grandiose. Its seemingly disparate impulses blend logically into a work that feels natural on its own terms. So when the saxophone plays syncopated melodies or bent pitches, it just sounds like the right thing to do. Similarly, though the inspiration for certain guitar sounds and effects came from electric-based fusion or more serious-minded rock music, those influences are probably not obvious. Of course, guitarists will bring some of their own concepts and experience into their sounds, too, but general guidelines are given on the score.  The three movements of this piece are:
Dialogues, for alto sax and electric guitar

$9.00 7.79 € PDF SheetMusicPlus

Small Ensemble Baritone Saxophone,Bass Saxophone,Piano - Level 5 - Digital Download SKU: A0.533585 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3029121. Published by Musik Fabrik Music Publishing (A0.533585). Polpis Dreaming (2002) for contrabass saxophone and piano was commissioned for and isdedicated to Jay C. Easton. The work was inspired by Easton's championing of the more unusual members of the saxophone family, particularly the contrabass with its incredibly powerful and deep sound.  This work is recorded on Easton's SoLow CD.The title refers to Polpis, a region of Nantucket Island, Massachusetts that borders Nantucket Harbor with a variety of smaller inlets. This work is one of a variety of pieces connected to the landscape of Nantucket. In the case of this piece, the extra-musical image was one of the incredible depth of the ocean (perhaps parallel to the depth of the contrabass saxophone's sound) slowly being explored/achieved through the means of inlets.The work's basic material comes from the saxophone's opening gesture, which moves upwardfrom the bottom of the instrument. The pitch material and interval content that are transformed throughout the work are presented in that motion.The first section of the work is declamatory, with lyric impulses. The material of the work is unfolded as the sounds of the piano's resonance, combined with the tone of the contrabass saxophone are explored. A faster middle section occurs next in which the harmonic gestures and transformations are always moving towards greater consonance. After the middle section, there is a return to the mood of the opening, although the material of the middle section also appears in transformation.
Carso Cooman: Polpis Dreaming (2002) for Eb contrabass saxophone and piano

$11.95 10.35 € PDF SheetMusicPlus


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